Tuesday, June 29, 2021

Out now: Ida Maria's 'Dirty Money' EP

More music news about Scandinavian acts...

Norwegian rock singer Ida Maria has unveiled the new video for her EP title track “Dirty Money,” which details how she experienced the music industry as a younger woman, often feeling exploited as a commodity instead of appreciated as a creative being.

Whereas the punk/pop song highlights some of the ways in which Ida participated in the dirty money ecosystem as a major label artist, the black and white video reflects Ida’s life now.

“The most obvious idea for ‘Dirty Money’ was to make [a] sex, drugs and rock’n’roll video. But we've seen that 1000 times before,” says director Per Heimly . “So, then I thought, What is the most rocking thing Ida Maria can do? Well, to be a working-class hero who has three to four jobs during the day to be able to be a rock star in the evening at the local bar. Is there anything more rock and tough than being a fisherman, sheep farmer or excavator operator, who has to work hard to survive and to get their deserved salary? We want to strike a blow for the common man and woman, in strong contrast to the superficial and greedy society we live in, where people step on corpses to get their Dirty Money.”

About Ida Maria:

Having established herself with breakout hits like 2007's "Oh My God," and 2008's "I Like You So Much Better When You're Naked" from her debut album Fortress 'Round My Heart, Ida Maria returned to Norway in 2013 after becoming disillusioned with the music industry and the major label system. 

"A girl can't put out music on a major platform without going through some twisted insane beauty ideal that doesn't correspond with my own ideals of what a woman can be. A woman is a complex creature. There are not enough complex female role voices out there," she states. 

Despite the struggle to work within the system, Maria managed to release her third album, Accidental Happiness. Her fourth album Scandalize My Name followed in 2016. Since then, she has been devoting herself to farming, building a studio, making music on her own terms, and looking inward for self-growth.

She received global critical acclaim for debut album Fortress Round My Heart. 

Dirty Money EP Track Listing:

1. I’m Busy
2. Dirty Money
3. Sick Of You
4. Celebration
5. California

Photo by Per Heimly

Soul Asylum's 'The Silver Lining' to get expanded edition and a 2006 EP, a digital debut

Legacy Recordings, the catalog division of Sony Music Entertainment will release for the first time via all digital service providers a Soul Asylum EP, Stand Up and Be Strong, originally released physically in 2006 and featuring the single plus 4 unreleased live songs from a December 2005 First Avenue performance. The EP plus a 15th anniversary expanded edition of the band’s album, The Silver Lining (Expanded Edition) will be made available on July 9. Pre-order: HERE

The first track, a previously unreleased radio edit of the title track from the Stand Up and Be Strong EP is available now via all digital service providers. In addition, the band has made a live performance video of “Lately” (a fan favorite album track from The Silver Lining) available on their YouTube channel for the first time. This performance is also from the same First Avenue performance and was originally included as part of a bonus DVD available as an exclusive version of the original album for the retailer Best Buy.

The Silver Lining, Soul Asylum’s ninth studio album was released in 2006 and included the song, “Stand Up and Be Strong.” The song was written by the band’s Dave Pirner. The track was also covered by Prince (he changed the title to read “Stand And B Strong”) and is included on Welcome 2 America, an album that Prince recorded in 2010 and which will be released from his vault in standard and Deluxe editions on July 30.

The Silver Lining (Expanded Edition), is the follow up release to Hurry Up and Wait, their highest charting album in 25 years, and includes the original album and makes visible the previously hidden track “Fearless Leader” and adds the bonus track “Showtime” which was originally part of the Japanese version of the album.

Following their 2020 tour, the band will embark on a national tour beginning August 3 in Reading, PA. For tour dates, please visit: https://www.soulasylum.com

Stand Up and B Strong EP

01 Stand Up and Be Strong Single Version
02 Misery Live at First Avenue, Minneapolis, MN - December 2005
03 Success Is Not So Sweet Live at First Avenue, Minneapolis, MN - December 2005
04 Just Like Anyone Live at First Avenue, Minneapolis, MN - December 2005
05 Slowly Rising Live at First Avenue, Minneapolis, MN - December 2005

The Silver Lining Expanded Edition (includes the original album plus bonus tracks):

01 Stand Up and Be Strong
02 Lately
03 Crazy Mixed Up World
04 All Is Well
05 Bus Named Desire
06 Watcha Need
07 Standing Water
08 Success Is Not So Sweet
09 Great Exaggerator
10 Oxygen
11 Good For You
12 Slowly Rising
13 Fearless Leader (originally a hidden track on the album)
14 Showtime (available as a bonus track Japan edition)

The Vaccines are 'Back In Love City' this September

I love most everything The Vaccines do, so I can't wait to hear this...

The Vaccines will release their new album, Back In Love City, on September 10. Recorded at Sonic Ranch, El Paso, TX, with producer Daniel Ledinsky (Tove Lo, Zara Larson, TV on the Radio), Back in Love City sees the five-piece present songs set against the fictional metropolis of the album’s title. The band previously shared the album’s first single “Headphones Baby” and now reveal the title track. Listen to “Back In Love City” here and watch the lyric video here: https://youtu.be/O4Vd430YnpE

Inspired by fictional cities - from Ridley Scott’s version of LA in Blade Runner to Cowboy Beebop’s Fear City - as much as places like Las Vegas, Tijuana and Tokyo, the idea of Love City took shape when the band’s frontman Justin Young set himself up in a house swap in Los Angeles, fueling his fascination with disconnection: “I literally swapped lives with a stranger. I lived in in house and drove his car while he lived in mine, but we’d never met and had no previous connections.”

Love City was born from the band’s fascination with emotions as commodities and the desperation for human connection. “In some obvious ways we’re more connected than ever,” Young explains. “But we’re also more polarised than we’ve been for 100 years and the world is getting colder. What if there was a place where love and other emotions had run dry - but you could go to Love City to get them?”

The titular Love City allowed Young’s songwriting to flourish like never before. He imagined The Vaccines as the house-band in Love City, a place where safety, solace and satisfaction are on offer as much as love, where mental and physical pleasure is for sale, and where nobody has to be alone.

Finished early in 2020 and mixed by Andrew Maury (Lizzo, Post Malone) with additional production from Fryars (Pharrell Williams, Mark Ronson), the album is not a lockdown record, but its theme of escapism resonates more than ever in the pandemic era. 

The Vaccines are Justin Young (vocals, guitar), Freddie Cowan (guitar, vocals), Árni Árnason (bass, vocals), Tim Lanham (keyboards) and Yoann Intoni (drums). Since the band’s inception they have sold over two million records worldwide.

This new record follows the 10th anniversary celebrations of their seminal debut, What Did You Expect From The Vaccines? Each of their four albums so far have charted in the Top 5 in the UK, with second album, Come Of Age, hitting #1. Multiple Brit, NME, Q, Mojo awards nominees, they have done arena-filling headline shows and slots at festivals including Glastonbury and Reading/Leeds.

Pre-order Back In Love City here.

Track listing:

1: Back In Love City
2: Alone Star
3: Headphones Baby
4: Wanderlust
5: Paranormal Romance
6: El Paso
7: Jump Off The Top
8: XCT
9: Bandit
10: Peoples Republic Of Desire
11: Savage
12: Heart Land
13: Pink Water Pistols

Brian Setzer is ready to 'rumble' again

BRIAN SETZER will release GOTTA HAVE THE RUMBLE, his first solo album in 7 years, August 27 on Surfdog Records physically (CD) and digitally, with the vinyl out this fall (TBA).

Last week, the singer/guitarist, three-time Grammy award-winner (and sometimes Stray Cats frontman) shared the first single/video, “Checkered Flag,” off the 11-track all-original album. Watch the animated music video depicting a classic hot rod race created by graphic artist Juan Pinto here and listen to the song here. Pre-save and pre-add the album here.

Produced by Julian Raymond (Glen Campbell, Cheap Trick), GOTTA HAVE THE RUMBLE contains songs, all written or co-written by Setzer, and was recorded in Minneapolis (Setzer’s adopted hometown) and Nashville.

“Obviously, it’s a reference to my motorcycles and hot rods, something that hasn’t changed since I was 15 years old,” says SETZER about the album title GOTTA HAVE THE RUMBLE. “I still have the same passion for going fast and adrenaline. But it’s also about my hearing problem with tinnitus--the ringing of the ear. It was pretty bad, and I realized that I couldn’t play the way I wanted to. As I recovered, standing in front of a small amplifier just didn’t cut it. The sound from my big amp makes the guitar rumble. Which is a big part of my sound. I was really despondent for a while because I thought I wouldn’t be able to do that again. So, ‘Gotta Have The Rumble’ refers to both of those things.”

Track listing:

1. Checkered Flag
Written by Brian Setzer and James McDonnell
2. Smash Up On Highway One
Written by Brian Setzer and Mike Himelstein
3. Stack My Money
Written by Brian Setzer and Mike Himelstein
4. The Wrong Side Of The Tracks
Written by Brian Setzer and Mike Himelstein
5. Drip Drop
Written by Brian Setzer
6. The Cat With 9 Wives
Written by Brian Setzer and Mike Himelstein
7. Turn You On, Turn Me On
Written by Brian Setzer
8. Rockabilly Riot
Written by Brian Setzer and Mike Himelstein
9. Off Your Rocker
Written by Brian Setzer and Stephen “Dibbs” Preston
10. One Bad Habit
Written by Brian Setzer and Mike Himelstein
11. Rockabilly Banjo
Written by Brian Setzer and Stephen “Dibbs" Preston

Johnny Cash from the vault news

On September 24, the Owsley Stanley Foundation and Renew Records/BMG will release Bear’s Sonic Journals: Johnny Cash, At The Carousel Ballroom, April 24 1968, an historic and never-heard live concert recorded in San Francisco by Owsley Stanley.

Captured in Haight-Ashbury just days before the release of Cash’s iconic At Folsom Prison album (and over six months before the arrival of the equally revered At San Quentin), At The Carousel Ballroom serves as a third essential - and wholly unique - live document from the era, a moment of cultural collision, with Cash leaning into songs about society’s outcasts, while playing a venue operated by The Jefferson Airplane and Grateful Dead.

The live album, which will be released on CD/2LP, features new essays by Johnny and June Carter Cash’s son John Carter Cash, Owsley Stanley’s son Starfinder Stanley, The Grateful Dead’s Bob Weir, and Widespread Panic’s Dave Schools, as well as new art by Susan Archie, and a reproduction of the original Carousel Ballroom concert poster by Steve Catron. The release will also be widely available in all digital formats by Legacy Recordings, the catalog division of Sony Music Entertainment.

Listen to “I’m Going to Memphis” from the Carousel Ballroom live recording now and pre-order the album here: https://johnnycash.lnk.to/CarouselPR


At The Carousel Ballroom captures Cash with his then-new bride June Carter, and backed by his legendary band The Tennessee Three: guitarist Luther Perkins, bassist Marshall Grant and drummer W.S. Holland. His set list that evening diverged from other concerts of the time, as Cash chose to cover two Bob Dylan compositions (“Don’t Think Twice It’s Alright,” and his earliest known recording of “One Too Many Mornings”) and perform songs of the overlooked and underserved such as “The Ballad of Ira Hayes.”

Recorded by Stanley in a verité style, the album startles with its clarity and dimension. Many of the sound reproduction techniques that Stanley pioneered while serving as the in-house engineer at the Carousel are accepted sonic gospel today. When he listened back to the Cash concert, he knew he had captured something special, immediately earmarking it for preservation. This release marks the latest entry in the Owsley Stanley Foundation’s ‘Bear’s Sonic Journals’ series, which has previously included Stanley’s live recordings of The Allman Brothers Band, Tim Buckley, Doc & Merle Watson and many more.

“When you hear this, you feel like you are on the stage with the band,” says Starfinder. John Carter Cash agrees, describing At The Carousel Ballroom as “what I believe to be one of the most intimate and connected shows I have ever heard.

JOHNNY CASH AT THE CAROUSEL BALLROOM, APRIL 24, 1968 TRACKLIST: 

1. Cocaine Blues
2. Long Black Veil
3. Orange Blossom Special (CD and Digital only)
4. Going to Memphis
5. The Ballad of Ira Hayes
6. Rock Island Line
7. Guess Things Happen That Way
8. One Too Many Mornings
9. Don’t Think Twice, It’s All Right
10. Give My Love to Rose
11. Green, Green Grass of Home
12. Old Apache Squaw
13. Lorena
14. Forty Shades of Green
15. Bad News
16. Jackson
17. Tall Lover Man
18. June's Song Introduction
19. Wildwood Flower
20. Foggy Mountain Top
21. This Land Is Your Land
22. Wabash Cannonball
23. Worried Man Blues
24. Long Legged Guitar Pickin' Man
25. Ring of Fire
26. Big River
27. Don't Take Your Guns to Town
28. I Walk the Line

Norway's Kings of Convenience re-emerge with 'Peace or Love'

We've had quite a few bands announcing their new music returns after an extended hiatus. Here's another...

Kings of Convenience just released their first album in 12 years, Peace Or Love on Imperial Records. It is accompanied by latest single, “Catholic Country” which features vocals from Canadian singer/songwriter Feist.

“Feist was coming to Europe in the summer of 2019 and motivated us to get some recordings done at Erlends house in Sicily” explains Erlend. “We worked on many songs there, some of which will see the light of day in the future, but Catholic Country was already the ripest of fruit. It only needed picking.”

Eirik Glambeck Boe and Erlend Oye met at school in Bergen, Norway and first performed together in the rock band Skog before breaking off and forming a duo in 1999. The pair established themselves as inadvertent trailblazers of a new wave of intimate, acoustic music. They’ve released 3 critically acclaimed albums, toured all around the world and cultivated a dedicated fanbase.

The band have shows at London's Royal Festival Hall on September 26, 2021 (afternoon matinee and an evening show.)

Tracklist: 

1. Rumours
02. Rocky Trail
03. Comb My Hair
04. Angel
05. Love Is A Lonely Thing
06. Fever
07. Killers
08. Ask for Help
09. Catholic Country
10. Song About It
11. Washing Machine

Rock vet Tony Marsico resurrects '80s rocker The Cruzados for a new album

Eighties rock band Cruzados - best known for such songs as "Motorcycle Girl," "Just Like Roses" and "Flor de Mal" - makes a surprise 
return this summer with She’s Automatic. It its the Los Angeles-bred group's first new studio album since 1987's After Dark.

The release includes 11 songs written or co-written by Tony Marsico - the bassist/co-writer for Cruzados and a member of its punk/pop predecessor the Plugz. She's Automatic will be available on CD and select digital and streaming platforms August 13 via Marsico’s label imprint Scamco, with a LP slated for fall.

When Marsico decided to resurrect the Cruzados, he recruited members of his ’80s L.A. contemporaries Little Caesar. Guest musicians on the songs include John Doe (X), Dave Alvin (the Blasters), David Hidalgo and Steve Berlin (Los Lobos), and Melanie Vannem (the Muffs, the Pandoras).

The Cruzados attracted national attention in the 1980s with their Latin-infused blend of hard rock and post-punk sounds. Signed to Clive Davis’ Arista Records, the quartet issued two albums, Cruzados (1985) and After Dark (1987), opened tours for Fleetwood Mac, Stevie Ray Vaughan and INXS and appeared at Farm Aid.

They also made an appearance in the 1989 action film Road House starring Patrick Swayze, but split two years later. Guitarist Marshall Rohner died in 2005. Drummer Chalo “Charlie” Quintana, who went on to greater prominence as a member of The Havalinas, Izzy Stradlin & the Ju Ju Hounds and Social Distortion, died in 2018.

Marsico ended up working on the debut album by Plugz/Cruzados singer/guitarist Tito Larriva’s band Tarantula. He became an in-demand session and touring musician for Bob Dylan, Linda Ronstadt, Neil Young, Roger Daltrey, Willie Nelson, Peter Case and Matthew Sweet, among others. The bassist has put out several albums with his jazz combo Martini Kings, appeared in TV shows and films and penned four books - notably the studio and road story filled Late Nights With Bob Dylan and I’m Just Here for the Gig.

With the isolation inherent at the start of the COVID-19 pandemic, Marsico pondered another album using the Cruzados name.

“Being penned up with the pandemic at home for a year, I started questioning my mortality,” he says in a press release announcing the project. “I felt like I got shortchanged with the Cruzados. We never got to put out a third album, due to a lot of crazy circumstances that cropped up. I wanted to do the band justice and go out on a high note. That was my goal, and to pay tribute to Chalo and Marshall.”

Material for a new Cruzados release came quickly. “I wrote a batch of new songs during the pandemic at home,” Marsico adds. “I had a lot of frustration and anger that I had to get out of me. Before I knew it I had an album. There wasn’t any big plan. I just felt motivated to do something more constructive than sit around being miserable about the state of the world.”

Songs co-written with onetime Fleetwood Mac guitarist Rick Vito (“Long Black Car”) and veteran blues keyboardist Barry Goldberg (“Son of the Blues”) were also contenders for the new album. “I’d always wanted to get those out, because we’d never properly released them,” Marsico says.

To help carry on the Cruzados’ legacy in the studio, Marsico recruited singer Ron Young, guitarists Mark Tremalgia and Loren Molinare of Little Caesar, who were also on the L.A. scene in the late ’80s as a Geffen Records act and are still active. The core Cruzados lineup was completed by drummer Ron Klonel, who has collaborated with Little Caesar in recent years.

“The Little Caesar guys were Chalo’s best friends — they were pals from back in the day,” Marsico says. “I had to find the best guy to be the lead singer. My tastes have changed a little — the influences are blues and rock ’n’ roll. I knew that Ron Young from Little Caesar loved blues, and we got to talking and we hit it off with the same style of music. I knew that he could pull this off and get behind it.

“Loren Molinare was in the great ’70s L.A. band the Dogs, of course, and I loved the Dogs, and Mark Tremaglia is an excellent slide guitarist I’ve been working with for a couple of years now. Rob Klonel is a great, solid rock ‘n’ roll drummer. It was really important for me to get someone who hit ’em hard like Chalo. They were a perfect combination of guys, and they had a lot of enthusiasm.”

With Bruce Witkin (Joe Perry, Hollywood Vampires, L.A. Guns) engineering and producing, the new Cruzados recorded at Unison Studios in L.A.

Marsico explains, “We did it old style — we just set up in a room all together, like we used to do records before they started putting everybody in isolation booths and all that crap. We got the band together and rehearsed, and we went into the studio a week later. Before we knew it, we had the album. All live, no click tracks. We all played in our own little area, with our masks on. Set up, play, cut the songs, boom. It felt great to rock with a bunch of like-minded guys. With our special guests, half of them came to the studio, and half recorded their parts at home.”

The bassist concludes by confiding “I didn’t like the way the Cruzados went out. We were really great friends. It was never a band that was at odds with one another. Yes, there were problems that tore us apart, but we were like family. Why not do it now? Life’s too short, man. You’ve only got so much time you can rock ’n’ roll.”

A 2022 European tour is in the works.

Photo: Conqueroo

Monday, June 28, 2021

The Connells return after long recording hiatus

Raleigh-based alt-rock band The Connells are back after a 20-year long hiatus with the release of their new single “Really Great.” The group has also announced their upcoming album Steadman’s Wake, which is out on Sept. 24 via Black Park/Missing Piece Records.

The Connells have a run of summer US tour dates with tickets available now.


“As it happens, ‘Really Great’ is one of the few songs that I’ve written totally in a major key,” says guitarist and vocalist Mike Connell, “which makes it seem brighter than most of the bands’ songs, which are in a minor key. The lyrics of the song are somewhat facetious or tongue-in-cheek, given that the situations described in the verses – ‘I’m in some never ending, mind-bending turnstile’ and ‘I’m in some thunder-clapping, soul-sapping whirlwind’ — are not ‘really great,’ at all, but are actually pretty dismal. This was an attempt at describing my take on what was going on in the world, between a global pandemic, and the fallout from that, as well as the political and social situation in this country. By the chorus, however, the prevailing mood or spirit of the song shifts when the singer begins to focus on the more personal and particular – going to see a friend, taking in the beauty of blue skies on a sunny day, some old favorite song rattling around in his head.”

Despite the two decades since their last recording, The Connells never quit performing, and Mike Connell never stopped writing songs. Steadman’s Wake features eight new songs and 3 re-recorded versions of previously-released demos which originally appeared on 2001’s Old-School Dropouts CD. This is the band’s first album to feature two newest members, guitarist Mike Ayers and drummer Rob Ladd (who have been in the lineup since 2002 and 2012, respectively), and the band’s first record with Mike Connell taking a prominent role as vocalist.

In addition to the album announcement and new single, The Connells also surprised fans by releasing their 1986 debut album Darker Days on streaming platforms for the very first time. The record, which has been out of print since the 1990s, was released in a digital format for the first time in April when it was added to Bandcamp. Demos of the original album caught the eye of executives at Elvis Costello’s Demon Records, which later released Darker Days in the UK.


The Connells first formed in Chapel Hill at the University of North Carolina in 1984, debuting a year later with the song “Darker Days” on the Dolphin Records More Mondo Compilation, followed by their debut album Darker Days in 1986.

Their 1987 Mitch Easter-produced album Boylan Heights established them as college-radio favorites, and they went on to work with producers including Gary Smith (Pixies, Billy Bragg), Hugh Jones (Echo & the Bunnymen, Modern English) and Lou Giordano (Goo Goo Dolls, Bob Mould) on subsequent albums. Three albums by The Connells have made the Billboard 200 charts in the United States, but their biggest commercial success came overseas in 1993 with “’74- ’75,” a pensive and moody ballad from their Ring LP which reached the top-10 in 11 European countries in 1995 (including No. 1 in Sweden, Norway and Germany).

Steadman’s Wake, their long awaited 9th album, was originally set for release in 2020. 

Tour Dates:

08/17 - Nashville, TN @ Brooklyn Bowl
09/17 - Athens, GA @ Georgia Theater
09/18 - Atlanta, GA @ The Eastern
09/29 - Brooklyn, NY @ Brooklyn Bowl
10/15 - Carrboro, NC @ Cat’s Cradle

Track list:

Really Great
Fading In (Hardy)
Steadman’s Wake
Rusted Fields
Song For Duncan
Gladiator Heart
Burial Art
Universal Glue
Stars
Hello Water
Helium

Queen's Brian May to reissue solo debut in expanded form

“Anybody fancy a season of BM re-releases with lots of juicy extras?” asked Brian May through his Instagram feed in 2020. “We’re working on a plan.” The first stage of that plan comes to fruition now, with the long-awaited reissue of the legendary Queen guitarist’s debut solo album.

On its release in September 1992, Back to the Light hit No. 6 in the UK album charts. Introduced to Queen fans during a performance at The Freddie Mercury Tribute Concert, Wembley Stadium, in April 1992, “Too Much Love Will Kill You” reached No. 5 in the UK. “Driven by You” had already peaked at No. 6. “Back to the Light” and “Resurrection” also charted, while the instrumental “Last Horizon” would become a staple of both The Brian May Band’s solo concerts and May’s later live return to Queen.

“Too Much Love Will Kill You” earned a Ivor Novello Award (Best Song Musically and Lyrically) and reappeared later in a different incarnation as a Queen track. “Driven by You” was the result of Brian accepting a challenge to create a track for a Ford Motor car TV ad. Bandmate Freddie Mercury complimented Brian on this vocal delivery. “Nothin’ but Blue” is co-credited to Cozy Powell and is the sister track to “Somewhere In Time” from his The Drums Are Back album. The song was written by Brian the night before Freddie Mercury passed away. Queen’s John Deacon makes a rare guest appearance on bass. There's also a cover of the Small Faces’ “Rollin’ Over.”

Written during a period of immense personal upheaval between 1988 and 1992, Back to the Light finds Brian assuming the spotlight following the losses of his father and Queen frontman Freddie Mercury, and the temporary cessation of the band’s activities. It also followed May’s separation from his first wife in 1988 and relationship with Anita Dobson, which made him the unwilling recipient of tabloid attention. In interviews, he talked about the struggles he experienced as a result of these life changes, describing the album as a kind of therapy.

In its making, he drew support from Deacon and Powell. Guests included Neil Murray and Gary Tibbs (Adam & The Ants, Roxy Music) on bass, Geoff Dugmore on drums (“Let Your Heart Rule Your Head,” “Rollin’ Over”), and Mike Moran on piano/keyboards across three tracks. Vocal assistance came from famed British singer Chris Thompson, with backing vocals at various junctures from Miriam Stockley, Maggie Ryder, Suzie O’List and Gill O’Donovan.

Long unavailable on CD, vinyl, digital download and streaming services, the reissue arrives with audio supervision from Justin Shirley-Smith and Kris Fredriksson. On the original release’s liner notes, Shirley-Smith received an affectionate namecheck for, writes Brian, “dealing with my erratic recording habits” in his role as co-producer and engineer. “Brian is a perfectionist and he won’t leave something until he’s happy,” says Shirley-Smith, whose work for Queen stretches back to 1984.

Sound engineer Fredriksson wanted to see that perfectionism reflected in the reissue. “If it hasn’t been available and we’re going to reissue it,” he notes, “we thought why not get it remastered by the best mastering engineer in the world?” Enter Grammy®-winner Bob Ludwig, who worked from the original restored flat mixes to ensure this new edition of Back To The Light sounds better than ever.

Meanwhile, Fredriksson cast the net wide to source bonus tracks for a second disc, Out of the Light. To mark the occasion of the reissue, Back to the Light will be available in a Collector’s Edition box set featuring an exclusive white-vinyl LP, two CDs, a 32-page book, a 12” art print, a download card and an enamel badge all presented in a lift-lid box. A limited-edition (x1,000) of the same box-set is available exclusively on Queen Online Store with a signed 12” art print.

The album will also be released on 1LP black 180g vinyl, 1CD, Deluxe 2CD, Cassette and digital formats, with Out of the Light available in the box set, on the 2CD and digital formats. A limited-edition 1LP Picture Disc will also be available exclusively on Queen Online Store.

“In my mind, this album was always called Back to the Light,” wrote Brian on the original sleeve notes. “At its beginning I felt no real hope of finding the light; now it glimmers dimly, encouragingly, but always intermittently in the hall of mirrors around me.”

Almost three decades on, Brian’s new sleeve notes include a tribute to the late Cozy Powell, along with a reflection on the search the album documents. “In 2021, proudly and fondly presenting this work to a new audience,” writes Brian, “and noting carefully my original liner notes, I can report that I am still on the quest of finding answers to most of the questions posed in this suite of songs, and to this day, the Light still glimmers darkly, tantalisingly, always a little out of reach. Music gets us through.”

Says Brian, “This is part of a series. The Brian May Gold Series. Each of them will have a little gold stamp on. And each one of them will give me the opportunity to rediscover the road that I travelled. I really found this fascinating. I was a little nervous at the beginning, thinking what is this going to dredge up in me? But I loved getting back in there. I’m really just hoping it will connect with people who have never heard this stuff before. They know me as guitarist for Queen. Some know me as an astronomer. Some know me as a campaigner for animal rights. I’m a sort of evangelist for 3-D Victorian Stereoscopy. But very few people have heard my solo output. So I’m excited to see how this turns out. I found it fascinating going back in there and rediscovering why I wrote certain things. What they meant to me. How we recorded. Some of it is so massive in the recording I can hardly believe we pulled it off - it’s very epic, some of it. And I like that. And at the same time, there’s little corners of it which are very simple, very understated, very emotionally naked. I discovered so much of what I’m saying in the album I still feel. I still feel those dangers, those fears, those hopes, those dreams.”

Track listings:

BACK TO THE LIGHT
Disc 1

1. The Dark (May)
2. Back To The Light (May)
3. Love Token (May)
4. Resurrection (Words: May. Music: May, Powell, Page)
5. Too Much Love Will Kill You (May, Musker, Lamers)
6. Driven By You (May)
7. Nothin’ But Blue (Words: May. Music: May, Powell)
8. I’m Scared (May)
9. Last Horizon (May)
10. Let Your Heart Rule Your Head (May)
11. Just One Life (May)
12. Rollin’ Over (May)

OUT OF THE LIGHT
Disc 2

1. Nothin’ But Blue - Guitar Version (May, Powell, Makin, Nicholls)
2. Too Much Love Will Kill You – Guitar Version (May, Musker, Lamers)
3. Just One Life – Guitar Version (May)
4. Driven By You Two (May)
5. Driven By You – Ford Ad Version (May)
6. Tie Your Mother Down (Featuring Slash) (May)
Live on the Tonight Show with Jay Leno, 5th April 1993
7. Too Much Love Will Kill You (May)
Live at the Palace Theatre, Los Angeles, 6th April 1993
8. ’39 / Let Your Heart Rule Your Head (May)
Live at the Brixton Academy, 15th June 1993
9. Last Horizon (May)
Live at the Brixton Academy, 15th June 1993
10. We Will Rock You (May)
Live at the Brixton Academy 15 June 1993
11. Driven By You – Cozy and Neil Version ’93 (May)

The Live tracks are played by The Brian May Band from the ‘Back To The Light’ Tour 1993.

Brian May: Vocals/Guitar, Cozy Powell: Drums. Neil Murray: Bass, Spike Edney: Keyboards,
Jamie Moses: Guitar/Vocals, Cathy Porter: Vocals, Shelley Preston: Vocals.
“And a special thank you to Slash."

Long awaited new music from Toad the Wet Sprocket arrives in August

Toad the Wet Sprocket's 
first new studio album in eight years Starting Now will be available Aug. 27 via SRG/ILS Group. 

“Some time around the end of 2019 it became clear that it was time for a new Toad record. We’d taken long break from recording together and it felt like we had the right songs and the right energy again.” says lead vocalist, Glen Phillips.

“If there’s a theme to these songs, it’s hope. We’ve all been through a crazy couple of years and I wanted to take a deeper look at what it’s like to be thrown far off center and find a new way of living on the other side. How do we not just survive but actually ground ourselves in such unusual times?”

“Even in the lowest moments of the pandemic we knew that whenever Toad was able to safely play again, our fans would show up," commented Dean Dinning. "Our fans have been supporting us faithfully for the past 30 years, which makes for a lot of familiar faces in the crowd each night. We do want our fans to know that we see and appreciate them, and that when we get together, we are all among friends."

“The process of making this album over the past year was a little unusual for all of us, and recording the guitar parts in my home studio without anyone around was such a different experience.", commented Todd Nichols, “The collaborative process was done by emailing tracks back and forth without ever seeing each other in person. It’s definitely going to be a blast playing these songs together for the first time.”

Leading into 2021, Toad the Wet Sprocket released the title track of their forthcoming album, “Starting Now.”

Toad the Wet Sprocket will also be hitting the road this summer for their first live tour since 2019. Tickets for the tour are available now for pre-sale and kicks off in September.

Flogging Molly and Violent Femmes team up for a tour

Flogging Molly and Violent Femmes have announced a fall co-headline tour, featuring Me First And The Gimme Gimmes. 
The run kicks off in September in Maryland Heights, MO. It is on sale now. For tickets and more information, please visit HERE.

Dave King of Flogging Molly’s Dave King says, “What a joy it is to announce our co-headline tour this coming September/October 2021 with the legendary Violent Femmes. We in the Flogging Molly family cannot wait to share the stage with such an amazing group, so please join us in celebrating the return of what we’ve all truly missed: the live music experience. We cannot wait to see you all! So take care dear friends, till we raise a glass to one and all, Slainté! Flogging Molly.”

Violent Femmes’ Brian Ritchie shares: “Can’t be hermits forever. Violent Femmes re-enter the big bad world they sing about. We are happy to crawl out of our hole just in time to celebrate 40 years as a band.”

As Violent Femmes celebrate their 40th anniversary together this year, this also provided an opportunity to commemorate the band’s enduring catalog of cult classics with the long out-of-print vinyl reissue of Add It Up (1981–1993). Available now via Craft Recordings, the 23-track compilation was re-released on 2-LP and digital formats, featuring the Femmes’ biggest hits such as “Blister in the Sun,” “American Music,” and “Gone Daddy Gone,” plus live recordings of fan-favorites like “Add It Up,” and “Kiss Off,” alongside a trove of demos, B-sides, interstitial voice recordings, and rarities. Click here to stream or pick up Add It Up (1981–1993) on vinyl. Craft will be working with the band on more special catalog reissues to be announced shortly, stay tuned to Violent Femmes’ socials for more details coming soon.

This news follows an announcement that Flogging Molly are partnering with Sixthman for the 6th Salty Dog Cruise, setting sail March 28 – April 1, 2022 with Descendents, The Distillers, Frank Turner (Duo), Me First and the Gimme Gimmes and others. For more information, visit: www.floggingmollycruise.com. The band also recently performed a special St. Patrick’s Day livestream concert broadcast from Whelan’s Irish Pub in Dublin, Ireland, in partnership with Bushmills Irish Whiskey®. Additionally, Flogging Molly will perform at Bonnaroo Music & Arts Festival in Manchester, TN on Sunday, September 5.

Flogging Molly & Violent Femmes Tour Dates:

9/3 – Maryland Heights, MO – St. Louis Music Park
9/4 – Indianapolis, IN – TCU Amphitheatre at White River State Park
9/8 – Columbus, OH – EXPRESS LIVE!
9/10 – Detroit, MI – Masonic Temple Theatre
9/11 – Cleveland, OH – Jacobs Pavilion
9/12 – Asbury Park, NJ – Stone Pony Summerstage
9/14 – Chicago, IL – Byline Bank Aragon Ballroom
9/15 – Pittsburgh, PA – Stage AE
9/17 – Boston, MA – Leader Bank Pavilion
9/18 – Rochester, NY – Main Street Armory
9/19 – Saratoga Springs, NY – Saratoga Performing Arts Center Inc.
9/21 – New York, NY – Pier 17
9/22 – New Haven, CT – Westville Music Bowl
9/24 – Philadelphia, PA – Metropolitan Opera House
9/25 – Big Flats, NY – Tag’s Summer Stage
9/26 – Washington, DC – The Anthem
10/5 – Dallas, TX – South Side Ballroom
10/6 – Houston, TX – Bayou Music Center
10/8 – Mesa, AZ – Mesa Amphitheatre
10/9 – Las Vegas, NV – Theater at Virgin Hotels Las Vegas
10/10 – Paso Robles, CA – Vina Robles Amphitheatre
10/12 – Sacramento, CA – Heart Health Park
10/13 – Fresno, CA – Woodward Park Rotary Amphitheater
10/15 – Bend, OR – Les Schwab Amphitheater
10/16 – Seattle, WA – WaMu Theater
10/17 – Eugene, OR – Cuthbert Amphitheater
10/19 – Salt Lake City, UT – The Complex
10/20 – Denver, CO – The Mission Ballroom
10/22 – Milwaukee, WI – Miller High Life Theater
10/23 – Minneapolis, MN – The Armory

Squeeze set headline U.S. concerts between Daryl Hall and John Oates opening dates

Squeeze (whose founding members Chris Difford and Glenn Tilbrook have been compared to the likes of John Lennon and Paul McCartney as songwriters and performers), are set to begin the U.S. leg of their 24-date Nomadband tour on August 1 . The group’s headlining schedule will be interspersed with 18 support dates for Daryl Hall & John Oates and will continue throughout the summer into early fall 2021.

Squeeze will begin their Nomadband tour at Nashville’s historic Ryman Auditorium before joining Hall & Oates for their first date on August 5 in Mansfield, MA (with KT Tunstall.) The band’s final headlining show in the U.S. will be on October 7th at the Moda Center in Portland, OR.

“I'm so excited to be back on stage and in the thick of our wonderful set list of songs,” said Chris Difford. “Seeing an audience again will be inspiring and emotional, it’s been too long.”

Adds Glenn Tilbrook: “I think this is my most anticipated U.S. tour since our first in 1978. Our great band is just getting greater and we are also welcoming Owen Biddle, who joins us from Nashville. Can’t wait to see you."

Squeeze’s debut self-titled album was released by A&M in 1978 (after a three-song EP) at the height of the punk revolution, but its pop songwriting hooks and melodies hark back to the ‘60s British Invasion. That album included the track, “Take Me I’m Yours,” followed by a cadre of hits on the UK charts including “Cool for Cats,” “Up the Junction,” “Pulling Mussels From A Shell,” “Black Coffee in Bed” and “Labeled With Love.” Squeeze’s hits “Tempted,” “Hourglass” and “853-5937” (from East Side Story) made their mark in the U.S. in 1981.

Squeeze disbanded in 1999 and reunited in 2007, releasing three new albums since then (2010’s Spot the Difference, 2015’s Cradle to the Grave and 2017’s The Knowledge,) as well as various solo projects from both Chris and Glenn. Aside from Difford and Tilbrook, Squeeze now features keyboardist Stephen Lange and drummer Simon Hanson (since 2007,) percussionist/back-up singer Steve Smith (vocalist for house music group Dirty Vegas) along with pedal/lap steel guitarist Melvin Duffy (who joined them for the 2019 tour) and Owen Biddle, former bassist for The Roots.

The band’s “Squeeze Songbook 2019” tour featured opening acts like KT Tunstall, They Might Be Giants, X, Marshall Crenshaw, the Mavericks and Leon Tilbrook in selected cities. Two-time Rock and Roll Hall of Fame Foo Fighters founder Dave Grohl even joined the band at the Bourbon & Beyond Festival in Louisville in September 2019 to perform percussion on “Black Coffee in Bed.”

SQUEEZE Tour Dates:

8.1.21 Ryman Auditorium Nashville, TN Headline
8.2.21 Durham Performing Arts Center Durham, NC Headline
8.4.21 Ridgefield Playhouse Ridgefield, CT Headline
8.5.21 The Xfinity Center Mansfield, MA Hall & Oates
8.6.21 Hershey Theatre Hershey, PA Headline
8.7.21 The Mann Center Philadelphia, PA Hall & Oates
8.9.21 Bank of NH Pavilion Gilford, NH Hall & Oates
8.10.21 Ridgefield Playhouse Ridgefield, CT Headline
8.11.21 Northwell Health/Jones Beach Wantaugh, NY Hall & Oates
8.13.21 PNC Bank Arts Center Holmdel, NJ Hall & Oates
8.14.21 The Tarrytown Music Hall Tarrytown, NY Headline
8.15.21 Saratoga Performing Arts Center Saratoga Springs, NY Hall & Oates
8.16.21 Aura Portland, ME Headline
8.17.21 Blossom Music Center Cuyahoga Falls, OH Hall & Oates
8.18.21 EXPRESS LIVE! Columbus, OH Headline
8.19.21 TCU Amph at White River State Park Noblesville, IN Hall & Oates
8.21.21 DTE Energy Music Theatre Auburn Hills, MI Hall & Oates
8.22.21 Meijer Gardens Amphitheater Grand Rapids, MI Headline
8.23.21 Riverbend Music Center Cincinnati, OH Hall & Oates
8.25.21 Hoyt Sherman Place Des Moines, IA Headline
8.26.21 Hollywood Casino Amphitheater Tinley Park, IL Hall & Oates
8.27.21 The Pageant St. Louis, MO Headline
8.28.21 American Family Insurance Amph Milwaukee, WI Hall & Oates
8.30.21 Xcel Energy Center Saint Paul, MN Hall & Oates
9.1.21 Ball Arena Denver, CO Hall & Oates
9.2.21 Red Butte Garden Salt Lake City, UT Headline
9.4.21 Moore Theater Seattle, WA Headline
9.6.21 Virgin Hotels Las Vegas Las Vegas, NV Headline
9.7.21 Luther Burbank Center For The Arts Santa Rosa, CA Headline
9.9.21 Grand Theatre at The Grand Sierra Resort Reno, NV Headline
9.10.21 Fox Performing Arts Center Riverside, CA Headline
9.11.21 Ak-Chin Pavilion Phoenix, AZ Headline
9.13.21 The Criterion Oklahoma City, OK Headline
9.14.21 Uptown Theatre Kansas City, MO Headline
9.16.21 Budweiser Stage Toronto, ON Hall & Oates
9.17.21 del Lago Resort & Casino Waterloo, NY Headline
9.18.21 Merriweather Post Pavilion Columbia, MD Hall & Oates
9.20.21 MIDFLORIDA Credit Union Amph Tampa, FL Hall & Oates
9.22.21 Hard Rock (Hollywood, FL) Fort Lauderdale, FL Hall & Oates
9.23.21 Jacksonville Theatre Jacksonville, FL Headline
9.24.21 Ameris Bank Amphitheatre Alpharetta, GA Hall & Oates
9.26.21 The Cynthia Woods Mitchell Pavilion The Woodlands, TX Hall & Oates
9.27.21 Tobin Center for the Performing Arts San Antonio, TX Headline
9.28.21 Dickies Arena Fort Worth, TX Hall & Oates
10.1.21 Hollywood Bowl Los Angeles, CA Hall & Oates
10.2.21 Viejas Arena San Diego, CA Headline
10.3.21 North Island Credit Union Amphitheatre Chula Vista, CA Hall & Oates
10.5.21 Shoreline Amphitheatre Mountain View, CA Hall & Oates
10.7.21 Moda Center Portland, OR Hall & Oates

Damon Albarn news

The Nearer The Fountain, More Pure The Stream Flows, the new studio album from Damon Albarn, will be released by Transgressive Records on Nov. 12.

It was originally intended as an orchestral piece inspired by the landscapes of Iceland. This last year has seen Albarn return to the music in lockdown and develop the work to 11 tracks which further explore themes of fragility, loss, emergence and rebirth. The result is a collection of songs with Albarn as storyteller. The album title is taken from a John Clare poem Love and Memory.

Albarn says, “I have been on my own dark journey while making this record and it led me to believe that a pure source might still exist.”

Alongside a digital release, there will be limited edition color vinyl formats, plus CD and cassette. There will also be a deluxe version of the album, taking the form of a casebound book with additional photography, original scanned lyrics and artwork from Damon, alongside a clear vinyl version of the album, a high quality digital file and a bonus 7” featuring an exclusive song from the recording sessions.

Albarn debuted a set of songs from the album as part of the Live At Worthy Farm event last month, highlights of which can be seen on BBC iPlayer ahead of a BBC Two documentary ‘Live At Worthy Farm: Backstage.’ And this summer, accompanied by a band and string section, Albarn will perform two festival shows to play tracks from across his songbook, including the new album, on 13th July at Manchester International Festival and Edinburgh International Festival on 24th August.

Track listing:

The Nearer The Fountain, More Pure The Stream Flows
The Cormorant
Royal Morning Blue
Combustion
Daft Wader
Darkness To Light
Esja
The Tower Of Montevideo
Giraffe Trumpet Sea
Polaris
Particles

2022 Tour Dates (rescheduled from 2021):

21 & 22 February - London (Barbican)
23 & 24 February - Dublin (National Concert Hall)
26 February - Luxembourg (Philharmonie)
28 February - Brussels (Bozar)
1 March - Brussels (Bozar)
2 March - Eindhoven (Muziekgebouw)
4 & 5 March - Paris (Philharmonie)
6 March - Lyon (Auditorium)
7 March - Hamburg (ElbPhilharmonie)
9 March - Copenhagen (KB Hallen)
11 March - Reykjavik (Harpa)

For tickets and information, visit: https://www.raindogprod.com/artiste/the-nearer-the-fountain-more-pure-the-stream-flows/

Preorder the album HERE

Further Information:

Download high res press image HERE

In stores Friday: 'Honky Tonk Hippies' EP from LANCO

Country band LANCO has a new EP, HONKY-TONK HIPPIES, available July 2. It was 
self-produced by the musicians, with each track penned by at least two members. The group recorded at Fame Studios in Muscle Shoals, AL.

Brandon Lancaster, Eric Steedly, Chandler Baldwin, Jared Hampton and Tripp Howell will do a headline tour in September starting in Isle of Palms, SC. On sale now. 

“For our band, the two things we love more than anything are playing shows and being in the studio,” said frontman Brandon Lancaster. “So, the minute we were cleared, we booked Fame Studios and started planning this tour. Seeing the dates on a calendar helped us visualize being back on stage, and these songs reflect that feeling. We tracked everything live with all our pent up energy, and it won’t be long until we’re out there with the fans crowd-surfing to it.”

TRACK LIST:

1.) "Honky-Tonk Hippies"
Written by Brandon Lancaster, Jared Hampton, Tripp Howell, Tate Howell
2.) "Wild Again"
Written by Brandon Lancaster, Chandler Baldwin, Tripp Howell, Tate Howell
3.) "Moonlight Mingle"
Written by Brandon Lancaster, Jared Hampton, Tate Howell
4.) "I Need A Beer"
Written by Brandon Lancaster, Jared Hampton, Tripp Howell, Tate Howell
5.) "Price You Pay" -
Written by Brandon Lancaster, Chandler Baldwin, Jared Hampton, Eric Steedly, Tripp Howell, Tate Howell

TOUR DATES:

09/12/21 Isle of Palms, SC - The Wind Jammer
09/16/21 Athens, GA - Georgia Theatre
09/17/21 Tuscaloosa, AL - Druid City Music Hall
09/18/21 Chattanooga, TN - The Signal
09/24/21 Bay St. Louis, MS - The Whiskey Barrel
09/25/21 Huntsville, AL - Von Braun Center - Mars Music Hall
09/30/21 Detroit, MI = Majestic Theatre
10/01/21 Indianapolis, IN - 8 Seconds Saloon
10/02/21 Grand Rapids. MI - The Intersection
10/14/21 Columbia, SC - The Senate
10/29/21 Baltimore, MD - Rams Head Live
10/30/21 Philadelphia, PA - Theatre of Living Arts (TLA)
11/04/21 Sioux Falls, SD - The District
11/05/21 Clear Lake, IA - Surf Ballroom
11/11/21 Milwaukee, WI - The Rave
11/12/21 Rosemont, IL - Joe's Live
11/13/21 Rootstown, OH - Dusty Armadillo
12/01/21 Phoenix, AZ - The Van Buren
12/03/21 San Diego, CA - House of Blues San Diego
12/04/21 Los Angeles, CA - El Rey Theatre
12/07/21 San Luis Obispo, CA - Fremont Theater
12/08/21 San Jose, CA - CLub Rodeo
12/09/21 Sacramento, CA - Ace of Spades
12/10/21 Chico, CA - El Rey Theatre - Chico
12/11/21 Portland, OR - Crystal Ballroom
12/12/21 Seattle, WA - Showbox SoDo
12/14/21 Spokane, WA - Knitting Factory Spokane
12/15/21 Boise, ID - Knitting Factory Boise
12/16/21 Salt Lake City, UT - The Depot
12/17/21 Denver, CO - Grizzly Rose - Denver, CO

Friday, June 25, 2021

Pride Month/LGBTQ Music News Roundup: Ryland James, Kentö, Vincint, A Great Big World, John Roberts

Two-time Juno Award-nominated Canadian pop singer Ryland James has unveiled his new single “3 Purple Hearts” through 21 Entertainment/Republic Records/EMI Universal Music Canada. 
Listen to it HERE.

Ryland publicly came out via a letter on his Instagram earlier this year. The new song reflects the same level of candor as he authentically discusses his current relationship over delicately plucked acoustic guitar. Through a show-stopping vocal performance, the theme becomes embodied in the refrain, “Tell me that what we have scares you, I’d be lying if I told you that I wasn’t scared too.”

Of the single, he explained, “‘3 Purple Hearts’ is the most personal song I’ve ever written about my love life. Early last year, my boyfriend-to-be commented three purple heart emojis on one of my Instagram pictures. I noticed it and somehow immediately knew he was someone special. We started chatting and eventually met in Toronto one beautiful June evening. We fell in love really quickly and spent almost all of our time together over the summer. Due to circumstances brought on by the pandemic, he had to move home to Thunder Bay at the end of that summer, so we did long-distance during the fall and winter. It was one of the most difficult growth periods of my life, but I’ve never experienced anything so rewarding or fulfilling. This song is me telling the story of how we met and how I was honestly feeling about everything in our relationship back when he had to leave for that first scary time.”

This week, he promoted the release with a series of international media appearances, including the Marilyn Denis Show in Canada and a three-song acoustic set on the special pride MTV Jam Sessions IG Live.

More music is to come from Ryland James soon.

In 2020, he released a self-titled debut EP. In addition to peaking at #1 on Shazam Canada’s Top 200 chart, the lead single “In My Head” recently picked up a platinum certification in Canada, while his catalog eclipsed over 700 million global streams in a little over a year. In 2019, he performed in venues across North America supporting Alessia Cara.

New York-based multilingual singer Kentö has a new dance/pop single out called “Silhouette.”

The LGBTQ artist has been creating his own music for the past eight years, developing songs that tell stories about his own life experiences, and the inspiration for this song came to fruition while watching Olympics interviews.

Says Kento, “I saw Adam Rippon in an interview during the Olympics. He was full of joy. The best. The coolest. Unafraid to be so visibly himself. If I was younger and I saw someone on TV representing such freedom and self-love, I would be inspired by that. I aspire to be that. I wrote this song imagining myself as a kid and thinking about what I would tell my younger self.”

“Silhouette” is the first single off of Kentö’s upcoming album release, Strangers, slated for release later this year. Inspired by the likes of Duran Duran, Tears for Fears, Kate Bush, and Peter Gabriel; Kentö states “I feel like I'm finally making music that is really expressing the sounds that have been in my head all along.”

Born in Northern Maine to a half Japanese/half French Dad and a Brazilian/French Canadian Mom, Kentö’s upbringing and travel have shaped him into the artist he is today. While living between Maine, Brazil and Canada, Kentö predominantly spent his childhood and teenage years in Japan, where he learned about music from all over the world at a young age.

After working on a punk/pop project for four years in Japan, Kentö realized he wanted to branch out and discover a more timeless sound that felt more authentic to him, rather than what managers and labels decided on his behalf.

In 2012 Kentö decided to take a chance, move to LA, call his own shots and start diving into a more diverse range of music. While doing so, he met artist/producer Frankmusik [Ellie Goulding, RuPaul, Erasure], and recorded/released his debut EP Complicated. From there Kentö was born, and his electro-edged pop music started grabbing attention.

In 2019 Kentö was selected to join Them [Condé Nast], as one of the first of 30 LGBTQI+ ambassadors for the launch of their new publication and initiative. Being a strong voice for others to receive inspiration from has always been a shining light throughout any project he takes on. 

Kentö elaborates, “I am LGBTQI+ and I'm on the autism spectrum, and I think these are all my superpowers. I think pop music tends to have trends that all sound like one thing, and then someone comes along and shakes things up with a timeless sound. That's the kind of music I want to make. I have overcome a lot in my life, my parents passed when I was young, I’ve battled Cancer, and navigating the world not only as an LGBTQI+ person, but also one on the spectrum has really given me a lot of perspective on the world, life, and music. The amount of joy I feel being able to even be writing this right now that I have is immense. I'm so proud of myself, and I want to just share my music and positivity to the world.”

Philadelphia pop singer Vincint's debut album There Will Be Tears is available on all digital streaming platforms now.

STREAM THERE WILL BE TEARS

The album emerged from a period of deep personal soul searching during a tumultuous summer 2020. The new collection sees Vincint joined by special guests such as Alex Newell, Qveen Herby, Parson James, and Tegan and Sara (who contribute harmonies to “Getaway”). With songs produced by Grammy nominee JHart (Camila Cabello), John Greenham (Ashnikko), Storyboards and more, the album is heralded by the singles “Higher (featuring Newell),” “All Over Again,” “Kill My Heart (featuring James & Herby)” and “Getaway (featuring Tegan and Sara),” all of which have earned over one million streams on Spotify alone and over two million across all streaming platforms combined.

Earlier this month, Vincint made his TV debut on the Today Show performing “Getaway” with Tegan and Sara.

In a recent episode of the Talkhouse Podcast, Vincint told Meghan Trainor, “I don’t see popstars who look like me - no one’s as dark as me, no one’s as gay as me - well that's not true, but, you know what I mean? I want people who are like me to see me and say, ‘Damn, I can do that.’” The full podcast episode is available to stream now HERE and sees both discussing their favorite collaborators, mutual acquaintances and advice on dealing with stardom.

“The first time I listened to the full album top to bottom, by the time it was over I was just sitting there with my face drenched in tears,” Vincint says. “I went through all of the emotions I was missing and realized that this is what it feels like when you make something you love. It’s not just something I felt like I wanted to create, but something I needed, craved and desired for my soul.”

Vincint was previously heard on his debut EP The Feeling, available now via AWAL for streaming and download. The EP – which features collaborations with producers John Greenham and Alex Psaroudakis (Cher, M.I.A.) – includes the singles, “Someday,” “Please Don’t Fall In Love,” and “Save Myself,” the latter joined by a companion video, streaming now at YouTube.

In the recent past, Vincint has performed at New York City’s Governors Ball, headlined performances at Los Angeles Pride, had multiple sold-out shows in New York City and Los Angeles, appeared at the 2020 Academy Awards (as a member of Cynthia Erivo’s gospel choir), the United States Conference on AIDS, SXSW, and the 2019 GAY TIMES Honours 500 in London.

Though it all, his mission has been clear: “I make music to make you cry and make you dance,” Vincint says. “But most importantly, to make you feel something.”

Grammy Award-winning multiplatinum duo A Great Big World teamed up with Emmy-award winning choreographer Travis Wall for a music video of their new single “Boys In The Street.” Click HERE to watch.

Directed by Se Oh (Troye Sivan, AJR) and choreographed by Travis, the video brings the song’s story of a father’s journey accepting his son for who he is to life with an emotionally raw performance. Travis also stars in the video.

A Great Big World vocalist Chad King (who identifies as gay) shared his thoughts behind the video with HuffPost Entertainment saying, “I would love for people to connect with the honesty and authenticity of the story behind the song and video, and to maybe have an awareness and appreciation for someone else’s struggles and differences in a way they haven’t had before. I am so proud of the video and how it captures the feeling the song gives me. I hope others will connect to it in a similar way.”

Additionally, on the inspiration behind incorporating dance into the video, A Great Big World vocalist/pianist Ian Axel said, “The dance world has always embraced our music, really since we started making music together and we can’t think of a better way to visually tell the stories of our songs. We’ve been fans of Travis’ for a while now and have always wanted to work with him. We’ve just been waiting for the right moment, and this felt like it. There are few choreographers who make our hearts burst like Travis does. We’re so honored and thrilled that he was open to be a part of this."

“Boys In The Street,” a rendition of Greg Holden’s song by the same title, follows A Great Big World’s “Fall On Me” with Christina Aguilera, both of which will be featured on their third full-length album due out this August. The latter has generated more than 30 million streams worldwide and reunited A Great Big World with Aguilera following their seven-times-platinum Grammy-winning hit “Say Something.”

Electronic music artist John Roberts has released debut album, Lights Out (via X-Bop). It was produced by Junior Sanchez and features guest appearances from Debbie Harry, Beth Ditto and babydaddy (Scissor Sisters).

Listen to the Lights Out here: https://snd.click/_LightsOut

Lights Out is a collection of 13 songs influenced by electronic, pop, and new wave of the ’80s and ’90s. It features the Depeche Mode-fused “Divide People. With a video directed and choreographed by Nina McNeely (Bjork, Banks), Roberts explores the world under the microscope of former administration and coming out of that “hateful, divineness, racism, homophobia, and anti-semitism, Asian hate and kids in cages.” Motioning ahead, Roberts insists the song is beyond “him” now.

Other offerings include the title track "Lights Out" featuring Debbie Harry of Blondie, with a trippy animated video directed and animated by Kris Baldwin (Birds of Prey, Cartoon Networks DC Super Hero Girls) and the lead single "Freaks", also with a video from McNeely.

Then there is “Nobody.”

“Beth Ditto’s voice is church-like. It’s an uplifting song,” Roberts said in a statement to Rolling Stone, adding of the track. “When I was a kid, I used to jump on a mini trampoline in front of the mirror to Janet Jackson and it just reminds me of being alone with yourself, spazzing, and dancing. It’s about showing the world that you’re kind of capable of things that they don’t expect. It’s having those moments alone with yourself where you kind of gain confidence, then bring it out to the rest of the world, and just being a little different, confident, and knowing there’s other freaks out there.”

Ultimately, Roberts—who also is an Emmy-nominated TV star, LGBTQ artist and comedian best known as the voice of the lovable Linda Belcher on the hit TV show “Bob's Burgers”—has crafted an album that is the truest representation of his love of music.

Track list:

1. Lights Out Feat. Debbie Harry
2. Freaks
3. Nobody Feat. Beth Ditto
4. Divide People
5. Stoned In Love
6. Lose Your Mind
7. The Wave
8. Thought Control
9. Hyper Critical
10. Love Electric
11. Our Vibe
12. Here It Comes Now