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Friday, May 3, 2024

LA County Fair 2024: A Musical History

Photo: Cal Poly Pomona Special Collections
When the LA County Fair opened in 1922, activities were geared toward agriculture, gardening, livestock, races, and aviation stunts. 

After the grandstand capacity was expanded and track became the first location for parimutuel wagering in Southern California in 1933, attendance increased substantially. Local broadcast stations presented music shows featuring radio hit parade stars such as orchestras and their singers.

By the Fifties, entertainment offerings expanded beyond big top circus-styled “Cavalcade of Stars” attractions and comedians. Jazz and pop acts Louis Armstrong, Dave Brubeck Quartet, Mickey Rooney, and the Lennon Sisters appeared, as did Liberace for a multi-day engagement. Folk, country, and rock ‘n’ roll were briefly represented too: Johnny Cash, The Kingston Trio, Johnny Burnette, and Richie Valens (backed by future Beach Boy Bruce Johnston on piano) performed during a special 1958 Hometown Jamboree radio and television broadcast.

The Sixties saw grandstand shows with “Country and Western Stars of the Grand Ole Opry” like Ferlin Husky, Skeeter Davis, and Red Sovine, plus Tex Williams and the Modern Folk Quartet.

Subsequent decades would lean heavily on that genre. Seventies offerings included Johnny Cash, Lynn Anderson, Johnny Lee, Charley Pride, Freddie Fender, and Rick Nelson. Among the Eighties slate was Loretta Lynn, Ray Charles, Barbara Mandrell, Oak Ridge Boys, Roger Miller, and Mickey Gilley.

“In the early ‘80s, the fair was doing concerts with acts like the Beach Boys and Eddie Rabbitt, but then (officials) decided that they didn’t really need music,” explained former Fairplex VP Dale Coleman. “It was expensive, and it wasn’t really necessary to do higher level entertainment. So, it just stopped.” Coleman, a Pomona High School, and University of La Verne graduate, joined the Fairplex staff in 1990. He oversaw LA County Fair music bookings before retiring from the position in 2020 and is still involved as a consultant.

Around the time Coleman started, Marlboro (Phillip Morris USA) was a sponsor and “would go around to fairs, bring in a stage and fairly significant entertainment” under the Marlboro Music banner, he said. “We had acts like Martina McBride and Rick Trevino and did that for a couple of years.

“We saw (top name music artists) attracted people to the fair,” Coleman continued. “That's when we decided we ought to try to do our own concert series” – especially since the live music landscape in the greater Los Angeles area was still relatively sparse in the mid-1990s.

“It was what I would describe as ‘a buyer's market’ then. The nostalgia craze became a big thing. The ‘70s acts were starting to be in demand again, but they were still reasonable (to book). “Being a kid who grew up in Pomona, I had a good sense of the market. I thought, ‘The first act we need is War.’”

Since then, the LA funk/rock/soul band has appeared around every year at the fair.

“They are jokingly referred to as our ‘house band,’ but they’re so popular,” said Coleman. “I try to open up the fair every year with War and people love it. The grandstand’s full, you know they’re there, and the pricing is right - which is not the same for a lot of acts anymore.”

Thoroughbred horse racing at the fair always took precedence at the grandstand before moving to Los Alamitos in 2014.

“We couldn’t even think about doing a concert at night until the races were done,” Coleman recalled. They devised “this massive portable stage. We would do all the soundchecks off in the barn area during the day. When horse racing finally ended, it became like a track meet to get that stage out into position…I can't even believe we did that for all those years.”

The fair has always taken the Los Angeles area demographics into careful consideration while booking artists.

“If you go back in time, you’ll see lots of R&B, rock and roll and Hispanic-type music. That’s very purposeful…being somebody who grew up in Pomona, I understood the culture.

“I have applied that through the years and tried to find the next big thing. The fair does not have the budget to compete with major venues. Indian casinos spend crazy money on talent because they can, and their mousetrap is different.”

Coleman admitted to being proud how the fair was Toby Keith’s “first $100,000 paycheck.” Also, for snagging artists like Brad Paisley, Rihanna, Blake Shelton, Miranda Lambert, Demi Lovato, Selena Gomez, and Kane Brown to play the concert series “right before they got huge. They already were on their way up, so when they came to the fair, we had a sellout.” His industry connections also led to engagements by Jackson Browne and Crosby Stills and Nash in the 2000s. “That’s rock and roll royalty,” Coleman said.

An effort to increase diversity among LA County Fair attendees and spotlight local emerging music talent is at the heart of NextFest. More than 250 entertainment acts, spanning various genres and disciplines (DJs, musicians, dancers, karate), will appear during the third festival-within-the-fair on multiple stages.

“We make sure there’s something for everyone and it is of quality,” said Lucas Rivera, a former Fairplex VP and current lead fair consultant who runs the Sakul Creative arts and culture agency.

“Come to the music festival, see five different genres of music, hang out at the Ferris wheel, eat some corn dogs, and see the animals. It’s a win-win,” added Rivera. “You can’t get that type of entertainment anywhere for 20 bucks.”

A version of my article originally appeared in select SoCal Newsgroup (SCNG) newspapers in print and online. 

Daryl Hall has a new album, tour slated for June

Daryl Hall will release his sixth solo album, D, on Virgin Music on June 21, co-produced by one-time Eurythmics member and fellow Rock and Roll Hall of Fame inductee Dave Stewart, who co-wrote seven of the nine new original songs with Hall penning the other two on his own. 

The first single from the album, “Can’t Say No To You” can be listened to HERE, alongside the official music video HERE.

D marks Hall’s sixth solo album, and first since 2011’s Laughing Down Crying on Verve Records. In 2022, Hall released BeforeAfter, featuring a 30-song compilation of all his solo work, from 1980’s Robert Fripp-produced Sacred Songs through 1986’s Three Hearts in the Happy Ending Machine, 1993’s Soul Alone, 1996’s Can’t Stop Dreaming and Laughing Down Crying.

“This album is about getting to my core,” said Daryl. “Break it down to the real thing, have fun, tropical reverie. And, rekindle a musical relationship with a great friend…Call me ‘D.’”

The new album was recorded and mixed at Stardust Studios in Harbour Island, Bahamas. The first single from the album, “Can’t Say No to You,” co-written by Hall and Stewart, will be released on May 3, when pre-orders for the full-length album will start, available on Hall's official merch store and Target.com.

There will also be exclusive vinyl variants, available in silver at independent record stores nationwide, turquoise at Barnes & Noble, and more! Other songs include “The Whole World’s Better,” “Too Much Information,” “Rainbow Over the Graveyard,” “Not the Way I Thought It Was,” “Walking in Between Raindrops” and “Why You Want to Do That to My Head” along with a pair of brand-new Daryl Hall solo tracks, “Rather Be a Fool” and “Break It Down to the Real Thing.” The album is now available to pre-save on all platforms HERE.

On May 9 at 8PM ET, Daryl will appear on the social media celebrity shopping network, Talk Shop Live, to introduce the new album, while his summer tour with Elvis Costello will begin in June in Troutdale, Oregon, running through July. 

Daryl Hall/Elvis Costello Tour Dates:

June 2 – McMenamins Edgefield – Troutdale, OR
June 4 – Northern Quest Amphitheater – Airway Heights, WA
June 6 – Remlinger Farms – Seattle, WA
June 8 – Hayden Homes Amphitheater – Bend, OR
June 10 – Mountain Winery – Saratoga, CA
June 12 – Thunder Valley Casino – Lincoln, CA
June 14 – Santa Barbara Bowl – Santa Barbara, CA
June 16 – Cal Coast Credit Union Open Air Theatre – San Diego, CA
June 18 – Greek Theater – Los Angeles, CA
June 21 – Agua Caliente Casino – Rancho Mirage, CA
June 23 – Fontainebleau – Las Vegas, NV
July 4 – Budweiser Stage – Toronto, ON
July 6 – Ravinia – Highland Park, IL
July 8 – Masonic Temple Theatre – Detroit, MI
July 10 – The Mann Center – Philadelphia, PA
July 12 – Mohegan Sun Arena – Uncansville, CT
July 14 – MGM Music Hall at Fenway – Boston, MA
July 16 – Radio City Music Hall – New York, NY
July 18 – PNC Bank Arts Center – Holmdel, NJ
July 20 – Bethel Woods Center for the Arts – Bethel, NY
July 22 – BankNH Pavilion – Gilford, NH
July 25 – Wolf Trap Filene Center – Vienna, VA

Classic Album Reissue Review: Billy Idol's 'Rebel Yell'

Billy Idol

Rebel Yell

(Capitol/UMG)


When Billy Idol released Rebel Yell, his second full-length studio album in November 1983, the British singer had experienced moderate success in America the year before with the singles “White Wedding” and “Hot in the City” (and in the case of the former, a very popular and memorable MTV music video) off the self-titled debut effort.

But it was Rebel Yell that sent Idol’s career into overdrive here and rightly so. The tight nine-song collection, crafted by Idol, guitarist Steve Stevens and producer Keith Forsey, was bereft of filler. It contained the pop hits “Eyes Without a Face” and “Flesh for Fantasy,” as well as the title track and “Catch My Fall,” which received significant play at modern rock radio and dance clubs. Certified double platinum, it is Idol’s most successful studio album in the U.S.

Now Rebel Yell is available in an outstanding new deluxe 2CD and 2LP physical editions (plus digital) to mark the 40th anniversary. For fans who might have owned Idol greatest hits collections and other albums, but not Rebel Yell, it is a revelation to hear more of Steven’s guitar-playing pyrotechnics and full-length single versions which were edited down or remixed.

Both Idol and Stevens were executive producers on the reissue, lending a particular care to the project you don’t always see when the artist in question isn’t involved. The sound is stellar; there are various photos (recording studio boxes, video stills, single sleeves) and insightful liner notes from Tim Sommer describing how Idol’s lyrics were a direct result of living in New York City. Until reading the liner notes, I didn't realize that the rhythms weren't entirely done on drum machines. Thommy Price (later of Joan Jett & the Blackhearts) was brought in to redo some beats.

Standouts include the racing rocker “Rebel Yell” (Idol spotted Rolling Stones members downing the bourbon at a party) with Idol’s trademark snarling vocals in full effect; lush ballad “Eyes Without a Face” featuring a gorgeous backing vocal line in French by Idol’s girlfriend Perri Lister; the exciting punk-leaning “Blue Highway” (which could’ve slotted nicely on an album by Idol’s 1970s band Generation X); the mysterious vibe on “Catch My Fall,” bolstered by sax work from Mars Williams (Psych Furs, the Waitresses); the simmering tension of “Flesh for Fantasy”; and the hard rocking “(Do Not) Stand in the Shadows.”

Longtime Idol enthusiasts will be particularly interested in the 13-track bonus disc with outtakes, demos, early versions, and session takes (half are previously unreleased). Among the highlights are the spacey and funky Prince-inspired “Best Way Out of Here”; a haunting, yet dramatic cover of Rose Royce’s “Love Don’t Live Here Anymore” (removed from final Rebel Yell track contention because Madonna also recorded a cover around the same time); and a super-charged take on Chris Spedding’s “Motorbikin’.” Hearing the songs in various forms of completion or with different tempos (“Flesh for Fantasy”) is fascinating too.

Rebel Yell is highly recommended and one of the best reissues so far in 2024.

Friday, April 26, 2024

Out next week: Better Than Ezra's 'Super Magick'

Veteran alt-rock band Better Than Ezra's forthcoming release of their tenth studio album Super Magick is due out May 3 via Round Hill Records, Super Magick, the 
New Orleans-bred group's first new one in a decade, is available for pre-order/pre-save now.

Go here to listen to latest single “Live A Little” and watch the visualizer here.

Super Magick was recorded at Tennessee’s Pink Deer Studio and mainly produced by BTE singer/guitarist Kevin Griffin and Emery Dobyns. 

“In many ways music is one of the closest things to magic, in terms of how it can affect and transport you,” says Griffin. “Now more than ever, we’re aware that we’re creating songs that could become part of the fabric of other people’s lives, and it’s something we appreciate in a much deeper way than we first started out.”

“Live A Little” has fared well with fans at BTE’s live shows. 

“It’s one of those rare songs where the music and the melody definitely match the message, which is essentially ‘carpe diem’,” Griffin says in speaking to the track’s immediate appeal. “The longer you live, the more you realize how fragile life is — nothing is a given, and every day is a gift.”

In addition to “Live A Little,” Super Magick features Better Than Ezra’s recent singles “Mystified” and “Contact High.

Track listing:

Mystified
Live a Little
Show 'em Up
Super Magick
This Time
Contact High
Grateful
Sensation
Bad Communication
Fuzzy
Omens
KIlling It

ABOUT BETTER THAN EZRA:

Their early roots, circa 1988, came from playing house parties at Louisiana State University.  The New Orleans quartet, founded by Kevin Griffin [lead vocals, guitar, piano] and Tom Drummond [bass, backing vocals], are best known for 1995’s #1 rock hit “Good” and Taylor Swift’s famously in 2010 covered Better Than Ezra's “Breathless.” 

David Gilmour of Pink Floyd confirms new album ‘Luck and Strange’ for September

David Gilmour of Pink Floyd will put out new album ‘Luck and Strange’ on September 6 via Sony Music. The first track released from the album is ‘The Piper’s Call.’

‘Luck and Strange’ was recorded over five months in Brighton and London and is Gilmour’s first album of new material in nine years. The record was produced by David and Charlie Andrew, best known for his work with ALT-J and Marika Hackman.

Of this new working relationship, David says, “We invited Charlie to the house, so he came and listened to some demos, and said things like, “Well, why does there have to be a guitar solo there?” and “Do they all fade out? Can’t some of them just end?”. He has a wonderful lack of knowledge or respect for this past of mine. He’s very direct and not in any way overawed, and I love that. That is just so good for me because the last thing you want is people just deferring to you.”

The majority of the album’s lyrics have been composed by Polly Samson, Gilmour’s co-writer and collaborator for the past thirty years. Samson says of the lyrical themes covered on ‘Luck and Strange’, “It’s written from the point of view of being older; mortality is the constant.” Gilmour elaborates, “We spent a load of time during and after lockdown talking about and thinking about those kind of things.” Polly has also found the experience of working with Charlie Andrew liberating, “He wants to know what the songs are about, he wants everyone who’s playing on them to have the ideas that are in the lyric informing their playing. I have particularly loved it for that reason.”

The album features eight new tracks along with a reworking of The Montgolfier Brothers’ ‘Between Two Points’ and has artwork and photography by Anton Corbijn.

Musicians contributing to the record include Guy Pratt & Tom Herbert on bass, Adam Betts, Steve Gadd and Steve DiStanislao on drums, Rob Gentry & Roger Eno on keyboards with string and choral arrangements by Will Gardner. The title track also features the late Pink Floyd keyboard player Richard Wright, recorded in 2007 at a jam in a barn at David’s house.

Some contributions emerged from the live streams that Gilmour and family performed to a global audience during the lockdowns of 2020 and 2021; Romany Gilmour sings, plays the harp and appears on lead vocals on ‘Between Two Points’. Gabriel Gilmour also sings backing vocals.

The album’s cover image, photographed and designed by Anton Corbijn, is inspired by a lyric written by Charlie Gilmour for the album’s final song ‘Scattered’. 

Of working with his family on ‘Luck and Strange’, David says, “Polly and I have been writing together for over thirty years and the Von Trapped live streams showed the great blend of Romany’s voice and harp-playing and that led us into a feeling of discarding some of the past that I’d felt bound to and that I could throw those rules out and do whatever I felt like doing, and that has been such a joy.”

VINYL
Black vinyl, gatefold sleeve and booklet with photography and design by Anton Corbijn

CD
Album plus two bonus tracks.
Digipak and booklet with photography and design by Anton Corbijn

CD track listing:

Black Cat*
Luck and Strange
The Piper’s Call
A Single Spark
Vita Brevis*
Between Two Points** - with Romany Gilmour
Dark and Velvet Nights
Sings
Scattered***

BONUS TRACKS

Yes, I Have Ghosts
Luck and Strange (original Barn Jam)*

BLU-RAY – AUDIO ONLY

Album in Dolby Atmos and high-resolution stereo mixes plus four bonus tracks.
Digipak and booklet with photography and design by Anton Corbijn

BONUS TRACKS

In Dolby Atmos and Hi-Res stereo

Yes, I Have Ghosts
Luck and Strange (original Barn Jam)*
A Single Spark (Orchestral)*
Scattered (Orchestral)*

Deluxe LP & CD boxsets will be announced in the coming weeks.

All songs Music: David Gilmour. Lyrics: Polly Samson.
Except *Music: David Gilmour.
**Music: Mark Tranmer. Lyrics by Roger Quigley.
***Music: David Gilmour. Lyrics: David Gilmour, Charlie Gilmour and Polly Samson.

Produced by David Gilmour and Charlie Andrew
Engineered by Matt Glasbey, Charlie Andrew, David Gilmour and Damon Iddins
Mixed by David Gilmour, Charlie Andrew and Matt Glasbey
Additional engineering by Andy Jackson and Luie Stylianou

davidgilmour.com

'One Hand Clapping,' archival 1974 Paul McCartney & Wings in-studio album, to get official release in June

With the June 14 release of One Hand Clapping, one of the most bootlegged live albums in musical history will finally receive a proper release. 

In August 1974, when Band on the Run was enjoying a seven-week consecutive #1 stint at the top of the UK album charts, Paul McCartney and Wings headed to Abbey Road Studios for the filming of a video documentary and possible live studio album – One Hand Clapping. Despite overwhelming demand for newly recorded material from the biggest band in the world at that time, One Hand Clapping was never officially released.

Filmed and recorded over four days and directed by David Litchfield, the release of One Hand Clapping is a historic moment for Paul McCartney fans. Over the years, various parts of One Hand Clapping have been bootlegged with varying degrees of success. Some of the material has also appeared on official McCartney releases. However, the June 14 release of One Hand Clapping, which features the original artwork designed for the project, including a TV sales brochure for the unreleased film at the time, is the first time the audio for the film—plus several additional songs recorded off-camera--have been officially issued.

One Hand Clapping showcased Wings‘ new line-up, fresh off their return from Nashville, where they recorded the classic single Junior’s Farm. Following the sudden departure of Denny Seiwell and Henry McCullough the previous year on the eve of recording the Wings masterpiece Band on the Run, Paul, Linda, and Denny Laine were now joined by guitarist Jimmy McCulloch and drummer Geoff Britton. Additionally joining the band in the studio were orchestral arranger Del Newman and saxophonist Howie Casey, who had previously played with Paul in Hamburg and would go on to join the Wings touring band. 

Opening with an instrumental jam that would become the One Hand Clapping theme song, the album features live-in-studio renditions of Wings mega-hits “Live and Let Die,” “Band on the Run,” “Jet,” “My Love,” “Hi, Hi, Hi,” “Junior’s Farm,” Paul’s much loved solo song “Maybe I’m Amazed,” reworked extracts of Beatles’ classics “Let It Be,” “The Long and Winding Road” and “Lady Madonna,” the Moody Blues hit “Go Now” with Denny Laine singing, and a Paul solo piano version of the Harry Akst/Benny Davis Tin Pan Alley classic “Baby Face.”

One Hand Clapping will be released in multiple formats, including an online exclusive 2LP + 7” package featuring an exclusive vinyl single of previously unreleased solo performances recorded on the final day of the sessions in the backyard of Abbey Road studios. These include the unreleased track “Blackpool,” The Beatles’ iconic “Blackbird,” Wings B-side “Country Dreamer,” and cover versions of Eddie Cochran’s “Twenty Flight Rock” (the first song Paul played to John Lennon when they met in 1957) and Buddy Holly’s “Peggy Sue” and “I’m Gonna Love You Too.”

ONE HAND CLAPPING
FORMATS
2LP + 7” (D2C)
*Previously released 2010 Band on the Run Archive Collection DVD
** Previously released as bonus audio on Archive Collection releases

One Hand Clapping will also be available to stream in Dolby Atmos
Atmos mix by Giles Martin and Steve Orchard
One Hand Clapping by Paul McCartney and Wings:

Paul McCartney: vocals, bass, piano, electric piano, Hammond organ, celeste, harmonium, acoustic guitar
Linda McCartney: Moog, electric piano, Mellotron, tambourine, backing vocals
Danny Laine: vocals, electric guitar, acoustic guitar
Jimmy McCulloch: electric guitar, backing vocals
Geoff Britton: drums

Featuring Tuxedo Brass Band and Howie Casey
Orchestra conducted by Del Newman

Produced by Paul McCartney

Disc 1
SIDE ONE

1. One Hand Clapping*
2. Jet*
3. Soily*
4. C Moon/Little Woman Love*
5. Maybe I’m Amazed*
6. My Love*

SIDE TWO
1. Bluebird*
2. Let’s Love*
3. All of You*
4. I’ll Give You a Ring*
5. Band on the Run*
6. Live and Let Die*
7. Nineteen Hundred and Eighty Five*
8. Baby Face*

Disc 2
SIDE ONE

1. Let Me Roll It**
2. Blue Moon of Kentucky
3. Power Cut
4. Love My Baby
5. Let It Be
6. The Long and Winding Road/Lady Madonna

SIDE TWO
1. Junior’s Farm
2. Sally G
3. Tomorrow
4. Go Now
5. Wild Life
6. Hi, Hi, Hi

Disc 3 (7”)
1. Blackpool
2. Blackbird
3. Country Dreamer**

SIDE TWO
1. Twenty Flight Rock
2. Peggy Sue
3. I’m Gonna Love You Too

Haircut 100 to tour North America for first time 40 years with Howard Jones, ABC

This is very exciting news. Three of my favorite pop/new wave acts from the Eighties - two of which I've interviewed in the past (Jones, Heyward). A must-see for fans of First Wave music. Read on for details...

Howard Jones and ABC will be hitting stages across North America this summer with special guest Haircut 100. The tour is made extra special by the return of Haircut 100, who will be playing to North American audiences for the first time in 40+ years with their original band line-up. Click here for a message/mini-performance from Howard Jones. See below for the confirmed itinerary, with more dates to be added.

Of the jaunt, Howard Jones commented, “I’m very excited to be hitting the road with my friends ABC and Haircut 100. Our audiences can look forward to some seriously top tunes night after night! Bring your celebratory selves to the party.” 

ABC frontman Martin Fry stated, “ABC in the USA. Very excited to hit the road alongside Howard Jones and Haircut 100 for an electrifying summer tour across the USA! Get ready for an unforgettable musical journey as we bring the hits to stages nationwide. Let's make memories and rock the house together!" 

Haircut 100’s Nick Heyward added, “Ever since our last tour in 1982 we’ve been pining to play in North America again, so this is a dream come true for us. Come down early and get your dancing shoes on, because there’s a lot of catching up to do.”

Howard Jones will be joined onstage by his longtime backing band: Nick Beggs (bass), Robin Boult (guitar), Dan Clarke (keyboards) and Robbie Bronnimann (keyboards and tech).

ABC’s Martin Fry will be supported by members of his UK/US touring bands including Toshi Yanagi (guitar), Andy Carr (bass), Jimmy Keegan (drums), and Rob Hughes (saxophone). 

Haircut 100 will feature original/founding members Nick Heyward (lead vocals/guitars), Graham Jones (guitars), Les Nemes (bass) and five additional players rounding out the show with brass and percussion.

Electronic music pioneer Howard Jones has been a constant presence on the international touring scene for the past four decades, playing live in a number of different configurations including intimate solo shows and dates with his full high-tech band set-up. He first burst upon the contemporary music scene in 1983, with his very English songwriting and pioneering synthesizers with “New Song”. His first two albums HUMAN’S LIB and DREAM INTO ACTION were worldwide hits. HUMAN’S LIB reached #1 in 1984 in the UK and featured the hits “New Song,” and “What Is Love?” In 1985, Jones released the follow-up, DREAM INTO ACTION, which quickly became a Top Ten Platinum album in the United States and featured the smashes: “Things Can Only Get Better,” “Life In One Day,” “No One Is To Blame,” and “Like To Get To Know You Well.”

Howard Jones has sold upwards of 10 million albums worldwide and continues to make new music and tour the world. Jones has performed on NBC’s top-rated morning and nighttime shows respectively, Today and The Tonight Show Starring Jimmy Fallon. His ubiquitous hits can be heard in such high-profile television series and films such as “Stranger Things,” “Breaking Bad,” “Watchmen,” “The Carrie Diaries”, “Superstore” and “Bumblebee”. Howard Jones’ most recent album is DIALOGUE, which was released in September, 2022. DIALOGUE is the third album in a trilogy of electronic releases from Jones with multi-media project ENGAGE coming out in 2015 and studio album TRANSFORM out in 2019. DIALOGUE garnered serious coverage in outlets such as Spin, Stereogum and more.

ABC has enjoyed a glittering career to date. They are one of a number of groups who came along and kick-started the 80s with their own brand of pop for a “new decade”. On its release in May, 1982, their debut album THE LEXICON OF LOVE crashed straight into the UK album charts at number one. Showcasing the soulful voice of lead singer Martin Fry with such hit songs as “Poison Arrow” and “The Look Of Love” and produced by the legendary Trevor Horn, it was voted by many as the best British album of the decade. More hits would follow with subsequent albums including “How To Be A Millionaire,” “Be Near Me” and “When Smokey Sings”. ABC has released nine albums to date and has sold upwards of 20 million albums worldwide; they continue to thrill audiences globally with their live show.

Haircut 100 released PELICAN WEST in 1982 to worldwide acclaim. That cherished LP contained their trademarks "Favourite Shirts (Boy Meets Girl)," HERE "Love Plus One" HERE and "Fantastic Day," HERE all UK top ten singles in the 1982-83 season. Soon they added a fourth, "Nobody's Fool," HERE by which time, PELICAN WEST was already platinum certified in the UK, only three months after release. The album spent 11 consecutive weeks in the British top ten and twice reached No. 2. It also charted in the US, Australia and beyond, after which frontman Nick Heyward left for a distinguished solo career. Heyward’s solo efforts included another top ten title, his debut solo album, NORTH OF A MIRACLE, in a collection of nine LPs in his own name to date.

North American tour dates:

AUGUST
14 Redmond, WA Marymoor Live
17 Sandy City, UT Sandy Amphitheater
18 Las Vegas, NV The Theater At Virgin Hotels
20 Inglewood, CA YouTube Theater
21 Del Mar, CA The Sound
24 Oklahoma City, OK The Zoo Amphitheatre
28 Columbus, OH TempleLive At Columbus Athenaeum
29 Windsor, ON Caesars Windsor – The Colosseum
30 Niagara Falls, ON Fallsview Casino Resort
31 Cleveland, OH TempleLive At Cleveland Masonic

SEPTEMBER
4 Montclair, NJ The Wellmont
5 Port Chester, NY The Capitol Theatre
6 Huntington, NY The Paramount