Unfinished
Business is an apt title for the collection of
recordings from multi-platinum rock band Loverboy - 10 songs waiting, some for decades, to be completed.
The recordings range from "Come Undone," written by Paul Dean while living in Toronto 40 years ago, long before he met vocalist Mike Reno and joined forces to form the group, to the Chuck Berry-influenced "Doin' It the Hard Way." The song was penned by Dean during a brief stint replacing Randy Bachman in Bachman-Turner Overdrive.
The recordings range from "Come Undone," written by Paul Dean while living in Toronto 40 years ago, long before he met vocalist Mike Reno and joined forces to form the group, to the Chuck Berry-influenced "Doin' It the Hard Way." The song was penned by Dean during a brief stint replacing Randy Bachman in Bachman-Turner Overdrive.
Completing
the recording took Dean to Raleigh NC, home to drummer Matt Frenette, where they recorded the last three tracks in a
friend's home studio. "We practically lived at Little Mountain Studios
for six months (referring to the Lovin' Every Minute album sessions), but
it's a new world. I do everything on my laptop now. Way better!"
enthuses Dean.
"These
are tracks we'd recorded over the years, and we just decided to
complete them and release the album to show our appreciation to the fans
who have supported us all this time," says Dean.
It will be released
worldwide July 15 by Redeye Distribution on all major digital and
brick-and-mortar retailers, while the first single "Counting The Nights"
is available now.
The
title came from Dean's idea to involve the band's fans in choosing the
name of the album in a popular vote on Facebook, where the choices were
first winnowed down to 10, decided by the most "likes." The band then
chose Unfinished Business.
"No
question, that was the one. We put the song titles up and explained
that this album was 40 years in the making," says Dean. "It was a fun
thing. Some of the titles they came up with were hilarious, but perhaps a
little inappropriate for Wal-Mart."
Paul's
initial idea - to give away the album for free - was nixed, but he's
still encouraging fans to stream it on Spotify, Rdio, Beats Music or
Deezer. "I have no problem with them doing that," he laughs.
Making
the new album was inspired by the band's positive experience recording
three new songs, two of them with their original engineer Bob Rock
producing, at Bryan Adams' Warehouse Studios in Vancouver, for 2012's Rock 'n' Roll Revival. "It was, as usual, a great experience. Bob's a
master."
The
new album features "War Bride," a
song Dean remembers playing only once live back in 1979 before the band
had signed their first record deal with Columbia, and "You Play the
Star" from the same period, which incorporates some of the classical
influences keyboardist Doug Johnson demonstrated on his recent solo
release. These two songs also feature the late Scott Smith on bass. "What an
amazing player. It was really cool hearing him again. Scott had a great
groove. And sound!!"
The
release comes in the midst of a period of intense activity for the
band, who are coming off being featured in highly visible ad campaigns
for both Taco Bell and Radio Shack. Both national brands are using
Loverboy's image and music to promote their products to the '80s
generation, which grew up on the group, and others who are just being
introduced to their anthems.
Radio Shack's Super Bowl commercial,
with the tag line, "The '80s called... they want their store back," saw
some of that decade's most popular groups take over the retailer, set
to a soundtrack of Loverboy's "Working for the Weekend." CNN praised the Super Bowl ad, calling it "pure commercial genius... a spot-on piece of creativity."
Then there's the widely-seen Taco Bell spot
promoting their breakfast waffle taco, which features a prominent
mention of a consumer "taking down his Loverboy poster" as part of an
unabashed pitch to those who grew up in the '80s and are now smack in
the middle of the desired advertising demo.
Loverboy
is just as relevant today as they were three decades ago, delighting
audiences around the world since forming back in 1979 when vocalist Mike
Reno was introduced to guitar hot shot Paul Dean, both veterans of
several bands on the Canadian scene, at Calgary's Refinery Night Club.
The band has four multi-platinum albums, including the
four-million-selling Get Lucky, and a trio of double-platinum releases
in their self-titled 1980 debut, 1983's Keep It Up and 1985's Lovin'
Every Minute of It. Their string of hits includes, in addition to the
arena-rock anthem "Working for the Weekend," such staples as "Lovin'
Every Minute of It," "This Could Be the Night," "Hot Girls in Love,"
"Turn Me Loose," "When It's Over," "The Kid is Hot Tonite," "Heaven in
Your Eyes" and "Queen of the Broken Hearts."
"I
guess one day we'll have to stop calling the new album Unfinished
Business," jokes Dean. "It sounds pretty much complete to me. And it
only took us 40 years!"
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