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Saturday, April 14, 2012

Bonus Q&A with the Hives before Coachella


photo by Travis Schneider
Here is more from my interview with Nicholaus Arson, the guitarist/backing vocalist for The Hives...

Q: Last time The Hives played Coachella was 2003.
That would be correct. It was when the Stooges did their first reunion. I remember The Donna and Red Hot Chili Peppers played.



Q: Does the band enjoy doing such large scale shows?
Yeah. We grew up in Sweden going to festivals, since we were 15 or something. So we always loved going, camping out for a week in the forest and watching all the bands. Some years, we would play at the festivals we were camping at. So we sort of eased into it. After that, it’s basically [been] our summer retreat. It’s work, but it’s what we do in the summer. It’s been that way for the last 15 years almost.

Q: Is The Hives music better suited for the huge outdoor stages or small sweaty clubs?
We’ve played all kinds of festivals during the day, in the dark. [Clubs] give a better atmosphere. You can have great shows in the middle of the day and at night. I probably prefer the ones at night and in clubs.

Q: It’s been about five years since the band last put out a studio album. Are you concerned about whether the old fans will remember you?
Not really because of the internet. It feels more like there’s anticipation instead of people forgetting who we are. It’s more like, ‘when is the record going to come out?’ and ‘when are you going to tour again?’ That hasn’t been a problem at all.

Q: What was the main cause for the long gap between albums?
We always took our time in between records to ensure some sort of quality was carved into that little wax piece. This time we toured for three years [for ‘Black and White Album’]. We had loads of problems in between as well on the business side. It was up in air and really taking its toll. You go to the rehearsal space to rehearse and instead you talk about the economy for seven hours. It was hard to focus when all that stuff was going down. That was at least one year. And we made a record in one year. Even though it was spread out, that is the actual percentage: 60 percent touring, 20 percent sh**, 20 percent making a record.

Q: Some of the new songs are really frenetic. Did you set out to regain the energy from the early days?
Yeah. We always used to do with early records as well. Our first record, ‘Barely Legal,’ was very fast-paced. The second one was too. Even though that to us was a studio album...Basically all you hear on the record is the five members of The Hives playing in a room at the same time. That is what we wanted. 

Q: The track “My Time is Coming” has an ominous feel with what appears to be ocean sounds at the start. Is that what it is?
You might think so. It sounds like mice or seagulls [but] is actually a pump organ. 

Q: What were you listening to while making this album?
This record was more going back to our old influences as well as listening to ourselves and what we liked about our own band. Our attention span is so short that it’s like we always come up with 1000 concepts going in to make a record. Then at the end of the day, we sort of lose interest in all the concepts after playing them for five minutes. Whatever The Hives do is what ends up on the record. We were going to make a glam record and then it was a gospel record. That’s why you have both “Go Right Ahead” and “My Time is Coming.”

Q: Do you feel like underdogs coming out with this album in 2012, when garage rock is no longer all the rage?
We never really thought of ourselves as part of the garage rock [movement]. If we were, it was more arena garage rock at times. We were always [distanced] from everything.

Q: Will there be a lot of touring ahead this year?
Yeah. It’s basically like you have a big wall and you’re throwing paint at it. That’s what the schedule looks like nowadays.   

Concert review: Squeeze warms up for Coachella with OC show


Since first catching Squeeze at the Roxy in West Hollywood in October 1991, I’ve seen the influential British pop/rock about a dozen times.

Yet I can’t recall a set list that included so many deep album cuts like the sold out show on Wednesday night at the Coach House in San Juan Capistrano, Calif.


Longtime fans in Orange County were definitely ecstatic. Before launching the solid 90-minute concert with “Take Me (I’m Yours)” – the first of three from ’78 debut record “U.K. Squeeze” – singer Glenn Tilbrook said, “It’s been awhile.” The song was among several to feature his tasty electric guitar solos.

Squeeze is currently touring to support the new “Live at the Fillmore” album. Recorded in San Francisco in 2010, it is available now on limited edition white vinyl (with download card containing "Spot the Difference: Greatest Hits"), via squeezeofficial.com and at shows. The
digital version comes out Tuesday at all major digital retailers. 

Their debut appearance at the Coachella Valley Music and Arts Festival in Indio, Calif. arrives today and April 21. Also look out for them on NBC's The Ellen DeGeneres Show on Tuesday. 

The 23-song Capistrano set concentrated on the group’s late 1970s/80s heyday, with particular emphasis on 1979’s “Cool for Cats.” Fellow original singer/guitarist Chris Difford took over lead chores during rocking rarity “The Knack.” Although the venue sound mix was shaky at first, the problem was remedied fairly quick.

Prior to the “Frank” album B-side “Who’s That,” Tilbrook (sporting an ill-advised goatee) noted, “this reminds me of Captain Beefheart, Paul McCartney and James Last.” Constantly running images and animation on the stage backdrop were highly effective (loved the cartoon version of the old lineup acting out “Up the Junction” lyrics). A fast-paced “Is That Love” drove the crowd crazy, while the jazzy “Melody Motel” steadily increased in tempo.

For the final stretch, it was pretty much one U.K. hit after another as the duo’s trademark hi/low harmonies continue to jell well after a quarter century together: “Annie Get Your Gun,” “Hourglass,” “Goodbye Girl” (drummer Simon Hanson tapped on a wineglass for rhythm), “Pulling Mussels From the Shell.”

Tilbrook played a synth during the total new wave strains of “Slap & Tickle.” A stripped-down, singalong “Tempted” was even driven by bongos. Finally, it more call and response time my all-time-favorite Squeeze tune “Black Coffee in Bed.” 

Opening the show was SoCal singer/guitarist Davis Fetter (pictured left) alongside a keyboardist and drummer. They definitely impressed with a 25-minute set of finely crafted alt-pop tunes characterized by Fetter's high falsetto vocals and easygoing approach.

Hands down, the highlight was “Euphoria,” which has received local music spotlight airplay on KROQ/106.7 FM. One to watch. 

Photos by Bob Steshetz

squeezeofficial.com
davisfetter.com

Friday, April 13, 2012

Green Day news

Green Day is currently in the studio recording three albums - a trilogy entitled ¡Uno!, ¡Dos!, and ¡Tré! - that will be released by Reprise Records on September 25, November 13 and January 15, 2013.

The albums follow the Grammy-winning 21st Century Breakdown, and are being overseen by long-time producer Rob Cavallo. ¡Uno!, ¡Dos!, and ¡Tré! are being recorded in their hometown of Oakland, CA. 

"We are at the most prolific and creative time in our lives. This is the best music we've ever written, and the songs just keep coming," said the members of Green Day. "Instead of making one album, we are making a three album trilogy. Every song has the power and energy that represents Green Day on all emotional levels.  We just can't help ourselves... We are going epic as fuck!"

Green Day is scheduled to play several music festivals this summer.  Confirmed dates are listed below with more to be added. 

AUGUST
18                Tokyo, Japan               Summer Sonic 2012
19                 Osaka, Japan             Summer Sonic 2012
26                 Paris, France              Rock en Seine 2012
SEPTEMBER
1                   Konstanz, Germany   Rock am See 2012
2                   Bologna, Italy             I-Day Festival

Lindsey Buckingham extends U.S. tour

When Lindsey Buckingham toured here last fall, I unfortunately had a show conflict. This time around, I definitely hope to catch one of the SoCal gigs. Read more below on the newly added East coast dates...

In the upcoming intimate one-man show, Buckingham will showcase his distinctive guitar picking style and instantly recognizable voice, captivating his audience with songs from his 2011 album, Seeds We Sow, as well as performing a combination of favorites from his previous solo albums, along with a variety of Fleetwood Mac classics.
 
Regarding the new tour he says, "As I've grown as an artist, I've gotten more and more in touch with my center, and that center is voice and guitar. Over time, it has become increasingly vital to express more with less; that is my touchstone now, and the embodiment of that philosophy is what will be largely represented in the new show. I've been thinking of doing this kind of tour for a while, and am quite excited to be doing something new, something outside my comfort zone."
 
Tour dates: 
 
5/3 Solana Beach, CA/Belly Up Tavern 
5/4 Los Angeles, CA/The Wiltern 
5/5 San Juan Capistrano, CA/Coach House
5/6 Thousand Oaks, CA/Fred Kavli Theatre/Thousand Oaks Civic Arts
5/8 San Luis Obispo. CA/Fremont Theatre
5/9 Fresno, CA/Tower Theatre
5/10 Carmel, CA/Sunset Central Center
5/11 Santa Cruz, CA/Rio Theatre
5/13 Sacramento, CA/Crest Theatre
5/14 San Francisco. CA/The Fillmore
5/15 Redding, CA/The Cascade Theatre
5/17 Bend, OR/Tower Theatre
5/18 Portland, OR/Aladdin Theatre
5/19 Seattle, WA/The Neptune
5/21 Spokane, WA/Bing Crosby Theatre
5/29 Boston, MA/Wilbur Theatre
5/30 Providence, RI/Lupo’s
5/31 Hampton Beach, NH/Hampton Beach Casino
6/1 Lebanon, NH/Lebanon Opera House
6/2 Northampton, MA/Calvin Theatre
6/4 New York, NY/BB King’s Blues Club
6/5 New York, NY/BB King’s Blues Club
6/6 Ridgefield, CT/Ridgefield Playhouse
6/8 Ithaca, NY/State Theatre
6/9 Tarrytown, NY/Music Hall
6/10 Bethlehem, PA/ArtsQuest Center
6/11 Wilmington, DE/World Café
6/12 Washington, DC/Howard Theatre
6/14 Baltimore, MD/Baltimore Soundstage
6/15 Munhall, PA/Carnegie Library Music Hall
6/16 Columbus, OH/Southern Theatre

Interview: The Hives at Coachella, other SoCal venues

photo by Travis Schneider
COACHELLA FESTIVAL DAY 3 PREVIEW

A version of my interview originally appeared at nctimes.com/entertainment

Iggy Pop sang a song called “Gimme Danger” on The Stooges' 1973 classic "Raw Power." Lately, The Hives have taken that title to heart.  

Nearly two decades into a rewarding career, the Swedish garage rock band still shows no signs of slowing its relentless pace – especially in concert.

Such was the case during some Stockholm warm up gigs last month, when lanky front man Howlin’ Pelle Almqvist tumbled off the stage.

“He fell down five meters and was lying on the lighting rig,” said guitarist/backing singer Nicholaus Arson (real name: Niklas Almqvist), in a phone interview from his home in Fagersta, Sweden.

Although the Jagger-esque vocalist suffered a concussion, the other members emerged unscathed and longtime Hives enthusiasts were effusive with praise. “People who’d seen us a minimum of 20 times said it was the best ever.”

The group – rounded out by guitarist Chris Dangerous, bassist “Doctor” Matt Destruction and drummer Vigilante Carlstroem - starts a brief California jaunt this weekend.

Arson said The Hives are particularly excited about being at Coachella, which they haven’t done since ’03, when the Red Hot Chili Peppers headlined.

“We grew up going to festivals in Sweden since we were [teens]. We always loved camping out for a week in the forest and watching all the bands. Some years, we would play them.”

Local fans can expect the sets to preview half a dozen new supercharged songs from the forthcoming “Lex Hives” album, available June 5 via the group's own Disque Hives label through ILG.

“If we played more than that, people’s heads would explode,” noted Arson.

The Hives initially appeared on America’s radar via the early-to-mid 2000s garage rock revival. They are best known for the top 20 alt-rock hits “Hate to Say I Told You So” and “Walk Idiot Walk,” plus successful 2004 disc, “Tyrannosaurus Hives.”

Three years later, “The Black and White Album” (a nod to the quintet’s matching attire and color scheme) was met with less enthusiasm. Follow up effort “Lex Hives” frequently recalls the band’s early aggressive days on Swedish punk label Burning Heart.

“We definitely wanted to go back to a rawer sound” and emphasize the dynamics of a band “all playing in a room at the same time,” affirmed Arson. “We were ready to speed it up again.”

Re-igniting the old “short, simple and to the point” maxim, three tracks clock in under two minutes, while the longest, “Patrolling Days” (an anthemic full-throttle rocker) doubles that timing.

“We’re a very zealous band; always on the edge of our seats,” explained Arson. “That’s what we do live: try to be as energetic as possible.”

For “Black and White,” The Hives utilized various producers (including Pharrell Williams) to mixed results. “Lex Hives” found them handling everything in house. The process was not without difficulties though.

“When five [Hives members] are doing whatever they think is right, you have to fight your way into a decision or get along. I don’t think we could have done it the same way 10 years ago. Back then, it would’ve been all fighting. Now we’ve become diplomats to a certain extent.”

Among the standout songs is a Ramones-styled “These Spectacles Reveal the Nostalgics,” the Devo-esque “Wait a Minute,” sax-laden “Midnight Shifter” (“a Stooges-type riff that keeps nagging at you”) and lead off single “Go Right Ahead.” 

Arson said they “were definitely going for the glam/punk thing” on the latter. “This is the first time we’ve had horns on a Hives record.”

Another change is Howlin’ Pelle’s mature, gritty drawl akin to New York Dolls’ David Johansen. The deluxe version of “Lex Hives” contains two tracks produced by Josh Homme (Queens of the Stone Age, Arctic Monkeys).        

“We did some vocal overdubs at his studio [in Joshua Tree] and wanted to try the studio out,” said Arson. “We knew we’d need some bonus tracks, so we recorded those for fun. We were so tired of producing ourselves that we said, ‘help us. You can do whatever you want to The Hives.’”

Unofficial sixth Hives member - the publicity shy Randy Fitzsimmons (some have speculated the name is another pseudonym for Arson) - once again handled lyrics. 

“For us, songwriting is like Lego building. We put blocks of music and lyrics together. We’re pretty thorough when it comes to arranging.” The end result “felt like whatever we had in the stew, as long as we boiled it down, would be a taste sensation. Some sort of condensed bullion of whatever is great about The Hives.”

Despite the long absence from the studio, Arson doesn’t feel like The Hives are underdogs.

“Whenever you have a band that’s good enough to prove its existence over and over again, that’s when you have rock ‘n’ roll that nobody can deny. If your record is being played in hockey arenas and people outside the garage rock community listen to your record, you’ve proved yourself. We love that feeling.”

The Hives perform 6:05 p.m. Sunday and April 22, Coachella Valley Music and Arts Festival, Empire Polo Club, 81-800 Avenue 51, Indio, 7 p.m. Monday with The Rapture at The Glass House, 200 W. Second St., Pomona; 8 p.m.Tuesday, Belly Up Tavern, 143 S. Cedros Ave., Solana Beach. All shows are sold out.

Wednesday, April 11, 2012

Roxette album on the way

Three years after their 2009 comeback, Swedish pop duo Roxette continue to celebrate a renewed popularity. 

A world tour is in full swing and there's a new album, Travelling, scheduled to be released digitally in the U.S. on June 5 by Capitol/EMI.

Among the 15 songs, most are new, some are revisited classics and others haven’t seen the light of day before. “It’s Possible” is the first taster from Travelling - sunny pop music that shows one of Roxette’s many sides in 2012.


Listen to ”It’s Possible”:
http://soundcloud.com/emi-sweden/roxette-its-possible/s-HTDLj

U.S. TOUR DATES

Sept 2 New York Beacon Theatre
Sept 3 Boston Orpheum Theatre
Sept 14 San Francisco The Nob Hill Theatre
Sept 15 Los Angeles Gibson Amphitheatre

facebook.com/RealRoxette
twitter.com/partypleaser

Pulp make long-awaited return to N. America

Seeing the band again this month will make my year. Most shows are sold out. Check secondary ticket sources for availability...

Following a brilliant performance on NBC's Late Night with Jimmy Fallon earlier this week, Pulp has embarked on its first U.S. concerts in more than a decade.

The influential British alt-rock groups also announced a few appearances in Europe/Asia. See below for details.

These shows will involve all original members of the band -- Nick Banks (drums), Jarvis Cocker (vocals, guitar), Candida Doyle (keyboards), Steve Mackey (bass), Russell Senior (violin, guitar) and Mark Webber (guitar). They will be playing songs from all periods of their career.

Pulp returned from a nine-year hiatus last summer, performing at festivals in Europe and Australia. They last played in the U.S. on a June 1998 tour in support of their "This Is Hardcore" album.
 
April 11 -- New York, NY -- Radio City Music Hall
April 13 -- Indio, CA -- Coachella
April 17 -- San Francisco, CA -- The Warfield
April 19 -- Pomona, CA -- Fox Theatre
April 20 -- Indio, CA -- Coachella
April 22 -- Mexico City, Mexico -- Palacio de los Deportes
May 4 -- Murcia, Spain -- SOS Festival
July 6 -- Turku, Finland -- Ruisrock
July 8 -- Tunari, Romania -- B'estfest
July 13 -- Pordenone, Italy -- Fiera della Musica

official site: pulppeople.com/