Friday, February 10, 2012

Rodney Crowell album coming this summer

Grammy Award-winner Rodney Crowell and New York Times best selling author Mary Karr are scheduled to release Kin in June on Vanguard Records. Produced by Joe Henry, it marks the first collaboration between the two writers and is Karr’s entry into the world of music. 

Long known as a poet among songwriters, Crowell is a masterful storyteller and hit generator. He charted five consecutive number one hits with his debut Diamonds and Dirt  and has become one of the most critically acclaimed artists in country music. Crowell’s songs have been recorded by the likes of Johnny and Rosanne Cash, Keith Urban, Tim McGraw and Norah Jones. He was recently inducted into the Songwriter Hall of Fame. 

After reading Karr’s memoirs, — Crowell name-checked her in “Earthbound,” a track off his critically acclaimed album Fate's Right Hand. “I called out to her in the darkness because she was a bona fide poet I knew could write songs,” Crowell added, “and despite her professor’s pedigree, she’d ridden a bike in a mosquito truck’s fog.”

Upon hearing Crowell’s songs, Karr recognized her own less than perfect family. But there’s a thread of grace and redemption and at least one gospel number among their ballads and rock songs. In both writers' their most recent memoirs, religion figures prominently.

They claim a deep spiritual connection made them brother and sister—or kin—and informed their work. “We settled down and raised a record,” Crowell claimed. The stellar lineup of vocalists who render the songs—longtime friends of his—became extended family: Norah Jones, Vince Gill, Lucinda Williams, Lee Ann Womack, Rosanne Cash, Chely Wright, Kris Kristofferson, Emmylou Harris and Rodney himself, with Joe Henry producing. 

Asked to draw the source of their respective successes in literature and music, despite early hard knocks, Crowell said, “Neither of us was a crybaby, and we kept loving everybody we shared DNA with—no matter how crazy.” Karr said, “An outlaw pedigree isn’t always a disadvantage for a poet,” adding, “This record’s about everybody.”                                        

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