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Thursday, December 16, 2021

Christmas Album Roundup 2021 featuring Paul Kelly, Pistol Annies, Michael Buble, Brett Eldredge, Darren Criss, Jamie Cullum, She & Him, Steve Perry

If you’re looking for some fresh holiday tunes to spruce up your usual playlist for various Christmas-related activities, here are some new worthwhile albums that have been released over the past few months…

Paul Kelly, “Paul Kelly’s Christmas Train”
(Gawd Aggie/Cooking Vinyl) - In 1996, Kelly, one of Australia’s finest musical treasures, released a poignant Christmas tune with an unusual narrative called “How to Make Gravy.” Whenever the holiday season rolls around and I hear it again, I tend to get goosebumps.

Now the ARIA-winning singer/songwriter (who marked 40 years as a recording artist in 2021) has put out an eclectic 22-track Christmas album with a new take of “Gravy” that aligns more with his concert version. Kelly enlisted friends, relatives and frequent collaborators like Kacey Chambers, Linda & Vika Bull and Dan Kelly to help with the vocals and music. There's an Irish folk ballad, a Hebrew hymn, an Arabic poem, rock, folk and classical songs, traditional carols and more.

Among the multiple album standouts are the lovely acoustic guitar-based opener “Nativity”; the Hot Club of Cowtown vibe of “Swing Around the Sun” with totally realistic lyrics; a rocking, electric guitar and reverb-laden “Christmas”; the alluring, multi-lingual banjo and pedal steel-accented “Silent Night”; an upbeat “Christmas (Baby Please Come Home),” bolstered by Linda Bull’s full-bodied vocals a la originator Darlene Love; “The Oxen,” featuring Kelly’s inviting vocals and acoustic guitar; the charming trio vocal blend on “Three Drovers”; the alt-country feel of Robbie Robertson’s “Christmas Must Be Tonight” (a perfect fit for Kelly’s range); an appropriately angelic and regal “Coventry Carol”; the captivating arrangement on “In the Hot Sun of a Christmas Day” and upbeat garage rocker “Christmas Train” with Vika Bull ably taking the chief belter role.

Pistol Annies, “Hell of a Holiday”
(RCA Nashville) - Miranda Lambert, Ashley Monroe and Angaleena Presley bring their sassy, spirited presence to several of these 13 country songs, mostly comprising originals, except for a nice take on Merle Haggard’s sadly optimistic “If We Make it Through December,” a sprightly “Sleigh Ride” (love those female backing vocals) and a capella “Auld Lang Syne.” The zippy title track - set to a tribal beat, with punchy sax, and synth stabs (!) - is a clear high point, as humorous lyrics describe Christmastime preparations getting insanely earlier every year. More sax sounds punctuate the fun “Snow Globe.” A bluesy “Harlan County Coal” realistically deals with a cash-strapped holiday in a southern U.S. state. “Make You Blue” is a stunner with lush harmonies. Then there’s special guest Chuck Leavell (Rolling Stones, Allman Brothers), who adds quiet piano to the aching ballad “Joy.”

Jamie Cullum, The Pianoman at Christmas – The Complete Edition (Blue Note) - Instead of simply adding a few new tunes to his impressive 2020 "Pianoman" album and calling it a deluxe edition like everyone else, the British singer/pianist recorded another full-length holiday album with some different collaborators live in the studio. The fresh baker’s dozen - 11 Christmas classics and two originals – are often done in a swing or Dixieland jazz style and equally engaging. Standouts include “Christmas Don’t Let Me Down,” a plaintive piano take on “Have Yourself a Merry Little Christmas” and a vivacious “The Man With the Bag” (containing a relevant lyric about ignoring cell phones). The Greg Wells-produced first part is highlighted by the string-laden title track with impassioned Cullum vocals, the ebullient, uplifting pop of “Turn on The Lights” and “It’s Christmas,” where the artist sings “why can’t we all just get along?”

Darren Criss, “A Very Darren Crissmas”
(Decca) - This album instantly put a smile on my face upon the first listen. The gregarious singer and actor delves into some humorous AJR-styled pop (“I Want a Hippopotamus for Christmas”), does an upbeat and jazzy “The Man with The Bag” with Adam Lambert and puts a sunnier musical spin on Joni Mitchell’s “River” complete with glockenspiel and horns. Then Criss provides some country fun with Lainey Wilson during “Drunk On Christmas,” duets with actress Evan Rachel Wood on the lovely orchestrated ballad “Somewhere In My Memory,” gets into George Michael mode on the quiet year-in-the-life lyrics of “St. Patrick’s Day” and channels Frank Sinatra on swinging opener “Happy Holidays/The Holiday Season.”

Brett Eldredge, “Mr. Christmas” (Atlantic Nashville) - No stranger to holiday albums, having released 2016’s “Glow” and notched a hit country duet last year with Kelly Clarkson on “Under the Mistletoe,” the debonair Eldredge fares extremely well on “Mr. Christmas.” He co-penned the winsome finger-snapping title track with hit country tunesmith Ross Copperman and wrote the romantic ballad “Feels Like Christmas.” Elsewhere, the brassy “It’s the Most Wonderful Time of the Year” is appropriately Sinatra-esque and “I Heard the Bells on Christmas Day,” exudes elegance.

Brett Young and Friends, “Sing the Christmas Classics” (BMLG) – This Southern California native puts his laid back, earnest country spin on songs like standout Sun Records-styled “Rocking Around the Christmas Tree” (seemingly recorded live) with Darius Rucker. “The Chipmunk Song” features prominent pedal steel and electric guitar and there's a low key “White Christmas” featuring Colbie Caillat.

She & Him, "A Very She & Him Christmas – Deluxe" (Merge) – Zooey Deschanel and M. Ward reissued a 10th anniversary edition of their first exquisite, retro-leaning holiday album; this time including lovely new interpretations of Madonna’s “Holiday,” Wham!’s “Last Christmas” and a bonus download of “It’s Beginning to Look a Lot Like Christmas.”

Norah Jones, “I Dream of Christmas” (Blue Note) – Half of the songs here were written by Jones. Her comforting dulcet tones grace jazzy and R&B lite versions of “Christmas Time is Here,” “Winter Wonderland,” “White Christmas” and more. Perfect for drinking cocoa by the fireplace.

Steve Perry, “The Season” (Fantasy) – The former Journey frontman sings eight pleasant Christmas classics, some of which contain subtle R&B touches and are well-suited for adult contemporary radio.

Ronnie Milsap, “Christmas with…” (Craft) – Long out of print, the legendary Country Hall of Famer’s 1986 holiday album frequently recalls the countrypolitan sound of the 1960s. With jaunty sax and soulful backing vocals, “It’s Just Not Christmas (If I Can’t Spend It with You)” is the standout here. Milsap also does a Christmas medley with a chorale, delivers a spoken word message on “Christmas Thoughts,” and sings charming lyrics amid “Only One Night of the Year.”

Nat “King” Cole, “A Sentimental Christmas with Nat “King” Cole and Friends – Reimagined” (Capitol) – Producers Jay Landers and Jorge Calandrelli took the late crooner’s classy, restored vocals, added new orchestral arrangements, and recruited Kristin Chenoweth, Gloria Estefan, John Legend, Johnny Mathis, and Calum Scott for modern vocal “duets."

And finally, this special package is worth mentioning again:

Michael Buble, “Christmas” – 10th anniversary super deluxe box set (Warner/Reprise) – Talk about an amazing package. The box set comes housed in a stunning 12x12 red and gold lift-off box designed to look like a wrapped present with the artist's trademark initials stamped all over the cover.

There is an exclusive green LP and CD with all 15 tracks from both versions, including duets with Shania Twain (“White Christmas”) and Thalia (“Mis Deseos/Feliz Navidad”). The boxed set also has a 7-track bonus CD with two newly recorded songs: the Bublé and Gary Barlow co-penned “The Christmas Sweater” and a giddy new studio version of “Let It Snow!” recorded at Abbey Road Studios in London with the BBC Big Band Orchestra.

Other songs on the bonus CD include Buble co-write “The More You Give (The More You’ll Have)” and “Winter Wonderland” – a pleasant duet with Rod Stewart. The bluesy New Orleans swing of “Blue Christmas” and “Cold December Night,” which was co-written by Bublé, Rock and longtime touring band leader/pianist Alan Chang, are standouts.

A half-hour DVD in the box set features an entertaining 2011 documentary on the making of the album, where the singer talks about what the holiday means for him and how it was important to record everything “live on the floor,” which is how some of his old school idols like Frank Sinatra and Bing Crosby often worked. There is behind-the-scenes footage and interviews with the producers too.

The 48-page hardbound red book inside the box includes a personalized note from the artist, plenty of color and black and white photos by Dean Freeman, images from Bublé’s personal collection showing him sitting on Santa’s lap as a kid alone and with siblings, the album lyrics, and credits.

Elsewhere in the box set are a red Christmas sweatshirt reading “All I Want for Christmas is Michael Buble” and t-shirt emblazoned with “Christmas is Coming…Michael Buble” (available separately via the official Buble website), an exclusive unique Christmas ornament, six sheets of MB wrapping paper, six MB Christmas cards and an individually numbered 12 x 12 lithograph.

All told the box set is a must-have for diehard Buble fans – both female and male.

Wednesday, December 15, 2021

Yellowcard's William Ryan Key has a new EP on the way

Former Yellowcard vocalist and rhythm guitarist WILLIAM RYAN KEY will release his third solo EP EVERYTHING EXCEPT DESIRE on Feb. 11 via 
Equal Vision Records.

“Ever since I started making my own music, I think I’ve been searching for what became Everything Except Desire,” says Key about the new EP. Textured with multi-layered soundscapes that incorporate pastoral washes of piano, strings and synths, the music from Everything Except Desire evokes emotions through complex song structures that show Key’s passion for experimentation.

A sonic exploration of emotions and the journey to find inner peace, the five-track EP delves into difficult topics and struggles for Key. The first single “Face In A Frame” (listen here) dives deep into the emotions of loss and confusion. “’Face in a Frame’ started with one simple piano loop and ended up opening the door to one of the most creatively inspiring sessions of my career,” he explains. “I tried to stay lyrically honest, while building a track that takes the listener on a journey of self-discovery.” Watch the animated video here.

Having forged his music career in seminal alt-rock band Yellowcard with eight albums, Key began his solo career, releasing two critically-hailed EPs Thirteen and Virtue in 2018.

Everything Except Desire was conceived and produced by Key on a month-to-month basis through Patreon at the start of Summer 2020. Key enlisted Ryan Mendez from Yellowcard, Erich Talaba, and Mike Kalajian for mixing and mastering and set the release plan in motion. With a new label and forging down a new path, Key is ready for what lies ahead in 2022. “I took a risk and created something completely unlike anything I’ve released in the past,” he beams. “This record felt like a big step for me both as a writer and a producer.

Pre-ordere/pre-save at https://wrk.lnk.to/desire

Track listing:

01. The Swim Back
02. Face In a Frame
03. Brighton
04. Heavens
05. Union Chapel

Photo courtesy Reybee PR

Best Coast to release expanded version of latest album, tour early in new year

January is shaping up to be a banner month for Bethany Cosentino and Bobb Bruno of Best Coast: on January 7, 2022, they will release an expanded digital edition of their critically lauded album Always Tomorrow that features five bonus tracks including two brand new originals, and on January 11, they will start their long-delayed tour in support of the album.

Listen to their new single "Leading".

Upon its release in February 2020, Always Tomorrow was met with critical acclaim. A few weeks after the album’s launch, much of the US went into lockdown and the band’s touring plans were scuttled.

After an almost two-year delay, the band is pleased to announce a run of dates across the US that will kick off on January 11 in Santa Cruz.

Bethany Cosentino recalls how her ebullience about the album’s release quickly turned into frustration. “When Always Tomorrow came out, I personally felt like I had mastered the chaos of my own life (I literally wrote a song about it called ‘Master of My Own Mind’). It felt like a bookend to all the other Best Coast records that wrestled with crisis and melodrama. But then, a global pandemic shut the world down, and I was forced to sit with what I thought I knew and then a whole new pot of boiling emotions started cooking up. There’s nothing like telling the whole world you 'got this' and then realizing you don’t.

"What followed was a series of months that forced me to go deeper within than I ever knew possible. The type of depth I naively thought I had already tapped into, but like, ten thousand percent deeper. Not being able to tour and having an album that seemingly got swept under the rug before it really ever even stood a chance, did a number on me not just as an artist, but also as a human being.”

She continues, “So as Always Tomorrow turns two years old, and we finally set out to tour the album the way it was meant to be toured in the first place, the album evolves into something brand new. There may be an obvious lapse in time that is difficult for me, the artist, to ignore – but at its very core, it is still the same album I meant for it to be when it was created. A hand to hold through the dark times and a reminder that life is fucking tough, but you are even tougher.

"The two new songs we recorded in late October of this year are the result of what happens when you are left alone with your thoughts for an extended period of time with no place to escape. ‘Leading’ is about trying to find hope during the apocalypse, with background vocals from my favorite young voices, The Linda Lindas. And ‘All Alone’ is about questioning whether or not you actually belong in the place you’ve always called home. We’ve also included some B-sides from Always Tomorrow that were released in 2020 for Record Store Day, called ‘Sweetness’ and ‘Birthday,’ as well as a cover of one of my favorite songs of all time, ‘If It Makes You Happy’ by the brilliant Sheryl Crow.”

Tour dates:

Jan 11 – The Catalyst, Santa Cruz, CA
Jan 12 – August Hall, San Francisco, CA
Jan 14 – Wonder Ballroom, Portland, OR
Jan 15 – The Showbox, Seattle, WA
Jan 18 – Fine Line, Minneapolis, MN
Jan 19 – Metro, Chicago, IL
Jan 20 – Beachland Ballroom, Cleveland, OH
Jan 21 – El Club, Detroit, MI
Jan 22 – The Axis Club, Toronto, ON
Jan 24 – Royale, Boston, MA
Jan 25 – Brooklyn Steel, Brooklyn, NY
Jan 27 – Asbury Lanes, Asbury Park, NJ
Jan 28 – 9:30 Club, Washington, DC
Jan 29 – Union Transfer, Philadelphia, PA
Jan 31 – Cat’s Cradle, Carrboro, NC
Feb 1 – Variety Playhouse, Atlanta, GA
Feb 2 – Exit/In, Nashville, TN
Feb 4 – Granada Theatre, Dallas, TX
Feb 5 – Paper Tiger, San Antonio, TX
Feb 6 – Mohawk, Austin, TX
Feb 8 – Crescent Ballroom, Phoenix, AZ
Feb 9 – The Observatory North Park, San Diego, CA
Feb 10 – The Observatory, Santa Ana, CA
Feb 11 – Lodge Room, Los Angeles, CA
Feb 12 – Lodge Room, Los Angeles, CA

Out now: Licorice Pizza Original Motion Picture Soundtrack on limited edition vinyl, digital and CD

Republic Records announces the release of the limited edition first pressing vinyl for Licorice Pizza Original Motion Picture Soundtrack out now. It is also joined by a limited-edition red vinyl which can be found at select indie retailers. Other formats include digital and CD.

Experience the Licorice Pizza Original Motion Picture Soundtrack—HERE and limited edition first pressing vinyl HERE.

The album accompanies the new film from eight-time Academy Award®-nominated writer and director Paul Thomas Anderson which opened in select New York and Los Angeles Theaters on November 26th and will open across the country on Christmas Day December 25th, 2021 via United Artists Releasing.

The album notably features an unreleased original track entitled “Licorice Pizza” by composer and Radiohead guitarist Jonny Greenwood. Additionally, it speaks to the spirit of the San Fernando Valley in the seventies with favorites such as “Life on Mars?” by David Bowie, “Stumblin’ In” by Chris Norman and Suzi Quatro, “Peace Frog” by The Doors, “If You Could Read My Mind” by Gordon Lightfoot, and more. See full track list below and watch the trailer for the soundtrack HERE.

From Metro Goldwyn Mayer Pictures in association with BRON Creative, Licorice Pizza tells the story of Alana Kane (Alana Haim) and Gary Valentine (Cooper Hoffman) growing up, running around and falling in love in the San Fernando Valley, 1973. Written and Directed by Paul Thomas Anderson, the film tracks the treacherous navigation of first love. The film also stars Sean Penn, Tom Waits, Bradley Cooper, and Benny Safdie.

Licorice Pizza marks Paul Thomas Anderson’s ninth film and first since Phantom Thread in 2017.

Watch the trailer for Licorice Pizza HERE.

Original Motion Picture Soundtrack track listing:

July Tree – Nina Simone
Stumblin’ In – Suzi Quatro & Chris Norman
Sometimes I’m Happy – Johnny Guarnieri
Ac–Cent–Tchuate The Positive – Bing Crosby & The Andrew Sisters
Blue Sands – Chico Hamilton Quintet
But You’re Mine – Sonny & Cher
My Ding-A-Ling (Live at Fillmore Auditorium, San Francisco) – Chuck Berry
Peace Frog – The Doors
Let Me Roll It – Paul McCartney & Wings
Life On Mars? – David Bowie
Slip Away – Clarence Carter
Diamond Girl – Seals & Crofts
Greensleeves – Mason Williams
Barabajagal (Love Is Hot) – Donovan with The Jeff Beck Group
Softly Whispering I Love You – The English Congregation
Licorice Pizza – Jonny Greenwood
If You Could Read My Mind – Gordon Lightfoot
Walk Away – James Gang
Lisa, Listen To Me – Blood, Sweat & Tears
Tomorrow May Not Be Your Day – Taj Mahal

John Mellencamp news

John Mellencamp’s upcoming album Strictly a One-Eyed Jack is set for release January 21 on Republic Records. Pre-order it HERE.

Listen to new album track “Chasing Rainbows” HERE and watch the official lyric video HERE. The album features the previously released Bruce Springsteen duet “Wasted Days” (watch the official music video HERE).

Another new song, “I Always Lie to Strangers,” was debuted at Farm Aid in September. In 2022, Mellencamp is looking to theaters on tour. Back in the summer, Mellencamp put out The Good Samaritan Tour 2000 live album and documentary. 

'Strictly a One-Eyed Jack' track listing: 

"I Always Lie to Strangers"
"Driving in the Rain"
"I Am a Man That Worries"
"Streets of Galilee"
"Sweet Honey Brown"
"Did You Say Such a Thing" (with Bruce Springsteen)
"Gone So Soon"
"Wasted Days" (with Springsteen)
"Simply a One-Eyed Jack"
"Chasing Rainbows"
"Lie to Me"
"A Life Full of Rain" (with Springsteen)

Photo cover art: Courtesy Sacks & Co. PR
Art Direction and Design by John Mellencamp and Joe Spix;
Cover painting by Speck Mellencamp

Monday, December 6, 2021

Michael Bublé news: NBC special tonight; 'Christmas' super deluxe album box set out now (review)

Michael Bublé fans have plenty to be excited about lately.

For starters, there's his holiday 
special, "Christmas in the City," which will be broadcast tonight at 10 p.m. on NBC-TV with special guests Jimmy Fallon (Bublé was also on “The Tonight Show” last week doing a funny game show skit and interview that touched upon various memes poking fun at him as the “King of Christmas Music”; be sure to look it up online), Camila Cabello, Leon Bridges, Hannah Waddingham and Kermit the Frog.

An absolutely amazing new 10th anniversary Super Deluxe Limited Edition Box Set version of the Canadian singer’s juggernaut Christmas album is out now via Warner Records/Reprise Records.

It is housed in a stunning 12x12 red and gold lift-off box designed to look like a wrapped present with the artist's trademark initials stamped all over the cover.

The original and re-released albums spawned a pair of Top 3 Billboard Adult Contemporary radio chart hits in the Mariah Carey/Walter Afanasieff-penned “All I Want for Christmas is You” and “It’s Beginning to Look a Lot Like Christmas/Jingle Bells” (the latter featuring retro-leaning London trio The Puppini Sisters) over a two-year period.

Thus far, the album has sold more than 16 million copies worldwide since 2011 and amassed 4 billion streams (equivalent to 60 million albums).

Christmas saw Bublé reteam with producers David Foster, Bob Rock and Humberto Gatica with terrific results. It was recorded at the famed Capitol Recording Studios in Hollywood and The Warehouse Studios in Vancouver. Among the top-name studio musicians involved were Vinnie Colaiuta, Keith Scott, Josh Freeze, Jim Keltner, Rusty Anderson and others.

Here it comes as an exclusive green LP and CD with all 15 tracks from both versions, including duets with Shania Twain (“White Christmas”) and Thalia (“Mis Deseos/Feliz Navidad”). The boxed set also has a 7-track bonus CD with two newly recorded songs: the Bublé and Gary Barlow co-penned “The Christmas Sweater” and an ebullient new studio version of “Let It Snow!” recorded at Abbey Road Studios in London with the BBC Big Band Orchestra.

Other songs on the bonus CD include Buble co-write “The More You Give (The More You’ll Have)” and “Winter Wonderland” – a pleasant duet with Rod Stewart. The bluesy New Orleans swing of “Blue Christmas” and “Cold December Night,” which was co-written by Bublé, Rock and longtime touring band leader/pianist Alan Chang, are standouts.

A half-hour DVD in the box set features an entertaining 2011 documentary on the making of the album, where the singer talks about what the holiday means for him and how it was important to record everything “live on the floor,” which is how some of his old school idols like Frank Sinatra and Bing Crosby often worked. There is behind-the-scenes footage and interviews with the producers too.

The 48-page hardbound red book inside the box includes a personalized note from the artist, plenty of color and black and white photos by Dean Freeman, images from Bublé’s personal collection showing him sitting on Santa’s lap as a kid alone and with siblings, the album lyrics and credits.

Elsewhere in the box set are a red Christmas sweatshirt reading “All I Want for Christmas is Michael Buble” and t-shirt emblazoned with “Christmas is Coming…Michael Buble” (available separately via the official Buble website), an exclusive unique Christmas ornament, six sheets of MB wrapping paper, six MB Christmas cards and an individually numbered 12 x 12 lithograph.

All told the box set is a must-have for diehard Buble fans – both female and male.

If you can splurge a bit this holiday season, purchase the physical deluxe box set edition via www.michaelbuble.com (hurry – only 4,000 were manufactured) or just go for the standard CD/digital Christmas available at most major retailers.

Saturday, December 4, 2021

Reunion album from LA's The Rave-Ups slated for February

Some very cool release news from Omnivore Recordings about The Rave-Ups, among the first album reviews that I did for my college newspaper in 1987. Check out the press release below...

The Rave-Ups’ three previous albums — 1985’s independently released Town + Country, along with 1987’s The Book of Your Regrets and 1990’s Chance, both for Epic Records — established the group as 
Americana trailblazers.

The original Los Angeles lineup — singer/songwriter Jimmer Podrasky, guitarist Terry Wilson, bassist Tommy Blatnik, and drummer Timothy Jimenez, who first met while working together in the A&M Records mailroom — have reunited for Tomorrow, set for release February 4, 2022 by Omnivore Recordings, which reissued Town + Country in 2016 with 11 bonus tracks. The first single from the album, “How Old Am I?” will be available on all streaming services December 3, with two more songs, “Brigitte Bardot” (a never-recorded Town + Country outtake) and “Coming After Me,” set for January.

When Pittsburgh native Jimmer Podrasky graduated from Carnegie-Mellon University in 1980 (where his theater classmates included Holly Hunter and Linda Kozlowski), he had already formed a version of the Rave-Ups, a rousing punk-rock band that took its cue from the emerging New York and London DIY scenes with groups like the Ramones and the Clash. When he packed up and headed for Los Angeles, he discovered kindred musical spirits in Wilson, a Springfield, Missouri native who had played with the Ozark Mountain Daredevils; Blatnik, a suburban kid from Whittier, Calif.; and Jimenez, a Burbank, Calif. native who had never been outside the state nor on a plane until he toured with the band.

The Rave-Ups’ Town + Country led to major label interest and a recording deal with Epic Records, where they were signed by A&R exec Roger “Snake” Klein, best known for bringing in Indigo Girls, who brought the Rave-Ups on tour with them as an opening act. The band was introduced to the world when Molly Ringwald, a friend of Jimmer (he dated her sister Beth), had their name scratched onto a notebook in John Hughes’ Sixteen Candles, then appeared as themselves in Pretty in Pink, performing “Rave-Up, Shut-Up” and “Positively Lost Me,” a track that landed on Rhino’s compilation Just Can’t Get Enough: New Wave Hits of the ’80s. After releasing Chance in 1990, Jimmer left the Rave-Ups to raise the son after whom the album was named.

The Rave-Ups briefly reunited five years ago to play Town + Country at a record release party for that album’s Omnivore reissue, but a full-fledged reunion wasn’t in the cards until Jimmer and Tim hooked up at the latter’s studio, where they began working on a song that turned out to be “Violets on a Hill,” a country-flavored number recalling such Stones romps as “Wild Horses” and “Dead Flowers. When they were eventually joined by Terry and Tom, it was clear this was not a Jimmer solo project — like The Would-Be Plans (2013), God Like the Sun (2017), Almost Home, Again (2019) and last year’s six-song Shoulder to Cry On EP with duet partner Syd Straw — but a full-on Rave-Ups revival.

“The best part of this project was when the four of us were in a room making music together,” says Jimmer. “That was brilliant. I never doubted how the four of us would sound. That was the most joyous thing about making this. We didn’t overintellectualize or analyze. We trusted each other musically and the finished album made it all worthwhile.”

Tomorrow may have been conceived before the pandemic, but its themes touch on such hot topics as political polarization (“So, You Wanna Know the Truth?”), unrequited love (“Brigitte Bardot”), the relationship between father and son (“How Old Am I?”), fear and paranoia (“Coming After Me”), divorce (“When I Write Your Name”) and the light at the end of the tunnel (“Tomorrow”). Pedal steel maestro Marty Rifkin (replacing the late “Sneaky” Pete Kleinow, who famously played on Town + Country) plays on “How Old Am I?” “Tomorrow” and “Coming After Me."

The first single, “How Old Am I?” was inspired by a question from Jimmer’s widowed father, suffering from poor health. Podrasky’s harp solo opens “Coming After Me.” Its subject is Jimmer’s three-day stay in a mental institution, though it could also be interpreted as referencing the immigrant children trapped in cages at the border. As for the album-closing “Tomorrow,” Jimmer, who had poetry published while still in college, admits, “That’s as uplifting as I get . . . There’s always a yin and yang to every song I write. Even the funnier ones have something that’s a little edgy. Life isn’t black and white. There’s a lot of gray in there.”

Terry Wilson’s “The Dream of California” was originally written about Jimmer’s son Chance wanting to return home and features 12-string acoustic guitar. Then “She and He” details how one can be in a relationship and feel alone at the same time. “When I Write Your Name” is another older song, Jimmer’s typically sardonic ode to having to send a child support check every month to his ex.

“The Rave-Ups made a record that’s really good and sounds like us,” says Jimmer about Tomorrow, deferring about whether the band will be playing any shows. “The proof is in the pudding.”

Track List:

1. So, You Wanna Know The Truth?
2. Brigitte Bardot
3. Roll
4. How Old Am I?
5. Cry
6. Coming After Me
7. The Dream Of California
8. She And He
9. When I Write Your Name
10. Violets On A Hill
11. Tomorrow