There's a children's album coming soon from Dolly Parton.
I Believe In You will be released digitally via Dolly Records/RCA Nashville on Sept. 29, with the physical album following Oct. 13. All the songs were written by Parton.
“My first album was released 50 years ago and it's been an amazing 50 years since then. I am very excited that now I'm coming out with my first children's album in all of those 50 years. I'm proudest of all that all of the proceeds from this CD will go to the Imagination Library,” Dolly said. “It's been 20 years since the Imagination Library was launched. We've seen 100million books get into the hands of children and hopefully there will be many more.”
Since its beginning in 1996 in Dolly’s hometown of Sevierville, Tennessee, the Imagination Library has expanded into four countries serving more than one-million children by providing a brand new, age-appropriate book each month. In North America, every child’s first book is the classic Little Engine that Could.
Track Listing:
I Believe in You
Coat of Many Colors (new recording)
Together Forever
I Am a Rainbow
I’m Here
A Friend Like You
Imagination
You Can Do It
Responsibility
You Gotta Be
Makin’ Fun Ain’t Funny
Chemo Hero
Brave Little Soldier
Bonus track spoken audio: Coat of Many Colors (book read by Dolly Parton)
Tracks 1, 3, 4, 5, 6, 7, 8, 9, and 10 were produced by Tom McBryde and executive produced by Paul T. Couch. Tracks 2, 11, 12, and 13 were produced by Tom Rutledge and Richard Dennison and executive produced by Dolly Parton.
Dustin Lynch has revealed the official track list for his third album, Current Mood (out 9/8 via Broken Bow).
After partnering with iHeartRadio to unveil the complete details worldwide across all iHeartCountry station sites today (8/22), Lynch admitted he’s actually been posting the info to his social media following for weeks.
Earlier this month, he began posting photos of himself wearing T-shirts covered in what turned out to be song titles, lyrics, and the album’s sequence – hiding the truth about his genre-bending, three-year obsession of a project in plain sight.
Track listing:
1. “I’d Be Jealous Too” (Dustin Lynch, Ross Copperman, Jon Nite) – Producer: Ross Copperman
2. “Seein’ Red” (Tully Kennedy, Kurt Allison, Steve Bogard, Jason Sever) – Producer: Mickey Jack Cones
3. “Small Town Boy” (Rhett Akins, Ben Hayslip, Kyle Fishman) – Producer: Zach Crowell
4. “Why We Call Each Other” (Dustin Lynch, Lee Miller, Ross Copperman) – Producer: Ross Copperman
5. “Here We Come” (Dustin Lynch, Zach Crowell, Jon Nite) – Producer: Zach Crowell
6. “Love Me or Leave Me Alone” (Dustin Christensen, Chris Gelbuda) – Producer: Ross Copperman
7. “Back On It” (Brent Anderson, Will Weatherly, Smith Ahnquist) – Producers: Brent Anderson & Will Weatherly
8. “I Wish You Were Beer” (Jon Nite, Josh Osborne, Justin Ebach) – Producer: Ross Copperman
9. “State Lines” (Dustin Lynch, Kyle Fishman, Andy Albert) – Producer: Mickey Jack Cones
10. “Party Song” (Brett Tyler, Craig Wiseman, Morgan Wallen) – Producer: Mickey Jack Cones
11. “New Girl” (Dustin Lynch, Zach Crowell, Ashley Gorley) – Producer: Zach Crowell
12. “Why Not Tonight” (Dustin Lynch, Jimmy Robbins, Jon Nite) – Producer: Ross Copperman
13. “Sun Don’t Go Down On That” (Dustin Lynch, Ross Copperman, Jon Nite) – Producer: Ross Copperman
This fall, Lynch will embark on a headlining run, beginning in November with openers Ryan Hurd, LANCO, and Michael Ray on select dates.
Initial tour dates:
11/3 - Fayetteville, NC – Crown Coliseum *+
11/4 - Atlanta, GA – Coca Cola Roxy Theatre *+
11/10 - Oklahoma City, OK – Diamond Ballroom +
11/11 - San Antonio, TX – Cowboys Dancehall +
11/12 - Houston, TX – House of Blues +
12/2 - New York, NY – PlayStation Theater ^
12/3 - Philadelphia, PA – The Fillmore ^
12/7 - Stockton, CA – Bob Hope Theatre ^
12/8 - Los Angeles, CA – The Novo ^
12/10 - Las Vegas, NV – The Cosmopolitan ^
12/17 - Grand Rapids, MI – 20 Monroe Live ^
*Michael Ray
+LANCO
^Ryan Hurd
DustinLynchMusic.com
Weezer will release their 11th album, Pacific Daydream, on Crush Music/Atlantic Records on Oct. 27. Produced by frequent collaborator Butch Walker, it is the follow up to the critically acclaimed album Weezer (The White Album),which was nominated for a Grammy for Best Rock Album.
Following the release of 2016's Weezer (The White Album), the band began working on what they called "The Black Album," but as they worked, they found the songs they were writing felt more like reveries from a beach at the end of the world. Instead of forcing a different direction, they began an entirely new album; Pacific Daydream was born. Frontman Rivers Cuomo brings this decision back to a Chinese proverb he says inspired the design behind the entire record:
"Once upon a time, I, Chuang Chou, dreamt I was a butterfly, fluttering hither and thither, to all intents and purposes a butterfly. I was conscious only of my happiness as a butterfly, unaware that I was Chou. Soon I awaked, and there I was, veritably myself again. Now I do not know whether I was then a man dreaming I was a butterfly, or whether I am now a butterfly, dreaming I am a man."
A track listing for Pacific Daydream is still forthcoming, however the album's current single, "Feels Like Summer," released in March, is currently at #2 and closing in on #1 at Alternative radio, with nearly 20 million plays across streaming services and YouTube. The song is Weezer's biggest radio hit in a decade, and should be the band's fourth #1 at Alternative radio.
A pre-order for Pacific Daydream is available HERE. In the meantime, Weezer continue to dominate 2017's festival season, playing lauded sets across the U.S. and Canada. Tour dates are below.
Tour dates:
8/26/17 Monterrey, Mexico @ Hellow Music Festival
9/2/17 Seattle, WA @ Bumbershoot
9/9/17 Kansas City, KS @ 96.5 The Buzz's Beach Ball
9/10/17 St. Louis, MO @ LouFest
9/15/17 Del Mar, CA @ KAABOO
9/16/17 Atlanta, GA @ Music Midtown
9/17/17 New York, NY @ The Meadows Music and Arts Festival
10/5/17 Reno, NV @ Grand Sierra Resort and Casino
10/6/17 Napa, CA @ Silverado Resort and Spa
10/7/17 Morrison, CO @ Red Rocks Amphitheatre
10/15/17 Berlin, Germany @ Columbiahalle (with The Orwells)
10/16/17 Cologne, Germany @ Ewerk (with The Orwells)
10/18/17 Brussels, Belgium @ Ancienne Belgique (with The Orwells)
10/19/17 Paris, France @ Olympia (with The Orwells)
10/21/17 Tilburg, Netherlands @ 013 (with The Orwells)
10/23/17 Leeds, United Kingdom @ O2 Academy (with The Orwells)
10/24/17 Glasgow, United Kingdom @ O2 Academy (with The Orwells)
10/25/17 Manchester, United Kingdom @ O2 Apollo (with The Orwells)
10/27/17 Birmingham, United Kingdom @ O2 Academy (with The Orwells)
10/28/17 London, United Kingdom @ Wembley Arena (with Ash, The Orwells)
Weezer are: Brian Bell (guitar/vocals) * Rivers Cuomo (vocals/guitar) * Scott Shriner (bass/vocals) * Pat Wilson (drums)
Morrissey's first new album in three years, Low in High School, will be released on Nov. 17 on CD, colored vinyl, limited edition cassette and digitally via BMG. The company is will distribute his new label, Etienne Records. The collection was recorded in France and Italy (at Ennio Morricone’s Forum Studios). Joe Chiccarelli returned to produce.
So far, there's only one U.S. concert date: Hollywood Bowl, Nov. 10 with Billy Idol opening. On sale Friday at 10 a.m. through Ticketmaster. There is an 8 ticket limit for this event and 4 ticket limit for all presales. Garden and Terrace Levels sold in multiples of 2.
A limited amount of tickets and vinyl records have been held for Morrissey fans for an early pre-sale for the Hollywood Bowl until Wednesday 10pm PST.
Pre-sale: smarturl.it/MozHwoodBowl
Pre-sale password: LowinHighSchool
On Oct. 13, Eagle Rock Entertainment will release Tommy – Live At The Royal Albert Hall by The Who on DVD, Blu-ray, 2CD and 3LP. This concert film captures a live performance by The Who of Tommy in its entirety and boasts over two hours and twenty minutes of content. The show includes plenty of all-time classics.
In April 2017, The Who took to the stage at London’s Royal Albert Hall to do a rare performance of their rock opera Tommy live in its entirety. Previous Who live shows had always dropped two, three or four tracks from the album, but for this show, in aid of the Teenage Cancer Trust, the band would perform every track.
With specially created animations on a huge screen above the stage and creative use of lighting, the concert told the story of the “deaf, dumb and blind kid who sure played a mean pinball.” In addition, at the end of Tommy, the sell-out crowd was treated to a short set of Who favorites.
Bonus features include a behind-the-scenes featurette, plus full screen animations of both “The Acid Queen” and “Pinball Wizard” with the live performance audio.
Track Listing:
1) Introduction
2) Overture
3) It’s A Boy
4) 1921
5) Amazing Journey
6) Sparks
7) Eyesight To The Blind (The Hawker)
8) Christmas
9) Cousin Kevin
10) The Acid Queen
11) Do You Think It’s Alright?
12) Fiddle About
13) Pinball Wizard
14) There’s A Doctor
15) Go To The Mirror!
16) Tommy Can You Hear Me?
17) Smash The Mirror
18) Underture
19) I’m Free
20) Miracle Cure
21) Sensation
22) Sally Simpson
23) Welcome
24) Tommy’s Holiday Camp
25) We’re Not Gonna Take It
26) I Can’t Explain
27) Join Together
28) I Can See For Miles
29) Who Are You
30) Love, Reign O’er Me
31) Baba O’Reilly
32) Won’t Get Fooled Again
Pre-order links:
CD: https://www.amazon.com/Tommy-Live-Royal-Albert-Hall/dp/B0746XTX18
Blu-ray: https://www.amazon.com/Tommy-Live-Royal-Albert-Blu-ray/dp/B07472V1D9
DVD: https://www.amazon.com/Tommy-Live-Royal-Albert-Hall/dp/B07477ZM3B
Vinyl: https://www.amazon.com/Tommy-Live-Royal-Albert-Hall/dp/B07472TY5L
Critically-acclaimed country recording artist Brandy Clark played Los Angeles’ renowned Hotel Café last year and later that summer, she had a successful second album, Big Day In A Small Town, which garnered her two Grammy nominations.
Now, Clark is releasing that Hotel Café performance for her first ever concert album, Live From Los Angeles, which Lewis calls “smart to the core.” Live From Los Angeles is available now at digital retailers.
Clark released an exclusive limited-run of Live From Los Angeles vinyl albums in April in honor of Record Store Day and earlier this summer, released an outtake from her Big Day In A Small Town sessions; instant crowd-favorite “You’re Drunk.”
Clark has established herself as one of country music’s greatest storytellers. 2016 marked several successful acoustic tours and the release of Big Day in a Small Town, which was produced by Jay Joyce.
Big Day in a Small Town followed Clark's critically acclaimed debut album, 12 Stories.

British alt-rock band Everything Everything release their fourth studio album, A Fever Dream today. Produced by James Ford (Florence + The Machine, Arctic Monkeys, Depeche Mode), it features “Can’t Do” (watch the video HERE) and their most recent single, “Desire.” Check out that clip HERE. A Fever Dream is the follow up to Everything Everything’s critically acclaimed 2015 album, Get To Heaven.
Guitarist Alex Robertshaw says, “Our records have been many styles rubbing up against each other, and for the first time I wanted to make a record that was cohesive sonically.”
Midway through touring with Get To Heaven, Robertshaw found himself listening increasingly to the kind of electronic music he had loved as a teenager — early Warp Records releases, Aphex Twin, Autechre, Boards of Canada, relishing “the atmosphere and the attitude” of them. “I wanted to go back to that thing that first made me excited about music,” he says. “We’ve spent a lot of time going into that R’n’B and hip hop world — for an indie band it was a bit of an untouchable thing, and it was really fun to do and I think we captured it at its best with Kemosabe and Arc. But once you start doing that you kind of separate yourself.”
In talking about the new album’s sound, singer Jonathan Higgs explains “It’s kind of a mixture of the sounds of our adolescence I suppose - the electronic stuff mixed with American heavy bands of the early-mid 90s. As a result, there’s also a lot of adolescent riffy guitar-playing on the album. Guitar music is really where we came from, all of us. Then we grew up a bit and it went out of fashion, but really that’s what excites us hugely. And because we always had a plan on not being like that early on it feels really good to do it now.”
While bassist Jeremy Pritchard and drummer Michael Spearman joined later in the studio under the watchful eye of producer James Ford, the album began with Higgs and Robertshaw, Everything Everything’s principal songwriters. This has been their most collaborative record to date, seeing the pair working together on every track, with Higgs’s more dramatic pop sensibilities tempered by what he simply describes as Robertshaw’s “cool”.
In many ways A Fever Dream is the logical thematic successor to Get To Heaven’s exploration of rolling news culture — a portrait of a world grown relentless and unfathomable, whatever your nationality or political persuasion.
“I really didn’t want to be too explicit about world events,” Higgs says. “Everyone’s pretty aware of what is going on. But I wanted to make a record about how this has all affected us, not just me and you, but everyone around us. I think people come to us for a sense of recognition. They want to hear someone else say what they’re feeling. And that’s what I’ve always gone to music for, and I hope that’s what we put out - the ‘Do you feel like me?’ message, rather than anything more concrete. It doesn’t interest me to be preachy, it just turns everybody off, including me.”
One track, “Ivory Tower,” is a particularly striking reflection of the times — a spewing-forth of what Robertshaw politely terms “a lot of hugely unacceptable language” in a portrait of an increasingly faceless and impersonal world. “’Ivory Tower’ deals with very extreme stuff,” says Higgs. “It’s a reaction to the nasty side of everything we’ve had lately, like all the stuff on immigration. But I’m not looking at it objectively I’m going right in there and saying lots of awful things that everyone’s saying at each other - so I’m having a go at the liberal elite and I’m having a go at the small-minded racists, all this stuff at the same time. And it’s just this rage, this really fast, violent song. And it’s a way to get all that horrible shit out of us. And when you hear it on the record it does just sound like someone kicking down your door. But I’m not setting out my stall — it’s a photograph of now, a snapshot of how it feels to be alive at the moment.”
Expanding on A Fever Dream, Higgs says: “You shouldn’t be sitting down the first time you hear it.”
Currently in the midst of a sold out UK tour, Everything Everything recently announced a run of North American tour dates, kicking off in October. Tickets are on sale now via www.everything-everything.co.uk
Tour Dates:
10/09 – Bimbo’s 365 Club – San Francisco, CA - TICKETS
10/11 – Teragram Ballroom – Los Angeles, CA - TICKETS
10/13 – Irving Plaza – New York, NY - TICKETS
10/14 – Black Cat – Washington, D.C - TICKETS
10/15 – The Sinclair – Cambridge, MA - TICKETS