Definitely a classic...
Vince Guaraldi Trio’s A Charlie Brown Christmas [2012 Remastered & Expanded Edition] will be released by Fantasy on Oct. 9. One of the most popular and beloved
holiday albums of all time, the multi-platinum selling original
soundtrack recording was a Library of Congress National Recording
Registry inductee last May and a Grammy Hall of Fame inductee in
2007.
The 2012 Remastered & Expanded Edition CD will
feature the original 1965 recording newly remastered with 24-bit
technology from the original analog stereo master tapes. It also
contains three holiday bonus tracks that did not appear on the original
LP: “Greensleeves,” “Thanksgiving Theme,” and “Great Pumpkin Waltz.” The
digi package includes a 20-page booklet featuring memorable Peanuts
character images from the beloved A Charlie Brown Christmas television special and new liner notes by Peanuts and Guaraldi historian Derrick Bang,author of Vince Guaraldi at the Piano (McFarland Press). Concurrently, Fantasy will issue a 2012 LP pressing of the classic album on green vinyl.
When Guaraldi’s Charlie Brown Christmas album was inducted into the Library of Congress, the Library’s media release noted, “A Charlie Brown Christmas introduced jazz to millions of listeners.”
According to annotator and
Guaraldi biographer Bang, “The importance of [that] sentence can not be
overstated.” Children all over the world who had resisted jazz as the
music of their parents were given an introduction.
Berkeley-based
Fantasy Records wisely released a soundtrack LP of the San Franciscan
pianist’s work on the show. (Completing the Northern California
scenario, Peanuts creator Charles M. Schulz built his final studio in
Santa Rosa, and it’s there where the Charles M. Schulz Museum was
established as a permanent home to Snoopy and the gang. So too the sweet
voices heard on “Hark the Herald Angels Sing” are from San Rafael’s St.
Paul’s Church Children’s Choir.)
Just as Frank Capra’s It’s a Wonderful Life became part of the American Christmas experience, CBS Television achieved the same result with A Charlie Brown Christmas. At the same time, any jazz-resisting viewers found themselves thoroughly absorbed.
For this new edition of the soundtrack for A Charlie Brown Christmas,
reissue producer Nick Phillips and remastering impresario Joe Tarantino
resurrected the original stereo analog master tapes along with the
original stereo mixes.
Longtime fans may have purchased the album
before, but the sonic differences between the new edition and the
album’s debut CD released in 1988 are vastly different, since
analog-to-digital conversion has improved over the past quarter century
as a side-by-side listening comparison will reveal.
The album’s
centerpiece track, today as it was in 1965, is “Christmas Time Is Here,”
particularly the long, soulful instrumental version that clocks in at
just over six minutes.
As the humble Guaraldi told critic Ralph J. Gleason in 1958, “I don’t think I’m a great piano player, but I would like to be able to have people like me, to play pretty tunes and reach the audience.” That wish was granted in a way that far exceeded anything he could have imagined. Derrick Bang summarizes it perfectly: “I’d say Guaraldi got his heart’s desire.”
As the humble Guaraldi told critic Ralph J. Gleason in 1958, “I don’t think I’m a great piano player, but I would like to be able to have people like me, to play pretty tunes and reach the audience.” That wish was granted in a way that far exceeded anything he could have imagined. Derrick Bang summarizes it perfectly: “I’d say Guaraldi got his heart’s desire.”
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