Robert Plant album news

Robert Plant's new album, lullaby and The Ceaseless Roar, will be released Sept. 9 on Nonesuch/Warner Bros. Records.

Produced by Plant, the album is his label debut and features 11 new recordings, nine of which are original songs written by Plant with his band, The Sensational Space Shifters - Justin Adams (bendirs, djembe, guitars, tehardant, background vocals), John Baggott (keyboards, loops, moog bass, piano, tabal, background vocals), Juldeh Camara (kologo, ritti, Fulani vocals), Billy Fuller (bass, drum programming, omnichord, upright bass), Dave Smith (drums), Liam Tyson (banjo, guitar, background vocals).

Pre-orders are available at robertplant.com and include a limited-edition print and an instant download of "Rainbow," which will be released as a digital single on June 24. 

Plant and the band will tour the US this fall, including two nights at the Brooklyn Academy of Music, September 27 and 28, as part of Nonesuch Records at BAM: Celebrating 50 Years of the Label without Labels; further dates will be announced soon.

lullaby and The Ceaseless Roar is Plant's first record since 2010's Band of Joy, which followed 2007's six-time Grammy Award-winning collaboration with Alison Krauss, Raising Sand. Justin Adams and John Baggott of The Sensational Space Shifters appeared on Plant's 2002 release Dreamland, while all but Camara and Smith appeared on 2005's Mighty Rearranger. The new-album line-up recently toured the world before recording lullaby and... The Ceaseless Roar at Helium Studios in Wiltshire and Real World Studios in Bath, UK. "Rainbow" was recorded in Contino Rooms in London. Tchad Blake mixed all but three tracks on the album.

"It's really a celebratory record, powerful, gritty, African, Trance meets Zep," Plant says. "The whole impetus of my life as a singer has to be driven by a good brotherhood. I am very lucky to work with The Sensational Space Shifters. They come from exciting areas of contemporary music...I have been around awhile and I ask myself, do I have anything to say? Is there a song still inside me? In my heart? I see life and what's happening to me. Along the trail there are expectations, disappointments, happiness, questions and strong relationships," Plant explains. "....and now I'm able to express my feelings through melody, power and trance; together in a kaleidescope of sound, colour, and friendship."

Track list

1. Little Maggie
(Trad. arr. by Plant/Adams/Baggott/Fuller/Smith/Tyson)
2. Rainbow
(Plant/Adams/Baggott/Fuller/Tyson)
3. Pocketful of Golden
(Plant/Adams/Baggott/Camara/Fuller/Smith/Tyson)
4. Embrace Another Fall
(Plant/Adams/Baggott/Camara/Fuller/Smith/Tyson)
5. Turn It Up
(Plant/Adams/Baggott/Fuller/Smith/Tyson)
6. A Stolen Kiss
(Plant/Adams/Baggott/Fuller/Tyson)
7. Somebody There
(Plant/Adams/Baggott/Fuller/Smith/Tyson)
8. Poor Howard 
(Plant/Adams/Baggott/Camara/Fuller/Tyson), derived from "Po' Howard" (Ledbetter, A. Lomax and J. Lomax Sr.)  
9. House of Love
(Plant/Adams/Baggott/Fuller/Smith/Tyson)
10. Up on the Hollow Hill (Understanding Arthur)
(Plant/Adams/Baggott/Fuller/Tyson)
11. Arbaden (Maggie's Babby)
(Plant/Adams/Baggott/Camara/Fuller/Smith/Tyson)

Moody Blues' Justin Hayward preps live releases

On August 19, Eagle Rock Entertainment will release Justin Hayward’s Spirits…Live – Live At the Buckhead Theatre, Atlanta on DVD, Blu-ray, CD, and Digital Formats. 

Recorded last August, the release was captured during the Hayward’s tour in support of recently released solo album Spirits Of The Western Sky – his first since 1996’s The View From The Hill.

The renowned Moody Blues guitarist/vocalist, joined by acoustic guitarist Mike Dawes and keyboardists/background vocalists Alan Hewitt and Julie Ragins, presented a set of 15 songs, selected from the new album and some Moodys favorites.

New tracks like “One Day, Someday,” “In Your Blue Eyes,” and “The Western Sky,” nestle comfortably between classics such as “Nights In White Satin,” “Tuesday Afternoon,” and “Question,” encapsulating Hayward’s long career as a songwriter.

Justin previously stated about the tour: “This tour will be something completely new for me. I'm bringing my 'song writing' guitars from home on the road for the first time. So this tour will have the feel and sound of my music room along with the vibe I was feeling as I wrote the songs.”

In addition to the full concert, the DVD and Blu-ray will also feature a Behind-The-Scenes featurette, allowing fans “backstage access” with Justin and his band.

TRACK LISTING:

1.) Tuesday Afternoon

2.) It’s Up To You / Lovely To See You

3.) In Your Blue Eyes

4.) The Western Sky

5.) Land Of Make Believe

6.) New Horizons

7.) In The Beginning

8.) One Day, Someday

9.) The Eastern Sun

10.) It’s Cold Outside Of Your Heart

11.) Your Wildest Dreams

12.) Forever Autumn

13.) Question

14.) Nights In White Satin

15.) I Know You’re Out There Somewhere

justinhayward.com  

Jane's Addiction, Empire of the Sun to headline Sunset Strip Music Festival 2014

Nederlander Concerts and Sunset Strip Music Festival (SSMF) organizers have announced the 2014 line-up scheduled for Saturday, Sept. 20 and Sunday, Sept. 21 on the Sunset Strip in West Hollywood, CA.

Alt-rock mainstay Jane's Addiction (pictured left) has been named the 2014 SSMF honoree kicking off the two-day music festival on Friday, Sept. 19.

 

The band will be honored with the “Elmer Valentine Award,” which celebrates the music and icons that have made an impact on the legacy of The Strip. Since launching their career with their first live performance at The Roxy in 1985, Jane's Addiction has continued to influence the sound and artistic spirit of rock and roll on The Sunset Strip and beyond. 

This year the group is celebrating the 25th anniversary of their album Nothing’s Shocking, and original members Perry Farrell, Dave Navarro, and Stephen Perkins continue to pave the way for alternative rock bands worldwide. 

 

This marks the seventh installment of the award ceremony, where Lou Adler, Mario Maglieri and Elmer Valentine, founders of cornerstone Sunset Strip venues Whisky A Go-Go, The Roxy and Rainbow Bar & Grill were first honored in 2008.

Jane's Addiction joins past honorees Ozzy Osbourne (2009), Slash (2010), Mötley Crüe (2011), The Doors (2012) and Joan Jett (2013). The invitation only honoree event will be hosted at the House of Blues Sunset Strip on Friday, Sept. 19.

“It all started for me back when my big brother used to tell me about The Strip, and about the amazing scene where artists like Janis Joplin and Jim Morrison blew people’s minds by pioneering a new sound and influencing culture in a more exciting way than ever before.  Complete with massive crowds from all over the world streaming through the streets and flocking to The Strip just trying to be part of it all,” said Perry Farrell, Jane’s Addiction frontman.

“So when it came time for Jane’s to record our first album we told Warner Brothers that before we could even release a studio record we had to make a live record on The Strip, and we even recorded it at The Roxy, because we knew that it had to embody that inspiration that came from the heart of that scene.  We are very proud to come from this heritage and are truly honored by the Valentine Award."

Following the Friday induction ceremony, Jane's Addiction will headline the first day of SSMF on Sept. 20 and play Nothing’s Shocking in its entirety. The day will also include  performances by Failure, Cold War Kids, ††† (Crosses), Minus the Bear, Kaiser Chiefs, The Birds of Satan, Nightmare and the Cat, Beware of Darkness and Say Say.

 

Popular Australian electronic music duo Empire of the Sun will headline Day 2 of the festival on Sept. 21, bringing their spectacular lightning visuals and sound. Mayer Hawthorne, Iration, Big Data, Tove Lo, Big Freedia, We Came as Romans, Nostalghia and Fenech-Soler, plus more to be announced will round out Sunday’s festival.

 

The two-day street festival will include three outdoor stages, interactive experiences, food, beverage and more. Sunset Boulevard will be closed to traffic between Doheny Drive and San Vicente Boulevard from 2:00-11:00 p.m. on Saturday and 2:00-10:00 p.m. on Sunday.  Iconic venues lining The Strip including, Whisky A Go-Go, The Roxy and Viper Room will host live performances for ticketed attendees throughout the day and into the night and after the street fest closes until 2:00 a.m. Entrance is first-come, first-served.

 

Tickets for the 2014 SSMF street festival are on sale now via the official ticketing provider, Eventbrite, at https://SSMF2014.eventbrite.com.  Ticket options include: Single Day General Admission for $75 or a 2-Day festival pass for $125.

 

VIP tickets range from $149-$499 per ticket and include in-and-out privileges from the festival, access to the rooftop VIP area with views of the West stage, plus additional amenities that vary per level.

 

For hotel accommodations and additional activities surrounding the festival visit sunsetstripmusicfestival.com/hotels or visitwesthollywood.com.

 

Vicki Peterson & Susan Cowsill reignite the Psycho Sisters

I'm a big fan of Peterson and saw the pair live a time or two in the '90s. Look forward to hearing the results. Read all the album details from the press release below...

For their debut full-length recording Up on the Chair, Beatrice - due Aug. 5 via RockBeat -  the Psycho Sisters chose material dating from the early ’90s −− their fledgling days of writing and performing.

As member Susan Cowsill says, “We don’t do anything in a normal way.” She was in the 1960s family band The Cowsills and teamed up with friend and Bangles’ guitarist Vicki Peterson in 1989. In the early ’90s, as the Psycho Sisters, they toured Europe and the U.S. with Giant Sand and Steve Wynn.

In demand as celebrity background singers (Jules Shear, Belinda Carlisle, Hootie and the Blowfish), the Sisters were not focused on their own recording career. For a decade, the two were members of the all-star Americana ensemble the Continental Drifters, which included the Dream Syndicate’s Mark Walton, guitarist Robert Mache, the dB’s’ Peter Holsapple and New Orleans drummer Russ Broussard (Cowsill’s husband).

By 1994, Peterson replaced a pregnant Charlotte Caffey on a Go-Go’s tour, and soon after returned to performing and recording with the newly reunited Bangles, while Cowsill began a solo career. 

Over the years, the two would occasionally talk about recording, but the timing was never right. Finally, in 2012 they found themselves, in Cowsill’s words, “not doing anything for a minute.” They convened to make a Psycho Sisters album. Cowsill found the process “sweet and cathartic,” while Peterson describes the recording experience as “absolutely magical.” The resulting album conveys that enchanting spirit.

When the pair first started singing together, they marveled at the way their voices effortlessly formed a sibling-like blend. It was “seamless and freakish,” says Peterson. She confesses that she sometimes has a hard time deciphering who’s singing what when listening to old cassette recordings of their songs.

Peterson and Cowsill were digging through those old cassettes after deciding to record only earlier songs for their debut instead of composing new ones. “It was something we needed to do; they deserved their day in the sun,” Cowsill states, adding that the CD serves as “a memory book of our time together.”

The “bittersweet romantic” tales address a young woman’s struggle to find the right guy (“Never Never Boys,” “Timberline”) or move past the wrong one (“This Painting,” “What Do You Want From Me”). The playfully twisted love song “Fun To Lie,” meanwhile, exemplifies, in Cowsill’s words, “our smart aleck pixie selves.”

Cowsill compared the early writing sessions to a sleepover party for 14-year-old girls. They would get together and talk for hours, fueled by popcorn, cookie dough and champagne.

Beatrice begins and ends with two tunes — “Heather Says” and “Cuddly Toy” — that nod to the past in other ways. Cowsill sang the fourth-grade-bully tale back in 1971 and Peterson notes, with admiration, that her “sister” still sings it in the same key. Cowsill had a life-long crush on Davy Jones, who sang the Nilsson-penned “Cuddly Toy” in the Monkees. Jones died just a few days into the Psycho Sisters’ recording sessions, so they decided to include the song (which they’d performed in live shows) as a tribute to him.

Peterson and Cowsill wanted Beatrice to feel like it had been created in 1992 −− as if it were, according to Peterson, “a ghost album, lost in the ether for 22 years.” In fact, the only band photos on the CD are from the Psycho Sisters’ 1992 European tour with Giant Sand. Both women acknowledge, however, that the disc would have been very different if they’d actually recorded it in 1992.

“We would have had different expectations and worried more back then,” Cowsill admits, adding, “it wouldn’t have sounded as authentic.” Peterson says that the songs have grown up along with the women themselves. Cowsill’s vocals, she explains, hold just the right touch of world-weariness now to make “Never Never Boys” work in a new way.

While Beatrice shimmers with a ’90s-jangle rock feel, the music also projects a vibrant freshness, reflecting the fact that most of these songs were previously only performed by the duo. Fleshing out the songs with a full band in the studio was a creative delight.

A big dilemma for Cowsill and Peterson, who co-produced the disc, was deciding which drummer should play on which song. Both are married to drummers: Cowsill to Broussard and Peterson to John Cowsill, Susan’s brother. Cowsill jokes that Peterson married her brother so that the Psycho Sisters would actually become sisters.

The band name came about by accident. When Peterson and Cowsill played their first gig at Los Angeles’ Roxy Theater in 1991 (sharing a bill with the Cowsills and Shonen Knife), they hadn’t yet chosen a name. The two, however, did perform in their nightgowns — although neither woman remembers exactly why. The late L.A. music scenester Bill Bartell (to whom the CD is dedicated) dubbed them the Psycho Sisters that night. Peterson thought it was “too good to change,” while Cowsill states, with a chuckle, that they certainly have “lived up to their name.”
 
The ladies used Kickstarter to help fund this CD, and their campaign exceeded its goal. “It was very gratifying,” Peterson says, “to know that people remembered the Psycho Sisters. It’s almost like we’ve been this mythical being and now we’re real.” They are thrilled with Beatrice −− “we made the record we wanted to make for ourselves,” proclaims Cowsill −− and hope that the music resonates with listeners.

In the future, the pair plans to tour, although they admit it is unclear as to how they will be performing (as a duo or with a larger combo, acoustic or electric). One thing is certain, however: it won’t be another 22 years before the Psycho Sisters return with their sophomore album.

Spencer Day concert review: San Juan Capistrano, Calif.

“My job is to help you escape,” said Spencer Day, at the Coach House in San Juan Capistrano, Calif. on Sunday night.

The charming jazz/pop singer proceeded to do exactly that during an exceptional 85-minute concert.

Over the past decade, Day has been on an upward career trajectory that has included a pair of albums for the Concord Jazz label, prominent jazz radio airplay, opening tour slots and late night TV talk show performances.

Winsome fifth full-length effort Daybreak came out independently earlier this month and debuted in the top 20 on Billboard’s Contemporary Jazz Albums chart. The collection is split between well-chosen cover tunes from the mid-to-late 1960s and originals that evoke a similar spirit.

I’d been curious about how Day fared live for a few years now and was not disappointed. The well-attended O.C. show was a revelation, like the first time I witnessed Michael Buble (to whom Day is sometimes compared and shares a pianist/organist on the new album in Alan Chang), also at the Coach House, back in ’03.

Clad in a maroon suit, the handsome vocalist was backed by an electric guitarist, drummer and bassist. “Missing Tonight” kicked the 17-song set off in smoothly seductive fashion (as did “Wait Till I Get You Alone”) and breezy, finger-snapping “Naturally” was an early highlight.

Downright giddy at times a la Rufus Wainwright, Day’s between song banter ranged from self-deprecating humor to religion and other personal anecdotes. While Daybreak was performed in its entirety, this show didn’t have the feeling of an artist force feeding fans his new album. “Till You Come to Me,” a top 5 jazz hit in 2010, briefly gave the venue a smoky cabaret vibe. 

Recalling an unhappy childhood and trip to Disneyland, Day did Peter & Gordon’s “World Without Love” - the first of a half dozen covers – seated with quiet band accompaniment. He took to the keyboards for an enchanting take on the Young Rascals’ “Groovin.”

All alone at the keys, Day unveiled “Ghost of the Chateau Marmont,” a promising original dark ballad earmarked for his next album. Their daring revamp of Creedence Clearwater Revival’s “Bad Moon Rising” was led by a Paul McCartney-esque bassline and featured a spirited vocal delivery.

Nancy Sinatra’s “These Boots are Made for Walking” was total fun, boasted wailing vocals and guitar work. The riveting “Don’t Let Me In” recalled early Chris Isaak, while a lush take on The Association’s “Never My Love” showcased Day’s lower vocal range. “You Don’t Know You’re Lonely” proved another standout.

Finally, the crowd sang “Happy Birthday” to Day, who closed the evening with the alluring title track to last year’s solid The Mystery of You. Can't wait to see him again.

Next up: Spencer Day performs at 7 p.m. Aug. 15 at the Hyatt Regency Newport Beach's Summer Concert Series with a special guest TBD. Tickets are $50-$65 and available through hyattconcerts.com

For more details on other San Juan Capistrano shows, go to: thecoachhouse.com
spencerday.com

Loverboy album news

Unfinished Business is an apt title for the collection of recordings from multi-platinum rock band Loverboy - 10 songs waiting, some for decades, to be completed.

The recordings range from "Come Undone," written by Paul Dean while living in Toronto 40 years ago, long before he met vocalist Mike Reno and joined forces to form the group, to the Chuck Berry-influenced "Doin' It the Hard Way." The song was penned by Dean during a brief stint replacing Randy Bachman in Bachman-Turner Overdrive.

Completing the recording took Dean to Raleigh NC, home to drummer Matt Frenette, where they recorded the last three tracks in a friend's home studio. "We practically lived at Little Mountain Studios for six months (referring to the Lovin' Every Minute album sessions), but it's a new world. I do everything on my laptop now. Way better!" enthuses Dean.

"These are tracks we'd recorded over the years, and we just decided to complete them and release the album to show our appreciation to the fans who have supported us all this time," says Dean.

It will be released worldwide July 15 by Redeye Distribution on all major digital and brick-and-mortar retailers, while the first single "Counting The Nights" is available now. 

Pre-order Unfinished Business on iTunes (U.S./Canada) or Amazon (U.S./Canada).

The title came from Dean's idea to involve the band's fans in choosing the name of the album in a popular vote on Facebook, where the choices were first winnowed down to 10, decided by the most "likes." The band then chose Unfinished Business.

"No question, that was the one. We put the song titles up and explained that this album was 40 years in the making," says Dean. "It was a fun thing. Some of the titles they came up with were hilarious, but perhaps a little inappropriate for Wal-Mart."

Paul's initial idea - to give away the album for free - was nixed, but he's still encouraging fans to stream it on Spotify, Rdio, Beats Music or Deezer. "I have no problem with them doing that," he laughs.

Making the new album was inspired by the band's positive experience recording three new songs, two of them with their original engineer Bob Rock producing, at Bryan Adams' Warehouse Studios in Vancouver, for 2012's Rock 'n' Roll Revival. "It was, as usual, a great experience. Bob's a master."

The new album features "War Bride," a song Dean remembers playing only once live back in 1979 before the band had signed their first record deal with Columbia, and "You Play the Star" from the same period, which incorporates some of the classical influences keyboardist Doug Johnson demonstrated on his recent solo release. These two songs also feature the late Scott Smith on bass. "What an amazing player. It was really cool hearing him again. Scott had a great groove. And sound!!"

The release comes in the midst of a period of intense activity for the band, who are coming off being featured in highly visible ad campaigns for both Taco Bell and Radio Shack. Both national brands are using Loverboy's image and music to promote their products to the '80s generation, which grew up on the group, and others who are just being introduced to their anthems.

Radio Shack's Super Bowl commercial,  with the tag line, "The '80s called... they want their store back," saw some of that decade's most popular groups take over the retailer, set to a soundtrack of Loverboy's "Working for the Weekend." CNN praised the Super Bowl ad, calling it "pure commercial genius... a spot-on piece of creativity."

Then there's the widely-seen Taco Bell spot promoting their breakfast waffle taco, which features a prominent mention of a consumer "taking down his Loverboy poster" as part of an unabashed pitch to those who grew up in the '80s and are now smack in the middle of the desired advertising demo.

Loverboy is just as relevant today as they were three decades ago, delighting audiences around the world since forming back in 1979 when vocalist Mike Reno was introduced to guitar hot shot Paul Dean, both veterans of several bands on the Canadian scene, at Calgary's Refinery Night Club. 

The band has four multi-platinum albums, including the four-million-selling Get Lucky, and a trio of double-platinum releases in their self-titled 1980 debut, 1983's Keep It Up and 1985's Lovin' Every Minute of It. Their string of hits includes, in addition to the arena-rock anthem "Working for the Weekend," such staples as "Lovin' Every Minute of It," "This Could Be the Night," "Hot Girls in Love," "Turn Me Loose," "When It's Over," "The Kid is Hot Tonite," "Heaven in Your Eyes" and "Queen of the Broken Hearts."

"I guess one day we'll have to stop calling the new album Unfinished Business," jokes Dean. "It sounds pretty much complete to me. And it only took us 40 years!"  

'Jersey Boys' film soundtrack arrives Tuesday

Having seen Jersey Boys for the first time last year at Le Theatre des Arts in Paris Las Vegas, I was glad to hear a film version of the Tony Award-winning Broadway musical was imminent. 
 
That Clint Eastwood-directed biopic about the career of Frankie Valli & The Four Seasons opened in U.S. theaters nationwide today. 

On Tuesday, Jersey Boys: Music from the Motion Picture and Broadway Musical will be released in stores June 24 via Rhino Records. Four Seasons' keyboardist/backing vocalist/songwriter Bob Gaudio produced the new soundtrack.

In a somewhat unusual move, Gaudio paired some actual recordings by Valli & The Four Seasons with ones by the film and the stage musical cast members (occasionally amid the same song). Yet it works. More than half of the 25 tracks are sung by the multiple award winning film/musical lead John Lloyd Young. His vocal resemblance to Valli is uncanny. 

During my initial listen to the CD, I was often hard-pressed to tell the difference between the two lead singers. The only signs came from a subtle phrasing nuance or punchier modern day music. A majority of the major hits are included. Young particularly excels during his sweet vocal takes on “Sherry” (the true shining moment), “Big Girls Don’t Cry,” “Walk Like A Man,” “My Eyes Adored You,” “Dawn (Go Away)”  and a spirited “Working My Way Back To You.”

Other noteworthy tunes here are Valli's original dramatic swelling ballad from 1970, “My Mother’s Eyes,” the doo-wop, an organ-driven “A Sunday Kind Of Love” (off 1965's The Four Seasons Entertain You) - which segues from Young to the group - and a mildly rocking 
Young/group hybrid “C’mon Marianne.” 

All told, the soundtrack should appeal to fans of the movie and musical.

Rhino will also put out three additional projects related to the group on July 1:

- Frankie Valli & The Four Seasons – The Classic Albums Box is an 18-disc set that includes the vast majority of the group’s albums in mini jackets with original artwork.
- Frankie Valli – Selected Solo Works is an eight-disc set that features many of Valli’s solo albums in mini jackets with original artwork.
- Audio With A G: Sounds Of A Jersey Boy, The Music Of Bob Gaudio is a two-disc collection of legendary songs written by hitmaker Gaudio, performed by The Four Seasons and other artists.

JERSEY BOYS: MUSIC FROM THE MOTION PICTURE AND BROADWAY MUSICAL

Track Listing

1. Prelude
2. “December, 1963 (Oh, What A Night)” – Frankie Valli & The Four Seasons
3. “My Mother’s Eyes” – Frankie Valli
4. “I Can’t Give You Anything But Love” – John Lloyd Young
5. “A Sunday Kind Of Love” – John Lloyd Young, Frankie Valli & The Four Seasons
6. “Moody’s Mood For Love” – John Lloyd Young
7. “Cry For Me” – Erich Bergen
8. “Sherry” – John Lloyd Young
9. “Big Girls Don’t Cry” – John Lloyd Young
10. “Walk Like A Man” – John Lloyd Young
11. “My Boyfriend’s Back” – Kyli Rae
12. “My Eyes Adored You” – John Lloyd Young
13. “Dawn (Go Away)” – John Lloyd Young
14. “Big Man In Town” – John Lloyd Young
15. “Beggin” – Frankie Valli & The Four Seasons, John Lloyd Young, Ryan Malloy
16. Medley – John Lloyd Young
a. “Stay”
b. “Let’s Hang On (To What We’ve Got)”
c. “Opus 17 (Don’t You Worry ‘Bout Me)”
d. “Bye, Bye, Baby (Baby, Goodbye)”
17. “C’mon Marianne” – Frankie Valli & The Four Seasons, John Lloyd Young
18. “Can’t Take My Eyes Off You” – John Lloyd Young
19. “Working My Way Back To You” – John Lloyd Young
20. “Fallen Angel” – Frankie Valli
21. “Who Loves You” – Frankie Valli & The Four Seasons, John Lloyd Young
22. Closing Credits: “Sherry”/”December, 1963 (Oh, What A Night)” – John Lloyd Young, Erich Bergen, Michael Lomenda, Vincent Piazza
23. “Sherry” – Frankie Valli & The Four Seasons
24. “Dawn (Go Away)” – Frankie Valli & The Four Seasons
25. “Rag Doll” – Frankie Valli & The Four Seasons