By Kristi York Wooten; taken June 6, 2014 in Atlanta |
After leaving to form World Party, Wallinger made several critically-acclaimed albums
through the next decade and scored eight minor UK hit singles. Best known in
America for the top 30 pop single “Ship of Fools,” he also charted several
times at modern and mainstream rock radio.
In 2012, following a long
absence, World Party resurfaced with Arkeology,
a five-CD collection featuring 70 rarities encased in a spiral date planner.
It encompassed the group’s quarter century history with B-sides (remember
those?), demos, covers, live sessions, radio interviews, concert and unissued studio
recordings. It’s a must-buy for diehard fans.
The band did a couple brief live swings through the States in support of Arkeology,
but last month embarked on a much bigger 25-date trek that just concluded in
Solana Beach, Calif.
Wallinger
played acoustic guitar and keyboards amid a highly impressive 100-minute set
in West Hollywood. He was backed by frequent tour mates John Turnbull (whose
credits include Nick Lowe, Boomtown Rats, Paul Young, Ian Dury’s Blockheads) on
electric guitar/backing vocals and David Duffy on violin/ mandolin/backing
vocals.
The trio opened
with intense rocker “Waiting Such a Long Time,” the first of four Arkeology tracks aired here. Fans dutifully sang
along loudly to “Put the Message in the Box,” among World Party’s best-known
hits, and it went down a storm. The musicians’ harmonies were pristine. Half a
dozen tunes were culled from 1990’s Goodbye
Jumbo.
Before a truly
sublime “Is it Like Today?,” Wallinger mused how it was complicated trying to
squeeze the history of Western philosophy into four verses and his distinctly
Welsh humor came to the fore all night. “When the Rainbow Comes,” bolstered by
Turnbull’s bluesy licks and sumptuous violin work, was an early highlight. Duffy’s
eerie accents made “Vanity Fair” more haunting than usual as Turnbull did some
chunky end riffs.
Taking to the
keyboards for romantic ballad “She’s the One” (a UK chart topper for Robbie
Williams in ’99), Wallinger had no trouble nailing the falsetto parts for the
sway-worthy “Love Street.”
“So the legalization
of marijuana is going good here?,” he asked before starting “God on My Side,”
then told the audience about playing in Colorado earlier this month and being
amazed at what he could buy.
A Beatlesque “Call
Me Up” was joyful and another example of the guys’ seamless harmonic blend. The
lilting, Celtic-tinged “Sweet Soul Dream” brought the Waterboys to mind.
Near the
end, “Ship of Fools” sounded appropriately dense and supremely soulful; “Sunshine”
segued into the slide guitar-infused main set closer “Is it Too Late?” All
three members rocked out at the end.
worldparty.net
twitter.com/kristiwooten
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