I happened to interview Wes for this album (my second chat with him). I look forward to hearing it in the LP format...
John Wesley Harding’s New Deal,
originally released by Rhino in 1996, will come out for the first
time on vinyl via Yep Rock on Sept. 4.
It was the songwriter’s first album away from Sire after
the early '90s trilogy of Here Comes The Groom, The Name Above The Title and Why We Fight.
Left to his own devices, on his own dime, determined (for the first
time) to make precisely the record he wanted, Harding produced an
unexpectedly introspective album that instantly became a fan favorite,
and coincided with a sharp turn towards the acoustic in his career,
inspired less by Elvis Costello, Nick Lowe, and The Lovin’ Spoonful, and
more by the more baroque folk stylings of Cat Stevens, Duncan Browne
and early Bee Gees.
The title, which seemed to refer to the end
of his association with Sire, also signaled a change of intent. The
Sire records were partly successful because of their almost absurd
stylistic variety, but on New Deal, Harding seemed for the
first time to find his authentic musical voice on a record that worked
precisely because of its cohesion of expression.
All the songs had simple, rich,
emotionally direct arrangements. It was the first time a John Wesley
Harding production married form and content; each song seemed to have
the perfect setting; no instrument was unnecessary. Drums were used on
only two songs.
Though Harding didn’t want to bloat the
vinyl, or alter the presentation of the original record, with
unnecessary associated material, this version comes with a digital
download of 15 bonus tracks, including every extant acoustic demo of the
songs on the album, numbering ten, all previously unreleased, recorded
6/7/94 for a tape called “The Sayonara Sessions”.
Also included are all
five bonus tracks from the Other People’s Failure CD5,
including two out-takes (“Let Us Now” and “Death Of The Ghostwriter”),
live versions of “Kiss Me, Miss Liberty” and “The Secret Angel,” and the
classic, prophetic “When The Beatles Hit America,” in its finest
incarnation, recorded live for KSCA FM in LA.
John Wesley Harding’s New Deal is
regarded, among his fans, as his finest record, and it will never sound
better than on this, its first release on vinyl, on two 33rpm records
for the perfect listening experience.
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