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Wednesday, May 8, 2024

The Sisters of Mercy return to tour North America with Blaqk Audio in September

photo: Mick Burgess/courtesy Reybee PR
I covered Blaqk Audio's performance at Cruel World Festival '22 (see elsewhere on this blog) and was very impressed. Meanwhile, Sisters of Mercy have always been a favorite. Good to see them back. I've never caught the band live; would like to.  

Following a return to North America with last year’s tour that saw sold out shows in New York City, Los Angeles, San Francisco, Portland, Seattle, plus six other cities, THE SISTERS OF MERCY (TSOM) have announced another run of shows this Fall that include such legendary venues as New York City’s Radio City Music Hall, Los Angeles’ The Greek, San Francisco’s The Masonic and Chicago’s Aragon Ballroom among others.

Having not performed in North America in over 14 years, last year’s TSOM tour was met with positive reviews. 
Electronic duo Blaqk Audio features Davey Havok and Jade Puget of AFI. Tickets for the tour go on sale Friday, May 10 with presales are now through Thursday, May 9.

The current TSOM lineup has Andrew Eldritch (vocals, pictured left) accompanied by Ben Christo (guitarist, backing vocals, bass) who has been with the band for nearly 20 years, the return of Chris Catalyst (who was previously with TSOM from 2005 to 2019) on Doktor Avalanche (drum machine), and Kai (guitarist, backing vocalist) who also leads the British-Japanese rock and alternative metal group Esprit D'Air.

Tour Dates:

Sat, Sept 14 Detroit MI The Fillmore (TICKETS)
Sun, Sept 15 McKees Rocks PA Roxian Theatre (TICKETS)
Tue, Sept 17 Baltimore MD The Lyric Theater (TICKETS)
Wed, Sept 18 Philadelphia PA The Met Philadelphia (TICKETS)
Fri, Sept 20 New York NY Radio City Music Hall (TICKETS)
Sun, Sept 22 Boston MA MGM Music Hall at Fenway (TICKETS)
Tue, Sept 24 Charlotte NC The Fillmore (TICKETS)
Thu, Sept 26 St Augustine FL St Augustine Amphitheatre
Fri, Sept 27 Atlanta GA Coca Cola Roxy (TICKETS)
Sun, Sept 29 Austin TX ACL Live at the Moody Theater (TICKETS)
Tue, Oct 1 Dallas TX Southside Ballroom (TICKETS)
Thu, Oct 3 Phoenix AZ The Van Buren (TICKETS)
Sat, Oct 5 San Diego CA Cal Coast Credit Union Open Air Theatre (TICKETS)
Sun, Oct 6 Los Angeles CA Greek Theatre (TICKETS)
Tue, Oct 8 San Francisco CA The Masonic (TICKETS)
Wed, Oct 9 San Francisco CA The Masonic (TICKETS)
Fri, Oct 11 Portland OR Crystal Ballroom (TICKETS)
Sat, Oct 12 Portland OR Crystal Ballroom (TICKETS)
Tue, Oct 15 Vancouver BC The Orpheum (TICKETS)
Wed, Oct 16 Seattle WA Paramount Theatre (TICKETS)
Fri, Oct 18 Salt Lake City UT Union Events Center (TICKETS)
Sat, Oct 19 Denver CO Mission Ballroom (TICKETS)
Tue, Oct 22 Minneapolis MN The Fillmore (TICKETS)
Wed, Oct 23 Chicago IL Byline Bank Aragon Ballroom (TICKETS)
Fri, Oct 25 Cleveland OH Temple Live (TICKETS)
Sat, Oct 26 Toronto ON HISTORY (TICKETS)

Fontaines D.C. announce new album 'Romance' and fall tour

Following the release of new single, “Starburster” last month, Fontaines D.C. have announced a North American tour set for fall in support of their upcoming album, Romance, due on Aug. 23. Tickets are available HERE.

WATCH / LISTEN TO “STARBURSTER” HERE
PRE-ORDER / PRE-SAVE ROMANCE HERE

Romance follows 2022's 
the BRIT Award-winning Skinty Fia. 

“Starburster" was inspired by a panic attack lead singer Grian Chatten suffered in London’s St Pancras station. It's accompanied by a music video from director Aube Perrie (Harry Styles, The Hives).

Of the album’s title, bassist Conor Deegan says, “We’ve always had this sense of idealism and romance. Each album gets further away from observing that through the lens of Ireland, as directly as (Mercury Prize-nominated debut) Dogrel. The second album (the GRAMMY-nominated A Hero’s Death) is about that detachment, and the third (Skinty Fia) is about Irishness dislocated in the diaspora. Now we look to where and what else there is to be romantic about.”

Expounding on the theme, Chatten recalls Katsuhiro Ă”tomo’s anime Akira, where the embers of love develop despite a maelstrom of technological degradation and political corruption around its characters. “I’m fascinated by that - falling in love at the end of the world,” he says. “The album is about protecting that tiny flame. The bigger armageddon looms, the more precious it becomes,” while guitarist Carlos O’Connell adds “This record is about deciding what’s fantasy – the tangible world, or where you go in your mind. What represents reality more? That feels almost spiritual for us.”

Track Listing:

1. Romance
2. Starburster
3. Here’s The Thing
4. Desire
5. In The Modern World
6. Bug
7. Motorcycle Boy
8. Sundowner
9. Horseness is the Whatness
10. Death Kink
11. Favourite

NORTH AMERICAN TOUR DATES:

September 20 - Showbox SoDo - Seattle, WA
September 21 - Roseland Theater - Portland, OR
September 22 - Commodore Ballroom - Vancouver, BC
September 24 - The Warfield - San Francisco, CA
September 26 - Hollywood Palladium - Los Angeles, CA
September 27 - SOMA - San Diego, CA
September 28 - Fox Theater - Pomona, CA
September 30 - The Van Buren - Phoenix, AZ
October 2 - Gothic Theatre - Englewood, CO
October 4 - The Granada - Lawrence, KS
October 5 - Slowdown - Omaha, NE
October 6 - The Sylvee - Madison, WI
October 8 - The Fillmore - Minneapolis, MN
October 9 - The Salt Shed - Chicago, IL
October 11 - Queen Elizabeth Theatre - Toronto, ON
October 12 - MTELUS - Montreal, QC
October 13 - Roadrunner - Boston, MA
October 15 - Brooklyn Paramount - Brooklyn, NY
October 18 - 9:30 Club - Washington, DC
October 20 - The Fillmore - Philadelphia, PA

Tuesday, May 7, 2024

Johnny Marr and the band James set to team up for North American tour

Two of the UK’s most enduring and influential artists have announced a joint headline tour of North America for September and October. Johnny Marr is set to team up with fellow Mancunians, the beloved alternative band James, for their first US tour together. James first toured with Johnny for The Smiths’ Meat Is Murder UK tour in 1985. Since then, both artists have enjoyed international success across four decades of continued creative output.

Last year, Johnny released both a book of his own guitar collection - Marr’s Guitars - and the album Spirit Power. Spirit Power encompasses songs from four acclaimed UK top ten solo albums (2013’s The Messenger, 2014’s Playland, 2018’s Call The Comet, 2022 double album Fever Dreams Pts 1-4), plus unreleased tracks. Widely regarded as the most influential guitarist of his generation, Johnny’s impact on popular music cannot be overstated; from his time in The Smiths, The Pretenders, Electronic, Modest Mouse and The Cribs, to his more recent solo releases and movie soundtrack work with Hans Zimmer, Johnny’s distinctive songwriting and guitar sound has been an integral part of the musical landscape for 40 years. Listen to Spirit Power HERE. Order Marr’s Guitars HERE.

Last month, James’s 18th album, Yummy, shot straight to number one on the British charts, their first studio album to do so. Formed in Manchester in the early-80s, the band built an immediate and fervent following with their jubilant live shows. By the time their third album, 1990’s Gold Mother, spawned a series of global hits - including the anthemic “Sit Down - they had already established themselves as one of the UK’s most exciting guitar bands. Hand picked by Neil Young as openers for a 1992 US tour, James went on to work with Brian Eno for their fifth album, Laid, which saw them impacting the Billboard Charts for the first time while in heavy rotation on MTV’s 120 Minutes.

A six year hiatus in the mid-00s did nothing to diminish the appetite from fans and James reunited in 2007 for Hey Ma, which took them back into the UK’s Top Ten. With an increasingly ardent fan base around the world, James’ ability to traverse new creative terrain with each release, coupled with a gift for writing poignant and frequently prescient lyrics, has endured well past their 40th anniversary. Last month’s release of the politically-spirited Yummy cemented their position as one of the UK’s most fiercely respected and unerringly relevant rock bands. Listen to Yummy HERE.

Of the tour, Johnny shared, "I remember The Smiths being on tour with James in 1985. We admired them and even did one of their songs in our set. I’ve been a fan of theirs ever since and being out on tour again after 40 years is a really great thing.”

James’ Tim Booth added, “Nearly 40 years ago James toured with the Smiths on the Meat is murder tour. We were met with such generosity and kindness that it changed our DNA. Co-headlining an American tour with the true Gent and genius that is Johnny Marr, is an honor and pleasure. We look forward to making magic together.”

Get tickets at:
https://johnnymarr.com/
https://wearejames.com/

General on-sale: May 10 at 10am Local

Tour Dates:

SEP 17: DENVER, CO @ PARAMOUNT THEATRE
SEP 20: VANCOUVER, BC @ QUEEN ELIZABETH
SEP 21: SEATTLE, WA @ THE MOORE
SEP 22: PORTLAND, OR @ MCMENAMINS CRYSTAL BALLROOM
SEP 23: SAN FRANCISCO, CA @ THE WARFIELD
SEP 25: LOS ANGELES, CA @ ORPHEUM THEATRE
SEP 29: AUSTIN, TX @ STUBBS
SEP 30: DALLAS, TX @ MAJESTIC THEATRE
OCT 1: HOUSTON, TX @ BAYOU MUSIC CENTER
OCT 3: ATLANTA, GA @ THE EASTERN
OCT 4: NEW ORLEANS, LA @ THE FILLMORE NEW ORLEANS
OCT 6: WASHINGTON, D.C. @ WARNER THEATRE
OCT 8: BROOKLYN, NY @ PARAMOUNT
OCT 10: BOSTON, MA @ ORPHEUM
OCT 11: PHILADELPHIA, PA @ FRANKLIN MUSIC HALL
OCT 13: MONTREAL, QC @ MTELUS
OCT 14: TORONTO, ON @ HISTORY
OCT 15: DETROIT, MI @ MASONIC TEMPLE
OCT 17: CHICAGO, IL @ RIVIERA THEATRE
OCT 18: SAINT PAUL, MN @ PALACE THEATRE

Watch the music video for Johnny Marr’s “Somewhere”
Watch the music video for James’ “Our World”

Sunday, May 5, 2024

NextFest LA expands the LA County Fair 2024 music offerings

In preparation for my article on History of Music at the LA County Fair (in various SCNG papers), I interviewed Lucas Rivera, founder and CEO of Seco Creative, who helps put on the indie artist festival within the fair called NextFest LA. Rivera is a f
ormer Senior VP at Fairplex and currently a lead consultant there. 

Q: Can you tell me how the event started?

A: During my tenure as Senior Vice President [at Fairplex], the focus of my work was to increase the diversity of the fair and to engage in a marketing strategy around diversifying the age and ‘cool factor’ of the fair. Making the fair cool again for the kids and folks that have been visiting the fair for years and are continually coming back and getting excited about the same Ferris Wheel [plus] all these other things around it that are new and exciting.

We launched a series of programs when I was there. One being Mi Poco LA [in the late 2010s], which were music concerts focusing on local emerging artists and small groups from the community that would bring out their followers there. And those followers come see them perform and stumble on the fact that they're in this massive fair.

The excitement and success around that allowed for us to start thinking about what it would look like if we expanded it. In 2019, we created a bigger stage in addition to the stage we had with Mi Poco LA and it was called the Pop Fusion stage at the fair. It allowed us to increase opportunities to create a platform for local emerging artists to perform. That was a success. Then in 2020, I had a vision of doing six stages, like a mini music festival within the fair. But it would be marketed differently.

[Rivera said the goal would be to attract a younger crowd and older adults unable to afford major music festivals and those “who used to come to the fair, but lost interest because there was nothing new.”]

I had this crazy idea in 2020 of launching six stages with several hundred local emerging artists from throughout the L.A. region, and then COVID happened. We didn't have our fair in 2020 and there were layoffs.

A lot of us got laid off and went our different ways. I started my company. Then the fair came back in 2022 and decided to bring me on as their lead consultant to think about programming the same way I was thinking about it when I was there as senior vice president.

In that conversation I said, ‘Let's really double down on this idea around local emerging artists and create a festival. 

Q: How many stages did you have for NextFest 2022?

A: Five stages and about 200 artists. Last year, we had about 270+ artists, which was a huge success. This year, they're looking at the same numbers. The program created under the NextFest banner…[went after] a new audience of fairgoers.

My vision around this has been really focused on supporting local emerging artists throughout the L.A. region and creating platforms for them, not only to build their audience, but also build music jobs.

Q: How do you go about finding these artists? Do you call for submissions over a certain period of time?

A: I've been in LA for about 11 years. I was brought out from Philadelphia to spearhead the Grand Park [concert series in LA]. In downtown, Grand Park, I started connecting with a lot of artists and friends that I've worked with [as a DJ], curators that I've worked with in the past. Carlos Guiaco was
one of them. We've been working together for a little over nine years.

Carlos describes looking for artists like going through a box of vinyl…going to different clubs, hangouts and parties and paying attention to what's hot on YouTube, social media and really honing in on these artists from different backgrounds within the L.A. region.

He loves going out and seeing singer/songwriters onstage, performing to six or seven people that are drunk at the bar and they sound amazing.

Going in the third year of NextFest, it has quickly built a reputation as an amazing music festival that supports locals and pays them decently. We respect them as artists and we set them up on quality stages - the same ones you would see at major music venues. It allows them to really flourish and bring their 'A' game and feel loved and supported by another community of artists.

We also allow a lot of the artists to work the event. Some artists might be running the stage or a tech on sound. Then the next day, you see them on stage, It's a full experience around the music festival idea.

Carlos is my go-to, when it comes to what's hot right now, who has the music chops, who sounds great, but is not getting the support they need.

Q: Are you limited to certain genres?

A: No, it's all genres. We do everything from soft rock to New Orleans brass music, country and pop music. Asian pop music artists, Indian hip-hop.

Q: Seems very diverse.

A: Super diverse. We had a group of 55 to 75-year-old women doing a choreographed dance performance]. It's pretty amazing.

It's really to diversify the audience and content. The audience wants to see themselves on stage. We know that we're going to have a lot of Latinos coming to the fair because we're in LA County.

Q: After you did the first NextFest, what kind of feedback did you get from the artists or attendees? Were they really thrilled to have something like this?

A: They said it was the cheapest and best music festival they've ever been to because it sits within the 500 acres of Fairplex and the fair. A lot of kids coming to festivals these days want eye candy. It's satisfying to see their favorite artists onstage, but it's even more satisfying to go and say, ‘I'm going to go check out the pig races.’

Q: Tell me about the silent disco.

A: During my tenure [at Fairplex], we did a silent disco event, and it was really successful. When COVID happened, we had to pivot. When we brought Silent Disco back, I wanted to [do it] in a way that cost us less money to rent all the equipment and really engage with DJs having their own success within the region. Our silent disco is pretty amazing because you get to hear DJs from some of the best parties in LA that are battling each other for the most [listeners].

Q: Are the stages positioned in a certain way so there's no bleed with all the other noises going on? 

A: The stages are set up so bleed is not an issue. It's almost like the fair is happening and then in the periphery, you have stage activations…we adjust a couple of stages every year just to see if it works better. We’ve honed in on the perfect set up now.

We focus on making sure to curating community with folks from the karate school, Hawaiian dancers, folkloric dancers, making sure that they're participating in this entire experience as well.

For more info, go to nextfestla.com.

Bonus Q&A with Dustin Lynch

Here are more excerpts from my interview with Dustin Lynch, who performs at the LA County Fair on May 18 with Russell Dickerson...

Q: The episode of CMT "Campfire Sessions" that you filmed earlier this year reminded me of the old "MTV Unplugged" show. I enjoyed hearing the background to the songs.

A: Yeah, same. It was in a setting at a level that we haven’t got to be a part of. They really do it right. It’s a big production. If down the road, we’re blessed to have enough music to do another one, I'm all in.

Q: Over the years, you’ve served as a tour opener for such heavy hitters as Brad Paisley, Keith Urban, and Luke Bryan. Have you taken away anything from the way they work audiences and applied it to your own stage delivery?

A: Without a doubt. I’m always trying to pick up on what the guys that have come before me and are on the bigger stages do that maybe we could bring to our shows. I try to get out and watch pretty much every show I can, whenever we’re collaborating with somebody on tour. I think a lot of it is the flow of the show. Also, the design is something that I don’t think I realized that I was going to get to be a part of early on in my years of designing setlists – that’s all I was worried about in the honky tonks.

Q: There's a lot more to it.

A: Getting to design video content. Really, the visual side of the show is just as important these days as what people are hearing.

Q: Just over five years ago you were inducted into the Grand Ole Opry by Reba McEntire. How was that experience?

A: That’s still a ‘pinch me; is this real life?’ moment. It's hard to believe it has already happened for us. She’s been one of the ladies I’ve looked up to my whole life and has dominated pretty much everything you can in the entertainment world. It’s great to be a part of [the Opry] organization. The amount of good that they provide and do for the community [sometimes] goes unnoticed.

Q: Early in your career, you contributed a song to the ABC-TV series “Nashville” starring Connie Britton and Charles Esten. Much of that show took place at the Bluebird Cafe, which was also integral to your early career. What was it like contributing the song and hearing it on TV?

A: Probably the coolest moment was when my sister realized that I was a part of that as a [‘Nashville’] fan watching the show. If I get a song cut, it’s not like I'm [always] calling my sister up letting her know. She found out on her own as she was watching and saw the credits. 

That show was a big part of the rise of country music [over the past decade]. It was obviously the rise and boom that Nashville has had as a city. Really, their eyes have been open to country music, the drama, and the fun that surrounds [people]. When you throw a bunch of creative people into a town together, it’s not hard to have a lot of fun stuff happening on screen. I think they did a great job with representing the town and country music in general.

Q: If I ever travel to Nashville, I’ll definitely try to check out The Bluebird.

A: It’s a great setting. Thank goodness, it’s had opportunities to expand and has always had the loyal [people] that pushed back and said, ‘No, let’s not ruin the magic here for the sake of fitting some more bodies in the building.’ They've kept it the same. I went there for a charity event last year and it’s just like I remember the first night I went in there back in 2003.


Dustn Lynch photo by Alysse Gafkjen, courtesy of Red Light Management.
For the entire interview, see elsewhere on this blog or go to dailybulletin.com.

Friday, May 3, 2024

LA County Fair 2024: An interview with Dustin Lynch

Photo by Alysse Gafkjen
Dustin Lynch is all about spontaneity in concert. While opening for Blake Shelton on tour recently, the Tennessee singer invited kids onstage in different cities.

“I do it whenever the opportunity’s right,” said Lynch, in a phone interview from Spokane. One girl was “an absolute treat, all decked out in her gear. She had a poster that said it was her 10th birthday and she was here to celebrate with us. I thought, ‘We got to take a moment here to shine some light on her.’ If you get an opportunity to sing ‘Happy Birthday’ with people in an arena, it’s a special moment. Hopefully, one she’ll never forget.”

Having released sixth studio effort Killed the Cowboy last fall, Lynch is “chomping at the bit” for his solo headlining tour and the chance to play more new material.  

Lynch previously played the Pomona event in 2018 (the same year Reba inducted Lynch into the Grand Ole Opry), so he knows “what we’re getting into. The energy is really high there and that market has always been really strong for us…at the fair, you can get out on stage and really judge how avid the fans are. If we need to embrace cover songs or something else to get people involved, we’ll definitely go there.”

Graduating from college with a Bachelor of Science in Biology, Lynch considered medical school. Instead, the pull toward a music career was stronger. The budding singer/songwriter got an apartment behind the nearby Bluebird CafĂ© (a launch pad for country musicians ranging from Garth Brooks to Taylor Swift and the place where Lynch did an Open Mic Night at age 16). He performed at the intimate Nashville venue whenever possible and was eventually discovered by Justin Moore’s manager via MySpace.

Lynch’s eponymous debut album arrived in 2012 and went to No. 1 on the country chart thanks to the big hit ballad “Cowboys and Angels.” He landed tour opening slots for Brad Paisley and Luke Bryan and appeared at Stagecoach twice.  

Since then, “Where It’s At,” “Hell of a Night,” “Mind Reader,” “Seein’ Red,” “Small Town Boy,” “Good Girl” “Ridin’ Roads,” and “Thinking ‘Bout You” all topped the Billboard Country Airplay tally. The latter spent six weeks there, becoming Lynch’s most successful radio track.

Five songs on Killed the Cowboy were co-written by the musician, who calls it his most personal yet.

“This album was for me as much as anything,” said Lynch. “It was a great therapeutic process to write, create, and record and then jump in and really talk about discovering and accepting where I’m at in life” as a single man.

“I think all of us do that,” he continued. “And I get a way to express it outwardly to the world.” On the headlining tour, “I’m going to get to really live life in front of everybody on that stage, and our fans are going to be a part of that.”

In addition to penning reflective songs, Lynch often has the atmosphere of future concerts in mind while crafting fun, upbeat numbers. The infectious “Honky Tonk Heartbreaker,” a Killed the Cowboy standout, is a prime example.

“We want our shows to be high energy, interactive, and give the fans a moment to participate in the show and not just sit down and watch it. I want people to be up dancing, moving around and mingling.

“That steers how I go about writing songs,” he continued. “When I’m in a room with some co-writers, I’m always pushing them towards that” end result.

Sonically, Cowboy contains a few effects often prevalent in other genres. Lynch said he and producer Zach Crowell pondered how to “make the songs special and come up with sounds and flavors that the ear hasn’t heard yet.” But they were careful about being “too slick or too different” and reminded themselves to “make sure we still do what we know works.”

“The spectrum of songs that we’ve put out have been very traditional and hard rockin’ stuff. And the R&B/hip-hop influence is in there too. We’ve been all over the place.”

Still, Lynch doesn’t go to extremes. “We’ve identified my lane and (know) people probably want me to stay in this lane as we see what songs continue to react over time and stick around. I think that’s a luxury of getting to do this as long as I have already.”

Another highlight is “Chevrolet,” an interpolation of Dobie Gray’s 1973 pop hit “Drift Away” which features guest vocals by Jelly Roll, a previous Crowell client.

“Jelly was just the right amount of soul that the song needed,” Lynch enthused.

Lynch, who turns 39 this month, received a 2024 CMT Performance of the Year nomination for “Thinking ‘Bout You,” his televised duet with MacKenzie Porter from “CMT Campfire Sessions.” The tune was originally recorded with Lauren Alaina, but another version was required, so Lynch conducted a blind audition where he discovered Porter, a Canadian singer/actress.  

The acoustic outdoor performance CMT series spotlighting Lynch debuted a couple months ago. Getting the chance to film one was among “the top musical moments of my life,” said Lynch. “I had so much fun curating that show, that setlist and arrangements around the fire. It was a labor of love having friends play music together. We made it what we wanted. It became a night that I’ll never forget.”

Dustin Lynch and Russell Dickerson perform at Fairplex on May 18. All concert tickets include admission to the Fair. To purchase and for more information, go to lacountyfair.com/concerts.

Top photo courtesy Red Light Management.

A version of my interview originally appeared in print in selected SoCal News Group (SCNG) papers and online. 

LA County Fair 2024: An eclectic musical dozen shows on the concert schedule

Russell Dickerson/courtesy LA County Fair
Once again, the LA County Fair hosts a diverse spring concert series slate, which features returning favorites, veteran hitmakers and other artists currently making waves on the music charts. Stage performers span Latin, R&B, hip-hop, country, classic rock, and pop genres.

May 3: War

A fixture on the Fair’s concert stage over the past few decades, this LA soul, funk, and jam band – still led by founding singer/keyboardist Lonnie Jordan – recently put out a box set surrounding its pop chart-topping 1972 album The World is a Ghetto.

Hit singles: “Spill the Wine” (with Eric Burdon), “Low Rider,” “Why Can’t We Be Friends,” “Summer,” “The Cisco Kid,” “Gypsy Man” and “The World is a Ghetto.”

Fun fact: Influential jazz pianist Bill Evans is one of the War front man’s all-time favorites and someone whose playing style Jordan says is reflected in his own.

May 4: Montell Jordan, TLC, Ceelo Green (see interview elsewhere on this blog)

Montell Jordan, an LA native and Pepperdine graduate, was among the initial signings to Def Jam Records and became an immediate sensation upon the release of million-selling 1995 debut album This is How We Do It. The R&B singer’s next three studio releases were certified gold.

Hit singles: “This is How We Do It,” “Falling,” “Let’s Ride,” “Get it on Tonite”

Fun fact: In 2017, Jordan and wife Kristin authored a book about making marriages work.

TLC also reigned supreme during the Nineties and Beyonce once cited the female hip-hop trio as an influence on Destiny’s Child. TLC’s multiplatinum albums CrazySexyCool and FanMail accounted for two of its four Grammy awards.

Hit singles: “Waterfalls,” “No Scrubs,” “Creep,” “Unpretty”

May 5: Ramon Ayala

“The King of the Accordion” specializes in Norteño music and is a two-time Grammy winner. The Mexican musician’s current single “El Reten” arrived in conjunction with a farewell tour that caps a 60-year career with Los Relampagos del Norte and Bravos del Norte.

May 10: Nelly, T.I.

Among the most successful rappers to emerge in the 2000s, Nelly came up in the St. Louis hip-hop scene and immediately found favor with debut album Country Grammar. His next four albums continued on a winning streak. Besides pop collaborations with Christina Aguilera, Justin Timberlake, Janet Jackson and ‘N Sync, he has also created music with country acts Florida Georgia Line, Tim McGraw, and Jimmie Allen.

Hit singles: “Hot in Herre,” “Dilemma,” “Grillz,” “Over and Over,” “Just a Dream”

Fun fact: Nelly has acted in the film and television series “The Longest Yard,” “Snipes,” and “CSI: NY,” 

T.I. (real name: Clifford Harris Jr.) began rapping at age 8 in Atlanta. His 2003 sophomore full-length Trap Musik kicked off a run of seven platinum or gold-certified albums. T.I. simultaneously launched an acting career in the mid-2000s.

Hit singles: “What You Know,” “Whatever You Like,” “Live Your Life” (with Rhianna), “Dead and Gone” (with Justin Timberlake”)

Berlin photo courtesy LA County Fair
May 11: Pat Benatar & Neil Giraldo, Berlin

A classically trained mezzo-soprano, Brooklyn-born Pat Benatar was the first female - and second-ever - musician played on MTV in 1981 (for the video “You Better Run”). Two years prior, her hard rocking debut In the Heat of the Night made minor inroads, but the follow-up Crimes of Passion set a successful career course alongside guitarist, co-songwriter, and future husband Neil Giraldo, that continued through the Eighties.

Hit singles: “Hit Me with Your Best Shot,” “Love is a Battlefield,” “We Belong,” “Shadows of the Night,” “Invincible”

Fun fact: Benatar & Giraldo’s love story inspired the musical Invincible which premiered in Beverly Hills in ‘22.

May 12: Chase Rice, Parmalee

A football player in college, Rice worked in professional auto racing before pursuing a country music career. After co-writing Florida Georgia Line’s country chart topper “Cruise,” the North Carolina singer began landing hits of his own in 2013.

Hit singles: “Ready Set Roll,” “Gonna Wanna Tonight,” “Eyes on You”

Fun fact: Rice was runner-up on TV’s “Survivor: Nicaragua” in 2010.

May 17: The Manhattans featuring Gerald Alston, Ohio Players, The Original Lakeside

The Manhattans, an R&B vocal group from New Jersey, began in 1962, gained widespread success in 1976 with the No. 1 pop crossover single “Kiss and Say Goodbye,” and four years later with “Shining Star.” The two Midwestern funk acts in this lineup had their own chart-toppers with “Love Rollercoaster,” “Fire” (Ohio Players), and “Fantastic Voyage” (Lakeside).

May 18: Dustin Lynch, Russell Dickerson

Russell Dickerson emerged on the Nashville music scene during the early 2010s. Since then, the Tennessee native has notched five Top 10 country singles and toured with Thomas Rhett, Lady A and Kane Brown. In 2020, Florida Georgia Line guested on “It’s About Time,” from Dickerson’s second album Southern Symphony. The summer-themed EP Three Months Two Streets Down arrived last year.

Hit singles: “Yours,” “Blue Tacoma,” “Every Little Thing,” “Love You Like I Used To”

May 19: Banda Machos, Banda Maguey, Mi Banda El Mexicano

The 12-piece Banda Machos combines cumbia, ranchera and banda music elements for an electronic-based, danceable performance style called Quebradita. Debut album Serian las dos was released in 1990. Five years later, the Mexican norteño group’s tune “Zappa Mambo” was featured on the soundtrack to “My Family,” a drama film starring Edward James Olmos and Jimmy Smits. Concert album Festejando el Aniversario en Vivo Desde Las Vegas came out in 2022.

Midland photo courtesy LA County Fair
May 24: Midland, Stephen Walker Jr.

Frequently creating a New Traditionalist country vibe in the vein of George Strait with Eagles-style harmonies, Midland immediately struck a chord with its 2017 gold debut On the Rocks. After making a second Stagecoach appearance in ‘22, the Texas trio put out The Last Resort: Greetings From, filled with what guitarist Jess Carson called “honky-tonk truths” and a Jon Pardi guest spot.

Hit singles: “Drinkin’ Problem,” “Make a Little,” “Burn Out”

Fun fact: Frontman Mark Wystrach had acting roles in the Oscar-winning film “The Eyes of Tammy Faye,” TV soap opera “Passions,” and “CSI: Miami.”

May 25: 38 Special, Molly Hatchet, the Outlaws

All these of these Florida classic rock bands were mainstays on Album Oriented Rock radio at some point during the Seventies or Eighties, with 38 Special enjoying the longest and most successful chart run.  

Hit singles: “Caught Up in You,” “Hang on Loosely,” “If I’d Been the One,” “Second Chance” (38 Special); “Flirtin’ with Disaster,” “Satisfied Man” (Molly Hatchet); “There Goes Another Love Song,” “(Ghost) Riders in the Sky” (Outlaws)

May 26: Los Tucanes de Tijuana

Known for composing narcorridos - narrative songs that recount heroic struggles of outlaws and drug lords – the Tijuana norteño group has issued more than 60 albums since forming in 1987. It won the Best Norteño Album at the Latin Grammys for 2012’s 365 Dias and was featured in “Hecho en Mexico,” a documentary about Mexican culture. The group also has soundtracked songs for film (2016’s animated 3D film El Americano and TV (Telemundo telenovela “Senora Acero: La Coyote”), while singer/guitarist Mario Quintero Lara served as a judge on Telemundo reality show Yo soy el Artista.

Fun fact: Los Tucanes de Tijuana performed at Coachella 2019.

All concert tickets include admission to the fair. For more information, go to lacountyfair.com/concerts.

A version of my roundup originally appeared in SoCal News Group (SCNG) papers in print and online.